Seasoned news photographer John Harte is telling stories, naming names, and even sharing unpublished pictures from his 28-year stint at The Bakersfield Californian at a new blog, You can't have my job, but I'll tell you a story: My three decades of photojournalism in one hell of a news town. Be warned that some of these photos may be disturbing. (They include images of dead children — notably the famous, award-winning, and highly controversial Hart Park drowning photo, which generated 500 calls of protest and a bomb threat against the newspaper.) Less-upsetting highlights include the stories in these individual entries: Meet the sheriff! My first arrest, We can't upset our readers!, and The greatest sports photo in history.
"Stevenson High's star player Jalen Brunson was in the process of scoring a Illinois state semifinal record 56 points when he sank what would have been a three-point shot. The basket was waived off as a foul. Brunson raised his hands in protest. Photographers captured the moment." But what really happened? [more inside]
Should a photographer document or intervene? In the wake of the recording of a sex attack in India, The Guardian interviews several photojournalists who have experienced doubt and regret over their actions. [more inside]
The New York Evening Graphic was published by Bernarr Macfadden, body builder, health crusader, and prolific author (Strong Eyes , How Success is Won , and Brain Energy  to name a few of his hundred titles). [more inside]
Charlotte Observer photographer Patrick Schneider has been fired. After a 2003 incident in which the North Carolina Press Association stripped him of his awards for three pictures (before and after can be seen here) the Observer has fired Schneider over the alteration of this image. The question remains among photojournalists: is it unethical to alter a photo in such a way that it more closely resembles what the eye saw and the camera is unable to capture, or is this a deceptive practice that damages the public's trust?
The Cheerful Transgressive Ever since 1971, when Larry Clark published Tulsa, an austere series chronicling his meth-shooting pals in sixties Oklahoma, Clark has made it his mission to document teenagers at their most deviant, their most vulnerable, their most sexually unhinged (possibly NSFW). And now “Larry Clark” the first American retrospective of Clark’s work, currently on display at the International Center of Photography, demonstrates the richness with which he’s mined this single subject (NSFW). More inside.