His photographs recorded life along the Scotswood Road, the working class district in the West End of Newcastle made famous in Geordie song. James (Jimmy) Forsyth had come to make his home there having volunteered for war work as a fitter in one of the local factories, moving up to Newcastle from his native South Wales. In 1954, aware that change was coming and no longer working having lost an eye in an industrial accident, Forsyth began to document his community and surroundings. A self-taught photographer, Jimmy "picked up a cheap folding camera in one of the pawn shops. There wasn’t much to adjust, just as well, because I’ve never known what to do...I’m just an amateur...just capturing what I knew was going to disappear." Jimmy died last Saturday, aged 95.
posted by Abiezer on Jul 14, 2009 - 11 comments

Worktown Between 1937 and 1938 Humphrey Spender took over 900 pictures of Bolton as part of the Mass Observation [Previously] project. Spender's "Worktown" photographs offer a fascinating insight into the lives of ordinary people living and working in a British pre-War industrial town.
posted by Abiezer on Feb 1, 2009 - 16 comments

ukgraves.info has thousands of photographs of cemeteries and gravestones all over the UK, from City of London to the Kirk of Lammermuir, and random points in between.
posted by dersins on Nov 14, 2007 - 11 comments

Peter Dench is a London photojournalist whose portfolio features work on some fun and quirky themes. He won the 2004 World Press Photo for his series called drinking of england. Some other series, like nudestock, are NSFW.
posted by madamjujujive on Nov 18, 2006 - 19 comments

Cambridge in Colour ... long exposures during twilight or moonlit conditions can produce other-worldly images. Be sure to check out the digital photo tutorials, too.
posted by crunchland on Aug 1, 2005 - 35 comments

Underexposed displays an exhaustive list of little-known rock bands seen live by the proprietor. With photos and a near-functional guestbook. UK-centric.
posted by LionIndex on Jun 15, 2004 - 3 comments