5 posts tagged with exploitation and film. (View popular tags)
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In October 1963, the Brazilian movie writer, director, and actor José Mojica Marins was having trouble with a movie he was working on, and fell asleep at the dinner table. He dreamed of being dragged to a cemetery by a creature in black, who showed Marins his own tomb stone, with the dates of his birth and death (YT: 9 min). That dream lead to the creation of Zé do Caixão (anglicized as Coffin Joe), the main character in Brazil's first horror movie, and Marins' first big movie success: À Meia-Noite Levarei Sua Alma (YT: 1hr 22min w/English subs) (At Midnight I'll Take Your Soul). This was one of the up-ticks in a life of some ups and lots of downs for the South American Roger Corman or Ed Wood (NYT), and the birth of a character who would become Marins public persona. [more inside]
posted by filthy light thief on Oct 28, 2011 - 11 comments

When "Proto-Pop" artist Larry Rivers' died in 2002, he left behind extensive archives of his letters, paperwork, photographs and film documenting the New York artistic and literary scene from the 1940s through the 1980s. They chronicle his friendships and relationships with dozens of artists, musicians and writers, from Willem de Kooning and Andy Warhol to Frank O’Hara. Also included: films and videos of his two adolescent daughters, naked or topless, being interviewed by their father about their developing breasts. Now, one daughter, who says she was pressured to participate beginning when she was 11, is demanding that material be removed from the archive and returned to her and her sister. [more inside]
posted by zarq on Jul 8, 2010 - 74 comments

Here's to Ray Dennis Steckler, the independent filmmaker who wrote, starred (as Cash Flagg) and directed influential films including The Thrill Killers, Rat Pfink a Boo Boo, and his masterpice The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies. A visionary artist whose influnce is clearly seen in contemporary cinema, Steckler was prolific (producing movies from 1963 until last year), economical (his films were self-produced, shot on 16mm film and later Hi-8 video), and brilliant (as clearly evidenced in this dance sequence from Creatures, "The First Monster Musical"). It hasn't been widely reported yet, but fans are mourning his passing. He died in his sleep yesterday, January 7th, aged 70. [more inside]
posted by Chinese Jet Pilot on Jan 8, 2009 - 26 comments

Wrong side of the art. This blog was originally made as an easy access page to view/manage my collection of movie posters specializing in cult/horror/exploitation/B/sci-fi and basically any other genre to which one may refer as 'shit'. Don't forget the blaxploitation, naziploitation, nunsploitation, and bruceleeploitation, and watch out out if you're at work: some B-movies aren't for kids.
posted by gerryblog on Jul 26, 2008 - 24 comments

Sleazoid Express (this post rated NSFW) was a New York film fanzine that championed the grindhouse cinema that played in sketchy Times Square movie theaters during the pre-Giuliani era. Featuring in-depth reviews of film fare such as Pets, Nanami: Inferno of First Love, and Let Me Die A Woman, the Sleazoid Express zine later inspired a book, which can probably take some credit for stoking Quentin Tarantino's interest in grindhouse filmmaking. (An excerpt from the book, Sleazoid Express, can be found here, and here's some original grindhouse trailers thrown in for good measure.)
posted by jonp72 on Apr 5, 2007 - 12 comments

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