The Day the Music Died The Electronic Frontier Foundation (EFF) [...] has also been warning anyone who would listen that they should not “purchase” encrypted music from these services, since if these services go under then all that “purchased” music will no longer… what’s the word… “play”. But mostly people ignored them (and me), because, you know, Microsoft was at the center of it all, and nobody ever got fired for “buying” from Microsoft.
posted on May 7, 2008 - View this thread

Bob Lefsetz has been sharing his opinions on the music industry for years. In last night's newsletter, he announces, "Let the games begin!" - and indeed, let them. Universal Music has declined to re-sign to a long term deal with Apple, essentially leaving them open to exclusive deals with other services. The fact that Doug Morris (chairman of UMG) and Zach Horowitz (President of Universal's parent company, Vivendi) have been gearing up to loosen the stranglehold that iTunes has on online distribution is not exactly news. They've used similar tactics against Microsoft's Zune and YouTube. But with the release of the iPhone and following his well-timed decision to openly "share his thoughts" on DRM, not to mention his landmark deal with (perennial "armpit of the industry") EMI to sell their music DRM-free and at a higher cost - the real question is: is Steve Jobs ready to play hardball?
posted on Jul 2, 2007 - View this thread

While Courtney pulled an Albini, Jeff handed out the bread. Are the peasants acting like emperors, or do they still want something shiny, aluminum, plastic, and digital? Debacle or cage, something's got to give (pdf). Alternatively, you can just roll your own.
posted on Feb 4, 2007 - View this thread

MSNBC soft pedalled the story while others have offered their regurgitated take on the press release. But I can't find anyone asking the tough questions about the new deal between Microsoft and Vivendi/Universal wherein MS will pay Universal a flat price for every Zune player sold.
With big names like David Geffen saying, "Each of these devices is used to store unpaid-for material. This way, on top of the material people do pay for, the record companies are getting paid on the devices storing the copied music." are we really getting to the point where everything we think we know about property and theft is going to be re-defined in terms of someone's perceived loss?
posted on Nov 10, 2006 - View this thread

Amie Street: "[A] recently launched music Web site that carries independent -- and mostly little-known -- artists, is trying an unusual model for selling music. Instead of selling songs at one fixed price, the site determines prices for songs based on how frequently they're downloaded." [WSJ link].
posted on Oct 20, 2006 - View this thread

We know Magnatune aren't evil, but as web record labels go, are Beatpick less evil still? In his response to a post at the Creative Commons blog, Beatpick's David D'Atri sets out their philosophy, and highlights some differences.
posted on Mar 7, 2006 - View this thread

Labels seek end to 99c music per song download
"...the major five labels think that 99 cents per song is too cheap, and are discussing a price hike that would increase the tariff to $1.25 up to $2.99 per song." How about free legal downloads for $6 a month. DRM free. The artists get paid.? Will the RIAA ever see the light?
posted on Apr 11, 2004 - View this thread

If you've bought one of BMG's new copy-protected CDs, remember to hold down the shift key while loading it into your PC. That one keystorke will let you be free to rip, mix, and burn it.
posted on Oct 7, 2003 - View this thread

If you choose to accept this music file, Mr. Phelps, it will self-destruct after one listen. If you attempt to tamper with or share this file, it will also self-destruct. Thank you for your attention. End of Line.
posted on Aug 1, 2000 - View this thread

Say you want a revolution? Well you know, we all want to change the world..
posted on Jul 25, 2000 - View this thread

Sony to introduce new CD format. No, it's not DVD-Music. It's a new double-capacity CD format that Sony says "will be able to prevent illegal copying." I'm assuming the new format will require all-new hardware to read and to write. So my question is, what's the point? Won't another music format just increase consumer confusion and make them more reluctant to buy? Why come out with a 1.3GB format just as recordable DVDs, with much larger capacities, are becoming practical? Do they really expect people to buy all new hardware to support what is obviously a dead-end format?
posted on Jul 5, 2000 - View this thread