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Farewell Angelina by Joan Baez, Bob Dylan and Nana Mouskouri, among others

Audio only, Newport 1966: Joan Baez - Farewell Angelina
Recorded Jan. 13, 1965, released 1991: Bob Dylan - Farewell Angelina
B/W Video 1966 Joan Baez - Farewell Angelina
Tablature and lyrics following those of the Dylan recording: dylanchords: Farewell Angelina
French TV 1967: Nana Mouskouri - Adieu Angélina
Bratislava 1989, avant de la Révolution de velours: Joan Baez - Farewell Angelina
From the 90s, or so I believe: Nickle Creek - Farewell Angelina
June 19, 2010 at Kidzstock: Joan Baez and Jasmine Harris - Farewell Angelina [more inside]
posted by y2karl on Dec 7, 2012 - 33 comments

y2DylanBootlegOuttakeJeNeSaisQuoiTube

Bob Dylan - Andy Warhol Factory Screen Test 1965
Bob Dylan - Positively van Gogh          
Bob Dylan - I Can't Leave Her Behind          
Bob Dylan - Seems Like A Freezeout
Bob Dylan - She's Your Lover Now (Solo piano version)          
Dylan on Bob Fass' show 'Radio Unnameable'
Dylan on Bob Fass' show 'Radio Unnameable' 2
Al Kooper: The Making of Bob Dylan's Blonde on Blonde / The Record That Changed Nashville
Robbie Robertson on Dylan, Nashville, and Otis Redding [more inside]
posted by y2karl on Oct 14, 2012 - 21 comments

Ry Cooder – Talking Country Blues and Gospel & The Jas Obrecht Music Archive

Originally published in Guitar Player magazine in 1990, here is Jas Obrect's interview: Ry Cooder – Talking Country Blues and Gospel -- I only wish it was online when I made my Dark was the Night post. Now is it is part of the Jas Obrect Music Archive, where you can also find ''Rollin’ and Tumblin' '': The Story of a Song (See also Hambone Wille Newbern - Roll and Tumble Blues for the first recording of those lyrics) -- not to mention Jerry Garcia: The Complete 1985 Interview and Bob Dylan’s ''Highway 61 Revisited'': Mike Bloomfield v. Johnny Winter and Blues Origins: Spanish Fandango and Sebastopol among many, many others. There is quite the cornucopia of interesting, informative music articles there. Check it out--you will dig it.
posted by y2karl on Dec 24, 2010 - 8 comments

Someone who once had a lot of free time # 12 & 34: Brian's huge chordlist collection

I had this concept--after a strange dream, while scoping out the I Dreamed I Saw st. Augustine tab in my just-in-case-it-disappears downloaded dylanchords, of ...St. Augustine as a slow moody slide in Open D ala Blind Texas Marlin. But then I got to wondering whether someone might have a chord dictionary online where a few variations on a first position B Minor in Open D might be found. Voila! Achtung, Baby! Behold Brian's huge chordlist collection. Oh, man, he's got your standard and open tunings on guitar plus mandolin, uke, banjos, bouzouki, pipa and lute. A living room guitarist's must have, no doubt, although a few more open tunings for pipa would have been nice... [more inside]
posted by y2karl on Dec 9, 2009 - 6 comments

Prewar Blues Lyrics & Dylan Lyrics Concordances 'N Stuff

The things I like best about Michael Taft's Prewar Blues Lyrics Concordance, a subsection of T. G. Lindh's Web Concordances of Pre-War Blue Lyrics and Bob Dylan Lyrics, are the listings of the lyrics by singer: A - C, D - H, J - L, M - R and S - Y. And the nice thing about the blues lyrics is you don't need to ask for a log in and password. It 's all right there. Explore and enjoy. [more inside]
posted by y2karl on Mar 5, 2008 - 9 comments

John Wesley Harding Meets Lord Tennyson - Bob Dylan at the Isle of Wight August 31st, 1969

At the Isle of Wight Festival, Dylan was the only monster on the bill capable of attracting a monster of an audience. In refusing to play the Woodstock Festival and in then letting himself be talked into playing the Isle of Wight, Dylan in effect was telling England's counterculture: ''C'mon. Let's hold our own Woodstock.'' And so, on the Isle of Wight, a dot of land that certainly wasn't the easiest place in the world to get to, Dylan almost single-handedly proved an enticing enough attraction to collect an audience sometimes estimated to be as few as a 125,000 and sometimes as many as 250,000.
My Dylan Papers: Part 2 The Isle of Wight

Another scrap from the late Al Aronowitz, the self-styled Blacklisted Journalist, and former Dylan courtier, recalling the only full concert Dylan gave solo or with the Band between 1967 and 1973 and sung in his Nashville Skyline voice, to boot, no less. And now you can have it all to yourself.... [more inside]
posted by y2karl on Jan 26, 2008 - 10 comments

'Because something is happening here - But you don't know what it is - Do you, Mister Jones?' '...He's dead, Jim'

You walk into the room
With your pencil in your hand
You see somebody naked
And you say, "Who is that man?"
You try so hard
But you don't understand...
Jeffrey Owen Jones, a film professor at the Rochester Institute of Technology and, inadvertently, the featured metaphor in Bob Dylan's Ballad of a Thin Man, has died.
posted by y2karl on Nov 15, 2007 - 29 comments

'Mystic Nights - The Making of Blonde On Blonde In Nashville' by Sean Wilentz

... After take seventeen, Dylan heeds the producer Johnston’s advice to start with a harmonica swoop. Crescendos off of an extended fifth chord, led by Paul Griffin’s astonishingpiano swells (“half Gershwin, half gospel, all heart” an astute critic later wrote), climax in choruses dominated by piano, organ, and Bobby Gregg’s drum rolls; Robbie Robertson’s guitar hits its full strength at the finale. Intimations of the thin, wild mercury sound underpin rock & roll symphonics. Johnston delivers a pep talk before one last take—“keep that soul feel”—and Gregg snaps a quick click opener, and fewer than five minutes later, the keeper is in the can.
Mystic Nights - The Making of Blonde On Blonde In Nashville
An account of how the many strands of that thin, that wild mercury sound were woven. And the annotation goes on. Via email via St Urbain's Horseman
posted by y2karl on Sep 28, 2007 - 36 comments

Bob Dylan Is 66 Years Old Today

...Rembrandt's last self-portrait, for instance, shows an old man having a good laugh at the ways of the world, even as he is about to leave the stage. The Western world may be ageing, then, but, far from this amounting to a 'dying of the light', a case can be made for the very opposite, certainly where Bob Dylan's renaissance as an artist is concerned. Neither should age be confounded with a heavier tread. For while a perception and characterisation of the surreal nature of much of human life was a defining quality of Bob Dylan's first golden creative period in the 1960s, it's also a delightful characteristic of his artistic renaissance in the 'noughties' of the new millennium.
Bob Dylan and the ageing of the West
In other news, May 24th is International Talk Like Bob Dylan Day

Of course, he was 23 in 1965, the year when he recorded Bringing It All Back Home, Highway 61 Revisited and Blonde On Blonde, but, gosh darn it, he's still writing songs and touring and he still isn't dead yet..."
posted by y2karl on May 24, 2007 - 38 comments

In a city renowned for phoney affection and rabid ambition, he exudes only diffidence, humour and generosity.

"If you had Bruce playing with you," Dylan wrote, in his 2004 autobiography, Chronicles, "that's all you would need to do just about anything."
Bruce Langhorne has quite the discography. And a hot sauce, to boot. And he's led quite the life. Here is Richie Unterberger's interview with Langhorne in Parts One and Two. And here he talks with Unterberger about working with Mimi and Richard Fariña.

On a personal note, I will add that his hot sauce is hot indeed. Will buy it again.
posted by y2karl on Apr 13, 2007 - 6 comments

Babbling Bobster Beatnik Poetry

His fog, his amphetamines and his pearls
Lofi shot off the monitor at the recent EMP exhibit, the entire footage of an Eat The Document outtake recently edited by Martin Scorcese for No Direction Home.

I don't entirely get the Chaplinesque--To paraphrase crunchland, Hey, Skeezix--it's a talkie...
posted by y2karl on Oct 27, 2006 - 31 comments

Bob Dylan Annnotated and Tablaturated

Artur J's Annotated Lyrics of Bob Dylans Love and Theft has expanded and now features Annotated lyrics for Street Legal, Knocked Out Loaded, Oh, Mercy and Modern Times. And he is already on top of Dylan's quotes of Henry Timrod on the new album. On a related tip, someone waved a lawyer at Eyolf Østrem, so he removed all his tabs from his Dylan tablature site, My Back Pages. But, fortunately there are some mirrors and the blog of this one has a tab page for Modern Times already.
posted by y2karl on Sep 14, 2006 - 13 comments

Selections From The Journal of Religion And Popular Culture

And here is 'You Either Get It or You Don't:' Conversion Experiences and The Dr. Phil Show. Also on hand, are They Refused Jesus Too: A Biblical Paradigm in the Writing of Bob Dylan and Popular Music on Christianity in the United States: Christianity's Failure to Love. Taste, perhaps, A Potion too Strong?: Challenges in Translating the Religious Significance of Tolkien's The Lord of the Rings to Film. Or consider Curses and Catharsis in Red Sox Nation: Baseball and Ritual Violence in American Culture.
All are selections from The Journal Of Religion And Popular Culture.
posted by y2karl on Nov 27, 2005 - 34 comments

The Minstrel Show 2.2 - On "Love and Theft" and the Minstrel Boy

On "Love and Theft" & On On "Love and Theft" and the Minstrel Boy & The Annotated Love And Theft...    In melody, Bye and Bye comes by way of Billie Holiday's Having Myself A Time and Floater by way of Bing Crosby's (& Eddie Duchin's & Kate Smith's & Isham Jones's...) Snuggled On Your Shoulder--and lyrically, by way, in part, of Junichi Saga's Confessions Of A Yakuza, which was not a crime novel, as StupidSexyFlanders once surmised, but an outright As told to memoir, which makes it four or five degrees from Yakuza to Dr. Saga to translator to Dylan to Plagiarism in Dylan, or a Cultural Collage?

Oh, who's going to throw that minstrel boy a coin ?
posted by y2karl on Apr 14, 2005 - 18 comments

A review of Bob Dylan in his own and other people's words

Be careful what you wish for, the cliché goes. Having aspired from early youth to become stars, people who achieve that status suddenly find themselves imprisoned, unable to walk down the street without being importuned by strangers. The higher their name floats, the greater the levy imposed, the less of ordinary life they can enjoy. In his memoir, Bob Dylan never precisely articulates the ambition that brought him to New York City from northern Minnesota in 1961, maybe because it felt improbable even to him at the time. Nominally, he was angling for Leading Young Folksinger, which was a plausible goal then, when every college town had three or four coffeehouses and each one had its Hootenanny night, and when performers who wowed the crowds on that circuit went on to make records that sometimes sold in the thousands. But from the beginning Dylan had his sights set much higher: the world, glory, eternity—ambitions laughably incommensurate with the modest confines of American folk music. He got his wish, in spades... 'I Is Someone Else'
posted by y2karl on Feb 19, 2005 - 34 comments

Casey Jones, Stagolee, Frankie and Johnny - Murder and Death Ballad Back Stories

My Back Pages--Interesting in his own right Eyolf Østrem still maintains the fan's fan tab, chords and music site, the standard by which all others are judged. I just revisited it the other night, while trying to recall how that little run in Dylan's version of Delia went, and dang, if it didn't have the back story of that ballad. I love this kind of stuff. The source of that account, John Garst, is the folklorist king of such research--he puts John Henry at a railroad tunnel near Leeds, Alabama, just east of Birmingham on September 20, 1887, for example. Murder and heroic death ballad back stories are of extreme interest to me, so I decided to post a few more here: Frankie and Albert, Frankie and Johnny, Casey Jones and Stagger Lee. Did I say I love this kind of stuff?
posted by y2karl on Sep 23, 2004 - 10 comments

No Article of Mr. Dylan's Clothing Was Removed During The Filming Of This Commercial

No Article of Mr. Dylan's Clothing Was Removed During The Filming Of This Commercial
posted by y2karl on Apr 8, 2004 - 36 comments

The Annotated Blonde On Blonde

The closest I ever got to the sound I hear in my mind was on individual bands in the 'Blonde on Blonde' album. It's that thin, that wild mercury sound. It's metallic and bright gold, with whatever that conjures up.

Bob Dylan 1978

Blonde On Blonde--Seven mixes, four or five covers, four or five women, some missing photographs and one leather coat... (story within)
posted by y2karl on Nov 19, 2003 - 26 comments

The Mysterious Norman Raeben

The Mysterious Norman Raeben, the son of Shalom Aleichem, the man behind Bob Dylan's Blood On The Tracks.

Norman Raeben was one of the most influential people in Bob Dylan’s life. It was Norman Raeben, Dylan said, who, in the mid ‘70s, renewed his ability to compose songs. Dylan also suggested that Norman’s teaching and influence so altered his outlook upon life that Sara, his wife, could no longer understand him, and this was a contributory factor in the breakdown of the Dylans’ marriage. (More inside)
posted by y2karl on Jan 11, 2003 - 16 comments

Bob Dylan Live at Newport, 1965: Maggie’s Farm.

Bob Dylan Live at Newport, 1965: Maggie’s Farm. 10 MB Quicktime mp3 A notorious and historic moment, that began a legendary year of touring , stolen moments of which are available in several sometimes bootlegged formats .Sometimes, perhaps revised , stories differ at what happened, and, now, post-ironically enough, He appears at Newport again this Saturday.
posted by y2karl on Aug 2, 2002 - 35 comments

Harry Smith and The Anthology of American Folk Music

American Magus
Without Harry Smith I wouldn’t have existed!
Bob Dylan
… I put Harry Smith with the three most dear to me GRAND INTELLIGENCE!! Allen Ginsberg, William Burroughs, Harry Smith…These were sharp motherfuckers… and heavy… talk about heavy!!
Gregory Corso
Harry Smith, a central figure in the mid-20th-century avant-garde, was a complex artistic figure who made major contributions to the fields of sound recording, independent filmmaking, the visual arts, and ethnographic collecting. Along with Kenneth Anger, Jordan Belson, and Oskar Fischinger, Smith is considered one of America’s leading experimental filmmakers. He would often hand-paint directly on film creating unique, complex compositions that have been interpreted as investigations of conscious and unconscious mental processes. Smith began as a teenager to record Native American songs and rituals. He is best known for his Anthology of American Folk Music, a music collection widely credited with launching the urban folk revival.
The Anthology is the focus here, but Harry Smith, the artist, avant garde film maker, polymath, musicologist and quintessential hipster must be mentioned, too. Details Within
posted by y2karl on Jul 10, 2002 - 32 comments

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