Drummer Dave Black was a long time educator in drum set education. Here he shows that a drummer can express himself completely only using one instrument, in this case the the hi hat.
If you were to ask me "What is the most artistic drum solo you've ever heard?", I'd say "You mean the one with the most exquisite sense of dynamics? One that doesn't bludgeon you over the head, but instead pulls you in with its subtlety and restraint? Where masterful technique is purely at the service of musicality? That best conveys a musical vision and a deep understanding of the interrelationships of percussive timbre and tone that make up that remarkable instrument we call the drum set?" You'd say "Yeah." I'd say this. [more inside]
Back in the 1920s, when Warren "Baby" Dodds was busy inventing jazz drumming in the company of pioneers like King Oliver, Jelly Roll Morton and Louis Armstrong, to "give the drummer some" usually never meant more than a couple of bars fill every now and again. Fortunately, though, come 1946, when Dodds was already an older man but still in fine playing form, someone had the wherewithal to record this seminal percussion stylist in a series of extended drum solos, displaying his exuberant rhythmic stylings as well as his lending of superbly playful swing to the the rudiments. But let's jump back to the 20's again, and hear drummer Dodds, with the aforementioned King Oliver, take what's gotta be the killingest slide whistle solo in all of jazz history. [more inside]
Hey, that drum set looks like it's melting! Acid starting to kick in? No! It's a TRIXON drum set! Trixon is exciting! Incontrovertible evidence that when it came to funny looking drum kits, the Germans had it down. Well, maybe with the exception of these.