Felix Manuel, better known as Djrum (pronounced as "drum," evolved from his initial DJ Rum handle) blends hip hop, house, jungle and bass seamlessly in his mixes, plus splices the DNA of techno, dubstep, garage and grime in an attempt to make them, in his words, “live inside each other” in his own productions. This blending is not frenetic, but slow and methodical, often including extended clips from movies, such as heard in The Miracle. With a relatively scant 9 EPs and singles, including two splits, and one album to his name, you can get hear more of the scope of Felix Manuel's musical tastes from his mixes... [more inside]
Since he started Akkord (s/t album playlist) with Synkro, Liam Blackburn has been in search of a sound. His last few solo releases skirted past drum & bass through to techno, ambient, IDM and, with 2013's excellent Storm, some sort of ultra-hi-tech jungle.... [H]e's re-emerging as Ancestral Voices on the increasingly out-there label Samurai Horo....The debut album for Blackburn's new alias is "yawning chords, complex drum patterns and existential dread," directly inspired by his mind-expanding, life-altering experiences on Machu Picchu and in the Amazon, and you can hear all of Night Of Visions on Bandcamp.
"A good rewind is that rare thing in life: a product of the moment. If the timing is right, a rewind will bring excitement to the dancefloor, a celebration of the music being played, an energy charge for the place and the people." Laurent Fintoni goes deep on the history of pulling the record back across a variety of genres, from reggae and dub, to dubstep and hip-hop.
NPR's Bob Boilen (host of All Songs Considered): "People ask me all the time to name my favorite Tiny Desk Concert. It's my desk and I've seen almost all of the nearly 400 concerts up close. So you'd think this would be easy. Moon Hooch have made it a lot easier." (video) [more inside]
DJ /rupture has made "8+ hours of mixes" available for free download (with a donate button). [more inside]
"As part of Radio 1's Specialist Takeover in the first week of January 2013, Benji B delivered a very special show from Maida Vale. A 16 piece string orchestra performed specially arranged scores, written by Grant Windsor, over some of the biggest underground electronic tunes, including the likes of Kanye West, Flying Lotus and Drake." [more inside]
Based on the hit videogame, Fruit Ninja:
The Movie The Brostep Video (SLYT. Caution, contains dubstep-like music.)
A robotic disagreement turns serious when they drop the bass.
"Dingus is dedicated to the search [for new music on Bandcamp]. It's here, on this humble blog that we shed light on bedroom artists in their most defining moments. If you want what's popular today, Dingus is not the blog for you. But, if you want what's fringe, pure and passionate then you've somehow landed on the right URL." [more inside]
"Rhyece O’Neill is an intense young man. A polemical folk singer, a producer of bass-heavy dance music, a protester, and a digital media worker for a major record label. He’s unlike anyone else in Australia’s dubstep landscape." Cyclic Defrost interviews O'Neill, aka electronic/dub/dubstep producer Westernsynthetics, and head of the Sub Continental Dub label. You can skip the rest and hear two streaming mixes from Westernsynthetics, 19 tracks from the Sub Continental Dub label, plus the label's first three singles, or continue inside for background, context, and even more music. [more inside]
Jamie Woon, making "the new pop music" with layered and looping vocals, a laptop computer, a guitar, and sometimes a live band
It's only been about 12 years since Jamie Woon picked up a guitar and started writing songs, but he's progressed from his days of being a fan of Brit-pop, and his current work has been classified as sobstep, dubpop, and lovestep, or simply "the new pop music." "At the heart of what I do is R&B, it's groove-based vocal-led music, and I try to sing about things that are close to my heart and that matter to me," says Woon. His sound has garnered a lot of praise, including placing 4th in The Sound of 2011, the annual British music industry poll. More of Woon's background and music inside. [more inside]
The result? Something that sounds like dubstep, except they took out all the good parts and replaced with crap. Fucking Skrillex.
"With a little help from the internet, the genre grew because it was so unique. But in growing, it also evolved. The relaxed, dubby vibe got pushed aside to make way for more. More wobble, more sounds, more everything. Maximize to maximize."
Liquido asks: Who killed Dubstep? (more)
Liquido asks: Who killed Dubstep? (more)
A couple hours of streaming music, courtesy of the friends of Bloglin (potentially NSFW banner, if you aren't blocking scripts). Browse through the audio on Soundcloud (57 uploads to date, and most are mixes), or sort through Blogin by categories (29 Keep Watch mixes, 167 mixtapes, and 3,235 music posts [though many are reviews and don't include handy downloads]). The music is mostly electronic, with some odd jaunts into post-rock/gothic styles and even some punk. [more inside]
September 2010 marked 20 years of Ninja Tune, the independent label formed by the duo known as Coldcut. Starting with an album by the duo that they released under a different group name, the small UK label has since spiraled out to include three separate imprints (plus an artist-specific mini-label), with an extensive collection of singles, EPs and albums from an ever-growing list of artists. More history in words, music and video awaiting inside... [more inside]
Dubstep is from the UK. It's typified by skittering, shuffled, syncopated rhythms with lots of triplets, dissonant and minor tonality, and most strikingly... (sub)bass. It uses a lot of effects people associate with dub. Crank your woofer and listen to the likes of Skream (who has done a pretty good introductory mix), Plastician, Digital Mystikz, and El-B. [more inside]