"From a certain angle, the premise seems almost cruel: invite prisoners on death row to design their own memorials — ways for them to be remembered after they’ve been executed. This means asking them to confront not just their own mortality, but the state’s hand in ensuring it; to imagine not only the reality of their deaths, but a time beyond it. Yet, if Life After Death and Elsewhere suggests anything, it’s that this process may offer a release. These men are already thinking about death, after all — two paintings that feature the grim reaper assure us of that. Now at least they have somewhere to channel their thoughts."
"I love you" – WHAT A LIE! LIES, DAMN LIES! Yes, it's like that when you are young, naïve and in love. And you don't realize your boyfriend started dating you just because he wanted to take you to bed! I got this teddy bear for Valentine's. He survived on top of my closet in a plastic bag, because it wasn’t him who hurt me, but the idiot who left him behind."I love you" Teddy bear is one of the exhibits at The Museum of Broken Relationships. [more inside]-- "I love you" Teddy bear
2002 Zagreb, Croatia
“Every time the paper blade falls a camera will be triggered to capture the expression of the those who have put their neck on the line for an art experience like no other. Each fearful facial expression, forever immortalized on the PaperCuts-Exhibtion.com.”
The Heilbrunn Timeline of Art History uses the Metropolitan Museum of Art's collection as the starting point for a deeply informative, chronologically arranged exploration of world art history, with maps, timelines, art images, thematic essays, and more.
She connected the discarded organ replacement machines together and had them 'breathe' in closed circuits. The machines of The Immortal keep each other alive through circulation of electrical impulses, oxygen and artificial blood.
Most of the prints in the exhibit "Beauty, Virtue and Vice: Images of Women in Nineteenth-Century American Prints" were designed simply to please the eye, but they are also useful to historians who would like to understand how nineteenth-century Americans thought about the world in which they lived. Although prints are often works of imagination (even when they are grounded in fact), they still have much to tell us about the time and place in which they were created. [more inside]
InForm: Turning Data into Meaning. An exhibit at the Adobe Museum of Digital Media.
Marina Abramovic's 2010 MoMA exhibit, "The Artist Is Present" (previously) meets 1980s Sierra adventure games. (No word yet on whether the game has made anyone cry.) Thoughts from the creator.
In an effort to explore the hierarchy and commonalities between maids and those who employ them, Justine Graham and Ruby Rumié created a photo exhibit entitled Lugar Común (Common Place) (pdf, text in spanish) of fifty female Latin-American employer-employee dyads. All women wear white shirts and no accessories. They sit in the same poses. There is no explicit indication of who works for whom. (via) [more inside]
In 2005, graphic artist Kentaro Nagai was struck by the play on words between peace and piece in relation to global politics. This concept was expanded in an exhibition entitled Twelve Animals, where Nagai rearranged outlines of the world's landmasses into shapes respective of the aspects of the Chinese Zodiac. [via]
Will You Be My Friend [Flash]
Swimming Cities of Switchback Sea is an exhibit by Swoon composed of seven floating sculptures made from discarded materials. Following a performance tour down the Hudson River, it is docked at Deitch Studios in NYC until October 18th.
The Spertus Museum/Spertus Institute for Jewish Studies has just canceled Imaginary Coordinates due to complaints that some of the artwork (NSFW: nudity, disturbing imagery) in the exhibit had an anti-Israeli slant. [more inside]
With over 35,000,000 visitors a year, it could be argued that it is the busiest museum in the world. Yet most people are there to catch a plane. [more inside]
I just returned from the 2007 Venice Biennial Art Exhibition . It's considered one of the most important events in the art world, but frankly, I found it a bit boring - after all, things like this just don't do much for me - and I don't seem to be alone in that opinion. Although to be fair, the VB has a long history of criticism
"I couldn't face the prospect of my child growing up and asking me, years later, what I had done, and having to say: 'Nothing.'" Last spring Leslie Thomas, a Chicago-based architect, read a story detailing the fallout of hostilities between the Sudanese government and the rebels -- more than 200,000 dead, 2.5 million made homeless -- and decided to put together DARFUR/DARFUR: a traveling exhibit of digitally-projected changing images. The goal: to raise $1m with at least 24 venues in 24 months. The photographs have been taken in Darfur by photojournalists Lynsey Addario, Mark Brecke, Helene Caux, VII's Ron Haviv, Magnum Photos's Paolo Pellegrin, Ryan Spencer Reed, Michal Safdie, and former U.S. Marine Brian Steidle. On a sidenote, Pellegrin has just been awarded the W. Eugene Smith Grant.
The Russian Avant-Garde Book is an online version of the MoMA exhibit, featuring 112 books originally published in Russia during the intensely creative period between 1910 and 1934, before Stalin outlawed any style but social realism. The site is separated into three chronological themes and includes examples of futurist works, constructivist graphic design, children's books, propaganda, photography and photomontage, revolutionary imagery, architecture and industry, war themes, folk art and judaica...