In conjunction with the Whitney Museum of American Art's exhibit Hopper Drawing [NYT review], which the museum calls "the first major museum exhibition to focus on the drawings and creative process of Edward Hopper," the museum has constructed a temporary life-size window installation recreating Nighthawks in the Flatiron Building's Sprint-sponsored Prow Artspace. The Flatiron is believed to be one of the real-life inspirations for the iconic diner by Carter Foster, curator of drawing for the Whitney and organizer of the Hopper exhibition. [previously]
Finding Nighthawks: Nearly seventy years after Edward Hopper finished what would become one of the icons of American art, Jeremiah Moss went in search of the diner that inspired it.
"Time passes, or rather doesn't pass. It is just there, solid as a coffee mug on the diner's counter. Time hangs like the reek of old tobacco in the hotel furniture". We all think we know Edward Hopper's images, even if we've never seen his paintings. Somehow the solidity of the world -- even the sky is like a wall -- is at odds with the transience of the people in it, however long they sit and stand and wait. Hopper's people, like Manet's figures, often appear consumed by the irreducible business of being. Hopper, too, would descend into his own silences, would delay himself in self-doubt... (more inside)