Le Petit Théâtre Dior: An exhibit of miniature Dior creations was mounted in China earlier this year. [more inside]
"From a certain angle, the premise seems almost cruel: invite prisoners on death row to design their own memorials — ways for them to be remembered after they’ve been executed. This means asking them to confront not just their own mortality, but the state’s hand in ensuring it; to imagine not only the reality of their deaths, but a time beyond it. Yet, if Life After Death and Elsewhere suggests anything, it’s that this process may offer a release. These men are already thinking about death, after all — two paintings that feature the grim reaper assure us of that. Now at least they have somewhere to channel their thoughts."
"I love you" – WHAT A LIE! LIES, DAMN LIES! Yes, it's like that when you are young, naïve and in love. And you don't realize your boyfriend started dating you just because he wanted to take you to bed! I got this teddy bear for Valentine's. He survived on top of my closet in a plastic bag, because it wasn’t him who hurt me, but the idiot who left him behind."I love you" Teddy bear is one of the exhibits at The Museum of Broken Relationships. [more inside]-- "I love you" Teddy bear
2002 Zagreb, Croatia
“Every time the paper blade falls a camera will be triggered to capture the expression of the those who have put their neck on the line for an art experience like no other. Each fearful facial expression, forever immortalized on the PaperCuts-Exhibtion.com.”
The Heilbrunn Timeline of Art History uses the Metropolitan Museum of Art's collection as the starting point for a deeply informative, chronologically arranged exploration of world art history, with maps, timelines, art images, thematic essays, and more.
She connected the discarded organ replacement machines together and had them 'breathe' in closed circuits. The machines of The Immortal keep each other alive through circulation of electrical impulses, oxygen and artificial blood.
Many of us weren't born yet, but those who were, see 1968 was a pivotal year in US history. The 1968 Exhibit. Everything you wanted to know about 1968 but were afraid to ask.
Most of the prints in the exhibit "Beauty, Virtue and Vice: Images of Women in Nineteenth-Century American Prints" were designed simply to please the eye, but they are also useful to historians who would like to understand how nineteenth-century Americans thought about the world in which they lived. Although prints are often works of imagination (even when they are grounded in fact), they still have much to tell us about the time and place in which they were created. [more inside]
InForm: Turning Data into Meaning. An exhibit at the Adobe Museum of Digital Media.
Marina Abramovic's 2010 MoMA exhibit, "The Artist Is Present" (previously) meets 1980s Sierra adventure games. (No word yet on whether the game has made anyone cry.) Thoughts from the creator.
"Don't Ask, Don't Tell" is an exhibit of photographs by Jeff Sheng that is currently on tour in the US. A sharp contrast to his previous work: Fearless, which highlighted young Canadian and US athletes who openly identify as gay, lesbian or transgendered, this new exhibition shows gay American servicemen who cannot, so they have been photographed in uniform with their faces hidden or outside the photo's frame to protect their anonymity. Flash Galleries: DADT 1, DADT 2. [more inside]
In an effort to explore the hierarchy and commonalities between maids and those who employ them, Justine Graham and Ruby Rumié created a photo exhibit entitled Lugar Común (Common Place) (pdf, text in spanish) of fifty female Latin-American employer-employee dyads. All women wear white shirts and no accessories. They sit in the same poses. There is no explicit indication of who works for whom. (via) [more inside]
A visualization of the estimated 1.4 million deaths resulting from the Khmer Rouge. (Single Link Big Picture) There is no "more inside", thank goodness.
In 2005, graphic artist Kentaro Nagai was struck by the play on words between peace and piece in relation to global politics. This concept was expanded in an exhibition entitled Twelve Animals, where Nagai rearranged outlines of the world's landmasses into shapes respective of the aspects of the Chinese Zodiac. [via]
Will You Be My Friend [Flash]
Omeka is a newly available, open-source web platform, bringing good-looking, functional online exhibitry within reach of smaller museums, libraries, and arts groups. From the Center for History and New Media.
Swimming Cities of Switchback Sea is an exhibit by Swoon composed of seven floating sculptures made from discarded materials. Following a performance tour down the Hudson River, it is docked at Deitch Studios in NYC until October 18th.
The Spertus Museum/Spertus Institute for Jewish Studies has just canceled Imaginary Coordinates due to complaints that some of the artwork (NSFW: nudity, disturbing imagery) in the exhibit had an anti-Israeli slant. [more inside]
With over 35,000,000 visitors a year, it could be argued that it is the busiest museum in the world. Yet most people are there to catch a plane. [more inside]
Maps: Finding our place in the world is an exhibit at the Walters Art Gallery in Baltimore, and it runs until this Sunday June 8. That page contains images of a few of the maps. One of the many great things included is an animated map of the US Civil War in 4 minutes (one week per second, timeline noted at bottom, casualty counter rolling in bottom right corner - info about this animation) The exhibition book was previously linked here; that site includes higher-resolution versions of some more of the maps. I was floored by all the stuff they have; in terms of the rarity of the stuff in it, and the geek-delight factor, I think it's probably the best gallery show I've ever seen. [more inside]
I just returned from the 2007 Venice Biennial Art Exhibition . It's considered one of the most important events in the art world, but frankly, I found it a bit boring - after all, things like this just don't do much for me - and I don't seem to be alone in that opinion. Although to be fair, the VB has a long history of criticism
"I couldn't face the prospect of my child growing up and asking me, years later, what I had done, and having to say: 'Nothing.'" Last spring Leslie Thomas, a Chicago-based architect, read a story detailing the fallout of hostilities between the Sudanese government and the rebels -- more than 200,000 dead, 2.5 million made homeless -- and decided to put together DARFUR/DARFUR: a traveling exhibit of digitally-projected changing images. The goal: to raise $1m with at least 24 venues in 24 months. The photographs have been taken in Darfur by photojournalists Lynsey Addario, Mark Brecke, Helene Caux, VII's Ron Haviv, Magnum Photos's Paolo Pellegrin, Ryan Spencer Reed, Michal Safdie, and former U.S. Marine Brian Steidle. On a sidenote, Pellegrin has just been awarded the W. Eugene Smith Grant.
Camera as time machine in NYC In 1939 famed photographer Berenice Abbott published a classic book of New York City images called Changing New York. Some 75 years later photographer Douglas Levere decided to rephotograph the sites, waiting for the weather, season and angle of the sun to match, so that all that differed was the city's evolution. The book presenting the pictures side-by-side was noted here previously. But after it was mentioned on AskMe recently I noticed cool new stuff: 120+ pictures from the book free for the surfing here, and what is apparently its biggest public display to date, at the Museum of the City of New York.
Making the Modern World brings you powerful stories about science and invention from the eighteenth century to today. It explains the development and the global spread of modern industrial society and its effects on all our lives. The site expands upon the permanent landmark gallery at the Science Museum, using the Web and dynamic multimedia techniques to go far beyond what a static exhibition can do. Terrific wrapping, excellent content.
Die DUCKOMENTA. German art gallery of Disney-centered pastiche art. The Wall Street Journal says "This Exhibit Is No Featherweight, so You Better Duck." [Stolen from waxy]
Gracefull bipeds, miniature robot ballets.... Titled by the BBC as "Humanoid robots wow Japanese", The world's largest robot exhibit this weekend in Yokahama features Asimo by Honda ["Asimo can now recognise individual faces and can understand gestures as well as spoken commands. Meet him once and he never forgets, responding by approaching and calling your name on subsequent meetings."] as well as Sony's newest Aibo accesories and their stunning SDR-4X ll, a biped sporting "fluid walking motion and lifelike gestures." Epson Seiko caught my attention, though, with their dozen tiny Bluetooth controlled 12.5 gram Monsieur ll-P robot prototypes which executed a miniature choreographed ballet.
Pretty soon they'll be scuttling around on our walls like cockroaches, watching us......
Pretty soon they'll be scuttling around on our walls like cockroaches, watching us......
The Met Museum has an online gallery exploring the work of Da Vinci. It allows you to zoom in and out on specific parts of a work thus enabling minute exploration. It's stuff like this that makes the web indispensable.
The Russian Avant-Garde Book is an online version of the MoMA exhibit, featuring 112 books originally published in Russia during the intensely creative period between 1910 and 1934, before Stalin outlawed any style but social realism. The site is separated into three chronological themes and includes examples of futurist works, constructivist graphic design, children's books, propaganda, photography and photomontage, revolutionary imagery, architecture and industry, war themes, folk art and judaica...
Launching this Sept 11th (ok, the 10th, but still): the DEA Museum will open a "powerful new exhibit that traces the historic and contemporary connections between global drug trafficking and terrorism." Good idea. Tasteful timing.
Offended academic smashes German doctor's "Plastination" exhibit in London "I decided I would walk into the exhibition with a hammer and smash up the most expensive exhibit to make the point that you cannot turn bodies into commercial exhibits." This exhibit was discussed on March 21.