Glengarry Glen Ross endures mainly as a spectacular display of verbal warfare and alpha-male gamesmanship. There’s a musical quality to it, with a great composer and a great chorus hitting the complicated runs of broken dialogue and solos that weave into profane poetry and nuggets of philosophical wisdom. Perhaps the greatest sign of the movie’s success, owed equally to Mamet’s script and this cast, is that it does a great sales job in itself, convincing us that there’s nobility to men who lie for a living — a bill of goods we’re all too happy to buy. [more inside]
posted by Trurl
on Sep 29, 2011 -
67 comments
Finnish YouTube user
Ishexan has uploaded seven English subtitled movies in parts:
Broken Blossoms (
1919),
Aelita (
1924),
The Gipsy Charmer (
1929),
The Tragedy of Elina (
1938),
The Activists (
1939),
The Wooden Pauper's Bride (
1944), and
Sampo (
1959), which is based on the epic poem
The Kalevala. The films are mostly Finnish, though
Aelita is a silent Russian sci-fi film, and
Sampo was a joint Finnish and Soviet production. More film clips inside (mostly Finnish documentaries and "dorky musical numbers").
[more inside]
posted by filthy light thief
on Apr 30, 2011 -
12 comments
The other places are like kindergartens compared with this. It smells so incredibly evil! I didn't think such a place existed except in my own imagination. It has a ghastly familiarity like a half-remembered dream. *Anything* could happen here... any moment... Pauline Kael called it "hilariously, awesomely terrible". Others consider it "
a forgotten gem of a film that set the gold standard for noir films to come".
It was Josef von Sternberg's last major film -
The Shanghai Gesture (1941).
(parts 1, 2, 3, 4, 5, 6, 7, 8, 9, 10)
posted by Joe Beese
on Jan 18, 2011 -
7 comments
Three years after the failure of his recklessly ambitious Marxist epic
1900, Bernardo Bertolucci returned to directing with
La Luna - a story of opera and
incest featuring a Golden Globe-nominated performance by Jill Clayburgh, then at the height of her late 70s fame. [Also appearing in small roles were Fred Gwynne and an up-and-coming Roberto Benigni.] Writing in The New York Times,
Vincent Canby described it as "one of the most sublimely foolish movies ever made by a director of Mr. Bertolucci's acknowledged talents."
Roger Ebert wrote, "Bertolucci has sprung his gourd this time."
[more inside]
posted by Joe Beese
on May 30, 2009 -
4 comments
American audiences remember
Akira Kurosawa as the genius of the samurai epic, a past master who used the form both to revise and revive Western classics - Shakespeare with
Ran and
Throne of Blood, Dostoevsky with
Red Beard and
The Idiot, Gorky with
The Lower Depths - and to give splendid and ultimately immortal life to new archetypes, as in
The Seven Samurai, Rashomon, Yojimbo. But Kurosawa also made films of his own time. His
masterpiece, in fact, was the quiet story of a gray Japanese bureaucrat dying in post-war Tokyo, and of his attempt to do something of lasting good before he leaves. The film is
Ikiru ("To Live"; 1952).
[more inside]
posted by Iridic
on Jan 29, 2008 -
46 comments
Never ever
borrow a friend's mobile, trust
hitch hikers or
strangers in furry costumes, never
get distracted, worry about
the first time or about
your young son not being manly enough, and most of all
never, ever forget stuff. Also, remember to always be nice to
your enemies, your
granny and
policemen, but don't be
too nice to your neighbours, and don't forget to
get the car washed. Lots more brilliant
short films viewable online from UK's Channel 4 Film (Real/WM streams).
posted by funambulist
on Mar 31, 2006 -
4 comments
