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Dylanology

How to listen to Bob Dylan, a guide. [more inside]
posted by gman on Jul 14, 2010 - 171 comments

Hey, Mr. Tambourine Man!... Say "Cheese!"

Dr. John Rudoff is a cardiologist in Oregon, but before he entered medical school, he was the staff photographer at The Main Point, a coffeehouse in Bryn Mawr, PA associated with the early 1960s folk revival in the Philadelphia area. His photographs of the Philadelphia folk scene include unidentified local folkies, but also touring folk singers such as Dave van Ronk and John Hammond. Eventually, Rudoff got a press pass to the 1965 Newport Folk Festival, where he took photos of Mary Travers sharing a moment with Mimi and Dick Fariña and Joan Baez with a pre-psychedelicized Chambers Brothers, but the most amazing discovery of all are the photos of when Bob Dylan "went electric." And now you can see Rudoff's whole collection, thanks to the magic of Flickr.
posted by jonp72 on May 7, 2009 - 13 comments

"Of course, neither Simon nor Garfunkle has been identified as a Nautical Expert"

Chief Justice Roberts (mis)quotes Bob Dylan* in his dissent on Sprint Communications Co. v. APCC Services, Inc., making this the first known time that a Supreme Court Opinion has used a "rock song to buttress legal opinion," according to Alex B. Long of the University of Tennessee. Mr. Long knows a thing or two about this**, having authored [Insert Song Lyrics Here]***, a Washington & Lee Law review Article on the subject of Pop Music in legal writing. The article is funny†, insightful, comprehensive in its musical background††, and surprisingly knowledgeable about good taste in writing.††† [more inside]
posted by Navelgazer on Jun 30, 2008 - 43 comments

'Mystic Nights - The Making of Blonde On Blonde In Nashville' by Sean Wilentz

... After take seventeen, Dylan heeds the producer Johnston’s advice to start with a harmonica swoop. Crescendos off of an extended fifth chord, led by Paul Griffin’s astonishingpiano swells (“half Gershwin, half gospel, all heart” an astute critic later wrote), climax in choruses dominated by piano, organ, and Bobby Gregg’s drum rolls; Robbie Robertson’s guitar hits its full strength at the finale. Intimations of the thin, wild mercury sound underpin rock & roll symphonics. Johnston delivers a pep talk before one last take—“keep that soul feel”—and Gregg snaps a quick click opener, and fewer than five minutes later, the keeper is in the can.
Mystic Nights - The Making of Blonde On Blonde In Nashville
An account of how the many strands of that thin, that wild mercury sound were woven. And the annotation goes on. Via email via St Urbain's Horseman
posted by y2karl on Sep 28, 2007 - 36 comments

Watching Watchtower

Aside from the usual crap, YouTube has a great selection of one the most covered song of all time: All Along the Watchtower. Classics like Hendrix (live and studio), Neil Young (at DailyMotion with better sound) and U2--and some great contemporary versions like Keziah Jones' blazingly-fast version, Bradley Fish's 12-instrument (including Chinese Zither) version, Michael Hedges’ reason-to-be-excited cover, and even a quite good version of DMB's much-maligned cover. What doesn't really rank: Dylan's original.
posted by FeldBum on Jul 2, 2007 - 43 comments

The Annotated Blonde On Blonde

The closest I ever got to the sound I hear in my mind was on individual bands in the 'Blonde on Blonde' album. It's that thin, that wild mercury sound. It's metallic and bright gold, with whatever that conjures up.

Bob Dylan 1978

Blonde On Blonde--Seven mixes, four or five covers, four or five women, some missing photographs and one leather coat... (story within)
posted by y2karl on Nov 19, 2003 - 26 comments

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