"To make off with hubby's fortune, yea, I think I heard of that happenin' once or twice around L.A. And… you want me to do what exactly?" He found the paper bag he'd brought his supper home in and got busy pretending to scribble notes on it, because straight-chick uniform, makeup supposed to look like no makeup or whatever, here came that old well-known hard-on Shasta was always good for sooner or later. Does it ever end, he wondered. Of course it does. It did. Thomas Pynchon's next novel, the 416-page Inherent Vice, is described by Penguin Press as "part noir, part psychedelic romp, all Thomas Pynchon — private eye Doc Sportello comes, occasionally, out of a marijuana haze to watch the end of an era as free love slips away and paranoia creeps in with the L.A. fog." While we wait for its August 4 publication, we can read an essay on the dystopian musical he co-wrote at Cornell or watch a clip of that movie they made of Gravity's Rainbow. [more inside]
posted by Joe Beese on Feb 6, 2009 - 76 comments

An essay by Bill Lawrence, creator of "Scrubs," on why he writes. It's part of a series: "Why We Write." [more inside]
posted by Tehanu on Mar 16, 2008 - 28 comments

In Praise of Loopholes, simply put, is a great story and an example of fine writing you can only find online. (From our own shadowkeeper).
posted by mathowie on Apr 25, 2006 - 21 comments

Do you want to be a writer? "Write as if you were dying. At the same time, assume you write for an audience consisting solely of terminal patients. That is, after all, the case. What would you begin writing if you knew you would die soon?... Every book has an intrinsic impossibility, which its writer discovers as soon as his first excitement dwindles. The problem is structural; it is insoluble; it is why no one can ever write this book. Complex stories, essays and poems have this problem, too -- the prohibitive structural defect the writer wishes he had never noticed. He writes it in spite of that." Luminous and wise writing advice from Annie Dillard, author of Pilgrim at Tinker Creek, one of the most beautiful books written in the last hundred years (published when Dillard was 29). As a writer myself, I am often asked by younger folk how to become one. Dillard says best what I would tell them.
posted by digaman on Jan 10, 2005 - 67 comments

So You Think You Might Be A Writer? Just because you write? An astute essay by Joseph Epstein poses the uncomfortable question: are you weird enough? There's something very unnatural and unhealthy about writing (as opposed to reading, for instance) - but what is it? [Via Arts and Letters Daily.]
posted by MiguelCardoso on Apr 19, 2004 - 51 comments

Snark. In the newest issue of Bookforum, critic Sven Birkerts ruminates on what he considers to be the regrettable rise of the snarky book review, taking as his starting example Dale Peck's hatchet job on Rick Moody, written in 2002. "Psychologically [the literary] landscape [is one that is] subtly demoralized by the slash-and-burn of bottom-line economics; the modernist/humanist assumption of art and social criticism marching forward, leading the way, has not recovered from the wholesale flight of academia into theory; the publishing world remains tyrannized in acquisition, marketing, and sales by the mentality of the blockbuster; the confident authority of print journalism has been challenged by the proliferation of online alternatives. [...] All of this leads, and not all that circuitously, to the question of snark, the spirit of negativity, the personal animus pushing ahead of the intellectual or critical agenda. Snark is, I believe, prompted by the terrible vacuum feeling of not mattering, not connecting, not being heard; it is fueled by rage at the same."
posted by Prospero on Apr 4, 2004 - 27 comments