“Je Suis La Jeune Fille.” “Yes, that’s French they’re speaking. But no, these children aren’t French – they’re American!” If you grew up in the late 1980s and early 1990s, or watched children's TV programming from that era in the US or UK, no doubt you saw that commercial for Muzzy (formally titled Muzzy in Gondoland). The show was first produced by the BBC in 1986 to teach English as a second language, as seen in this playlist of five videos, and later expanded with Muzzy Comes Back in 1989 (six episode playlist). The shows were both translated in to French, German (playlist), Spanish (and the Spanish vocabulary builder), and Italian (Muzzy in Gondoland, Muzzy Comes Back).
Visualize a comic book, in your language, and imagine what would be written in the text balloon coming from the mouth of an animal. Now translate it. Derek Abbott of The University of Adelaide (previously) has compiled "the world’s biggest multilingual list" of animal sounds, commands, and pet names.
There are more than 700 curious tunnel networks in Bavaria, but their purpose remains a mystery. Were they built as graves for the souls of the dead, as ritual spaces or as hideaways from marauding bandits? Archeologists are now exploring the subterranean vaults to unravel their secrets. [more inside]
Unlike many cinematic exports, the Disney canon of films distinguishes itself with an impressive dedication to dubbing. Through an in-house service called Disney Character Voices International, not just dialogue but songs, too, are skillfully re-recorded, echoing the voice acting, rhythm, and rhyme scheme of the original work to an uncanny degree (while still leaving plenty of room for lyrical reinvention). The breadth of the effort is surprising, as well -- everything from Arabic to Icelandic to Zulu gets its own dub, and their latest project, The Princess and the Frog, debuted in more than forty tongues. Luckily for polyglots everywhere, the exhaustiveness of Disney's translations is thoroughly documented online in multilanguage mixes and one-line comparisons, linguistic kaleidoscopes that cast new light on old standards. Highlights: "One Jump Ahead," "Prince Ali," and "A Whole New World" (Aladdin) - "Circle of Life," "Hakuna Matata," and "Luau!" (The Lion King) - "Under the Sea" and "Poor Unfortunate Souls" (The Little Mermaid) - "Belle" and "Be Our Guest" (Beauty and the Beast) - "Just Around the Riverbend" (Pocahontas) - "One Song" and "Heigh-Ho" (Snow White) - "Bibbidi-Bobbidi-Boo" (Cinderella) - Medley (Pinocchio) - "When She Loved Me" (Toy Story 2) - Intro (Monsters, Inc.)
Twenty-four different accents in just over eight minutes. (NSFW SLYT)
The British Council polls non-English speakers for the seventy most beautiful English words. Mother comes out on top (as ever), with lullaby, oi (my favourite), and — bizarrely — hen night also appearing. I much prefer the examples of Wilfred Funk (and others): dawn, chalice and gossamer, for instance [source origin]. Beautiful words can be combined to form beautiful phrases and sometimes more. German words are also beautiful; habseligkeiten (meaning property), and such. Words can also be curious, people have observed; but also be truly awful, as a quick search of the phrases "global experience" and "leading edge" will attest.