"In November 1855, the Great Ansei Earthquake struck the city of Edo (now Tokyo), claiming 7,000 lives and inflicting widespread damage. Within days, a new type of color woodblock print known as namazu-e (lit. "catfish pictures") became popular among the residents of the shaken city. These prints featured depictions of mythical giant catfish (namazu) who, according to popular legend, caused earthquakes by thrashing about in their underground lairs. In addition to providing humor and social commentary, many prints claimed to offer protection from future earthquakes."
posted by madamjujujive on Apr 8, 2011 - 19 comments

Tomokazu Matsuyama was born in Japan. He moved to the US when he was around ten years old, not speaking any English, and being overwhelmed by the culture shock of 1980s Los Angeles. His artistic work is a reflection of this upbringing. Matsuyama’s paintings envision traditional Japanese imagery through the lens of American pop art, creating a unique and beautiful hybrid. He strives to portray this global melee through a conscious “appropriation” of all of his influences: cultural, artistic, and personal. Matsuyama’s unconflicted and positively ebullient works do not ask, “What am I?,” but assert, “I am everybody.” (via) [more inside]
posted by netbros on Nov 29, 2009 - 14 comments

Japan's National Diet Library Gallery has been mentioned here before, but the Pink Tentacle blog came across some fantastic late Edo period illustrations in the NDL Gallery by Kurimoto Tanshu (栗本丹洲, 1756 - 1834). Apparently he was a doctor, but he seems to be better known for his hundreds of biological illustrations. Many are of sea creatures, but there are also quite a few other plants and animals. ranging from realistic renditions to bizarre creatures. A huge and varied collection, but all are equally fascinating.
posted by p3t3 on Dec 20, 2006 - 6 comments

Netsuke: ornate artifacts of the Edo period. Via neonepiphany.
posted by nthdegx on Apr 17, 2004 - 3 comments