When not terrorizing
Mr Bond, from the late 1970s until 1994, Mike Mangino and Chris Shepard were in a basement full of musical toys, novelty space microphones, a
TR-606, and a
SH-09 in
Piscataway, NJ recording cassettes as the band
Smersh. In 1981
Smersh released their first cassette under their own label of
Atlas King. They never rehearsed, they couldn't read music, and they never played live, and they
contributed to far too many compilations throughout the known world. In the early eighties they
established a unique sound that is known and loved, combining cheap electronics and wild guitar sounds with distorted vocals. By trading cassettes they garnered international acclaim
leading to releases on dozens of other labels.
[more inside]
posted by wcfields
on Dec 22, 2011 -
5 comments
Time once again to pay a little visit to Japan's ever-engaging electro-mechanical music overachievers,
Maywa Denki. Here's some of their
latest and
greatest efforts.
posted by flapjax at midnite
on Aug 1, 2007 -
26 comments
Of course you know the rhythm box/drum machine has had a profound impact on modern music-making, but how much do you know about its history? Was the
Rhythmicon the very first rhythm machine? Korg's
DoncaMatic (great name, eh?) was one of the first commercial models. Up until 1979 they were all pre-programmed, but Roland ushered in the modern era with the user-programmable
CR-78, and followed it up soon after with the legendary
TR808. Go
here for a fairly comprehensive overview of vintage drum machines
(organized alphabetically, with photos and descriptions/background info). And
here you can interact with a wide assortment of virtual
[Flash] rhythm boxes of the 70's and 80's.
(Knee-jerk Flash haters, go ahead and hate it, but this is one of the best uses of Flash I can imagine.)
posted by flapjax at midnite
on Dec 27, 2006 -
26 comments