Frederick Douglass's Faith in Photography by Matthew Pratt Guterl [The New Republic] How the former slave and abolitionist became the most photographed man in America.
He wrote essays on the photograph and its majesty, posed for hundreds of different portraits, many of them endlessly copied and distributed around the United States. He was a theorist of the technology and a student of its social impact, one of the first to consider the fixed image as a public relations instrument. Indeed, the determined abolitionist believed fervently that he could represent the dignity of his race, inspiring others, and expanding the visual vocabulary of mass culture.[more inside]
The Englishman and the eel is a photo essay of 93 images (thumbnails here; 2 pages) and article by London photographer Stuart Freedman that "attempts to look at (amongst other things) the significance and the decline of the eel and its fading from the changing London consciousness" with snapshots of "those palaces of Cockney culture, the Pie and Mash shops." [more inside]
Photographs of the Prison Chess series were taken in 2008 and 2009 in a maximum security facility of the New Jersey State Prison in Trenton. [more inside]
What Matters (Flash based) is a book published in 2008 combining imagery and essays to tell stories highlighting contemporary issues benefiting from both images and text. The book was edited and curated by David Elliot Cohen (Wikipedia) including 17 essays (TOC, pdf) covering such issues as the Price of Oil Addiction (pdf) and Shop till You Drop (pdf). The complete book is available for free as a series of PDF documents. [more inside]
"I began bringing a camera along to work, photographing my surroundings. And as this project progressed and I slowly learned my craft, I became increasingly fascinated with other photographers who had been in a similar situation, those who had found themselves recording their own jobs: The Insiders [A tiny bit NSFW] ."
Errol Morris, documentary filmmaker, talking pictures in the N.Y.Times. The comments are not bad either. (previously)