14 posts tagged with electronic by filthy light thief.
Displaying 1 through 14 of 14.
Lorn has never been one to shy away from the darkness in his music. However, where as his previous release, Ask the Dust (Grooveshark) was bleak and mechanical in it's struggle with its demons, The Maze to Nowhere (Bandcamp) is melodic, fuzzy and at times even warm. If you've listened to Lorn's previous releases, 'warm' is generally not a word associated with his tunes. Whereas his previous effort worked with the bleakness of empty space, we find him filling in those cracks on this album with static, fuzz and ambient effects. The resulting product is a much more organic sounding beast, and man, does it sound great.From the Sputnik Music review of Lorn's first of ? parts in The Maze to Nowhere series of pay-what-you-want EPs on Bandcamp, which now includes Part 2 and Part 3, still with no end in sight. [more inside]
Here's a look back at sounds of summers past, with a review of EMI's series of Balearic compilations, and for a bit more mystery and diversity, mixes that focus and include Balearic styles from Test Pressing. If the whole "Balearic" thing is confusing, Boiler Room TV has a nice write-up with photos from the period to set the mood, where the music was a mix of mixture of soul, reggae, rock, pop, and Latin, mixed with chill out, lounge and dance music. [more inside]
808 State is an English electronic group that formed in 1987, and take their name from the Roland TR-808 drum machine and their shared state of mind. As a trio, they produced their iconic track, Pacific, which fused influences of house music, jazz fusion and exotica. The group changed membership a bit over the years, but one way or another 808 State have released six albums* to date, and a number of singles, EPs, and promotional discs. 808state.com has a ton of information, including an extensive visual discography, a list of other productions and remixes, and over a gig of demos, live tracks, and other non-album audio to download. Given the group's 27 year-long history, there's a lot more to see and hear. [more inside]
Twenty years after originally forming, the English electronic/ rave/ big beat group The Prodigy were back on tour for their fifth studio album, Invaders Must Die. On July 24, 2010, the "40-somethings bounce around a stage like men half their age, owning festival-sized audiences" like rising dance stars wish they could. The performance was recorded and released the next year, and you can see the hour plus of World's On Fire in full on Vimeo. (NOTE: NSFW lyrics) [more inside]
Marc Glasser started making electronic music when he was a teenager, and now produces music under the name Dubbel Dutch and releasing it most often on the eclectic Mixpak label, whose general sound often leans towards weird takes on reggae riddims. But as Glasser mentioned in a 2010 interview, he has been "opening up to music from everywhere. Cumbia, dancehall, kuduro, South African house, Dutch bubbling, Bmore club, Chicago juke and footwork*, old skool jungle and hardcore, garage, UK Funky and all that mingles with, or shares influences with, these sounds." What does this "schizophrenic" collage of musical styles sound like? Start with Self Help Riddims and the title track video, Self Help Riddim, then go from there. [more inside]
Don't Watch That TV is a rabbit hole of fun and weird videos, mostly focused on urban/ dance/ electronic music, sorted into 20 different "channels" or programs. To make this timesink more manageable, I'd like to bring your attention to their Beat This channel, wherein producers are challenged to create a new beat, from scratch, in 10 minutes. The first mix is from a young producer who goes by Swindle, and he pulls off a pretty nice track in the time allotted, joking he should do all his tracks in ten minutes. But if that doesn't catch your fancy, and all those producers names don't mean anything to you, may I present Kieren Hebden, aka Four Tet, making a beat with nothing but MJ's Thriller album as the source material, sampling and distorting it into something weird and new. [more inside]
Dear music lover and inquisitive individual, have you wondered what the funk of the future might sound like? You have (not)? Well, you're in luck! The good people at Keats//Collective show you a glimpse of what could possibly be future funk, available in a handful of solo albums and four compilations of what they classify as electronic / chillwave / disco / future funk / glo-fi / spacebop. But you really should stop reading and just take a listen to ... [more inside]
A bit over a year ago, Warp Record's digital music shop, Bleep.com, presented their guide to recorded* electronic music, spanning from 1930 to 2010 (also as a Facebook timeline, which apparently kicked the whole thing off). The overview of recorded electronic music was presented as a selection of 55 tracks, almost five and a half hours in full. Part of this presentation was a (now expired) promotional deal to purchase the collection of songs as a lot, but you can still read about each piece of music on Bleep and hear 49 of the tracks in a playlist on Grooveshark. There's more to hear and read below the fold. [more inside]
Slugabed has released his newest 5 track EP, This Is A Warning, for free. If you're looking for more of his wonky electronic/hip-hop stuff, you can also grab his remixes of Busta Rhymes, Leon Ware and Kankick for free. [more inside]
You might have seen the hours of music from Bloglin last year, but Мишка ("Mishka," or "bear cub" in Russian) has another treasure trove of music: free albums, anthologies, and mixtapes on Bandcamp. They started a bit slow with a single mixtape in 2009 from Ninjasonik, and 2010 wasn't too active. But in 2011 they had 9 releases, and already 14 in 2012, the newest being the debut album from 19-year-old nu-disco producer Cream Dream. A handy rundown of the releases to date below the fold. [more inside]
A message from Flat Eric & William Fichtner: French electronic music maker Mr. Oizo has released his Stade 3 EP for free* on his website. [more inside]
In July 2008, there was a suspicious leak of new Ben Folds Five material, two months in advance of the (then) forthcoming album, Way to Normal. One month later, Ben Folds confessed that he and his touring band made the 6 fake songs in 8 hours (plus three tunes actually from the album), and he compared the fake tracks to the real album. Two years later, Wiley tweeted that he sacked his manager, and in a form of retaliation, shared 11 seemingly random collections of tracks in various forms of completion. [more inside]
A couple hours of streaming music, courtesy of the friends of Bloglin (potentially NSFW banner, if you aren't blocking scripts). Browse through the audio on Soundcloud (57 uploads to date, and most are mixes), or sort through Blogin by categories (29 Keep Watch mixes, 167 mixtapes, and 3,235 music posts [though many are reviews and don't include handy downloads]). The music is mostly electronic, with some odd jaunts into post-rock/gothic styles and even some punk. [more inside]
September 2010 marked 20 years of Ninja Tune, the independent label formed by the duo known as Coldcut. Starting with an album by the duo that they released under a different group name, the small UK label has since spiraled out to include three separate imprints (plus an artist-specific mini-label), with an extensive collection of singles, EPs and albums from an ever-growing list of artists. More history in words, music and video awaiting inside... [more inside]