42 black science fiction works that are important to your understanding of its history. Nisi Shawl has assembled a rich syllabus of novels and story collections, from 1859 to 2015. Some fantasy and horror along with the strictly science fictional.
Heather Lindsley's "Werewolf Loves Mermaid," Sunil Patel's "The Merger," and Emil Ostrovski's "Tragic Business" develop humorous situations from SF/F motifs: cryptid romance, intergalactic business negotiations, and the cycle of death and rebirth, respectively. Lincoln Michel's "Dark Air" combines common weird fiction / horror situations with a very dry, very dark sense of humor. Naomi Kritzer's "So Much Cooking" is a serious SF story about a grave possibility, but it brings the matter home via a witty parody of a cooking blog.
"It’s very nice to have my story go out there, and if it’s in a different form, I want the thing to mutate slightly." Neil Gaiman and Kazuo Ishiguro discuss genre, escapism, copyright and how stories expand over time at The New Statesman. (via io9)
"Unconventional Advice for the Discerning Reader" by Sophie Wereley and "The Practical Witch's Guide to Acquiring Real Estate" by A. C. Wise are recent fantasy short stories that offer handy tips from similar perspectives. "Pockets" by Amal El-Mohtar and "The Apartment Dweller's Bestiary" by Kij Johnson (who adds one beast in a comment) are recent stories that blend strangeness into everyday life with poignant results. All via @SpiralGalaxy and @SFFMicroReviews. [more inside]
Every April for the past several years, Fantasy Cafe has published a series of guest posts for Women in Science Fiction & Fantasy Month. This year, the article that generated the most discussion was "'I am ... ?': Representation of Mature Women in Fantasy" by Mieneke from A Fantastical Librarian, who asked, "So where are the older women in fantasy? Mature women who are the hero of their own story?" The many other guest posts this year offered an interesting range of questions, observations, and reflections--often by well-known names in the field. [more inside]
Locus Magazine has published its 2014 Recommended Reading List. BestSF.net has given its Best SF Short Story Award for 2014. Tables of contents have been announced for The Year's Best Science Fiction, Thirty-Second Annual Collection edited by Gardner Dozois, Year's Best Weird Fiction, Volume Two edited by Kathe Koja and Michael Kelly, and The Best Science Fiction and Fantasy of the Year, Volume Nine edited by Jonathan Strahan. And several writers have called out their favorite stories of the year too, e.g. Ken Liu, Carmen Maria Machado and Sofia Samatar, Usman Malik, and Fran Wilde, Michael R. Underwood, Tina Connolly, and Beth Cato. Quite a few of these short fiction selections from 2014 have been published online in full. [more inside]
Tor.com presents "As Good As New" a short story by Charlie Jane Anders about a girl, the apocalypse, and making sure those three wishes count.
I try to do two things with my style. The first is to pay attention to how the words sound together ... The other thing is to juxtapose odd images.Sometimes ornate, sometimes economical, and always striking, Yoon Ha Lee's short fiction combines motifs from fantasy and science fiction with remarkable fruitfulness: "There are soldiers and scientists, space travel and dragons, leather-bound books, locked doors, and genocidal rampages. Each tale strains at the edges of possibility. No two of Lee's stories are alike, except for a similar pulse powering each word, each juxtaposition, each startling turn of events." Much of Lee's output is available online, including dozens of flash fiction fairy tales and two works of interactive fiction. [more inside]
Kichwateli (Kenya, 2011; 07:46), The Day They Came (Nigeria, 2013; 03:59), The Tale of How (South Africa, 2006; 04:28; previously), Alive in Joburg (South Africa, 2006; 06:22; previously), Umkhungo (South Africa, 2010; 30:34; trailer alt. link), Evolve (Egypt, 2014; 24:17), Mwansa the Great (Zambia, 2011; 23:11; two trailers as alt. links), and Pumzi (Kenya, 2009; 21:51): eight short works of SF/fantasy via The Skiffy and Fanty Show.
Jeff VanderMeer reflects on connections between personal experience and written SF/fantasy, including those in his own work as well as that of Angela Carter, Lev Grossman, Ann Leckie, Lauren Beukes, and Nnedi Okorafor. [more inside]
MIND MELD: Food in Science Fiction versus Fantasy
This week we asked about Food and Drink in SF. Food and Drink in science fiction sometimes seems limited to replicator requests for Earl Grey tea and Soylent green discs. Why doesn’t do as much food as Fantasy? Does Fantasy lend itself more to food than Science fiction? Why? This is what they had to say…[more inside]
SF Signal today finished a top 50 countdown of short SF/fantasy podcast fiction: 50-41, 40-31, 30-21, 20-11, 10-1. The Parsec Awards for SF podcasts honor many other stories annually, as well as related non-fiction, comedy, and music: 2014 nominees; 2013; 2012; 2011; 2010; 2009; 2008; 2007; and 2006. And since 2012, the Hugo Award nominees for Best Fancast have been two-time winner SF Squeecast!, plus The Coode Street Podcast, Galactic Suburbia, SF Signal, The Skiffy and Fanty Show, StarShipSofa, Tea and Jeopardy, Verity!, and The Writer and The Critic with the popular Writing Excuses podcast often appearing in another category. [more inside]
Phenderson Djèlí Clark details H. P. Lovecraft's racism (earlier version with links to recommended reading/listening). Daniel José Older situates HPL's racism within a more general aesthetics of disgust. Silvia Moreno-Garcia engages with racism in both HPL and Robert E. Howard through work such as co-editing a multicultural issue (pdf) of Innsmouth Magazine (formerly Innsmouth Free Press) and a new Sword & Mythos anthology. Balogun Ojetade explains how confronting racism in HPL and REH spurred his participation in the sub-genre of Sword and Soul.
"In 'Somebody Will' I wanted to get across why I see sci-fi and fantasy fandom as a more positive, productive world than many of the hobbies and communities common in our culture. [...] The hardest part of the piece is singing it to the end without crying."[more inside]
On the Lovecraftian Mode - Gord Sellar on why he writes lovecraftian fiction. Elizabeth Bear on the same question. I. N. J. Culbard on adapting Lovecraft.
"In Advanced Readings in D&D, Tor.com writers Tim Callahan and Mordicai Knode take a look at Gary Gygax’s favorite authors and reread one per week, in an effort to explore the origins of Dungeons & Dragons and see which of these sometimes-famous, sometimes-obscure authors are worth rereading today." [more inside]
Twitter: @HardSciFiMovies imagines the plots of SF/F movies moving more in line with reality.... [via mefi projects]
There’s a moment which comes every time Minh Ha enters the Hall of the Dead: a single, agonizing moment of hope when she sees the streets before the bombs extinguished the lanterns hanging in the trees—when she sees Mother and the aunts exactly as she remembers them, their faces creased like crumpled paper—when she hears them say, “Come to us, child,” in Rong, just as they once did, when handing her the red envelopes of the New Year celebration.
It never lasts.
SF author and Mefi's Own Charles Stross talks about the future of "big idea" Science Fiction: If SF's core message (to the extent that it ever had one) is obsolete, what do we do next?
Ted Chiang is perhaps the finest author in contemporary science fiction -- and the most rarefied. A technical writer by trade and a graduate of the distinguished Clarion Writers Workshop, Chiang has published only twelve short stories in the last twenty years, one dozen masterpieces of the genre whose insightful, precise, often poetic language confronts fundamental ideas -- intelligence, consciousness, the nature of God -- and thrusts them into a dazzling new light. Click inside for a complete listing of Chiang's work, with links to online reprints or audio recordings where available, as well as a collection of one-on-one interviews, links to his nonfiction essays, and a few other related sites and articles. [more inside]
OMNI was launched (PDF) by Kathy Keeton, long-time companion and later wife of Penthouse magazine publisher Bob Guccione, who described the magazine in its first issue as "an original if not controversial mixture of science fact, fiction, fantasy and the paranormal". [more inside]
Inspired by the cage matches between popular characters over at Suvudu, Random House's SF/fantasy blog, Heather Zundel and friends have started a YA Fantasy version. At least 3 of the characters' authors are involved in the fight write-ups, although one author reacted differently. All I know is that I have a lot of books to check out.
War of the words - Science fiction was once driven by a faith in human ability to change the world. These days, the genre seeks to expose the illusions of everyday life. cf. near-future science fiction [1,2] & radical presentism  (via mr)
He invented or popularized a startling array of the fundamental elements of film: the dissolve, the fade-in and fade-out, slow motion, fast motion, stop motion, double exposures and multiple exposures, miniatures, the in-camera matte, time-lapse photography, color film (albeit hand-painted), artificial film lighting, production sketches and storyboards, and the whole idea of narrative film.
By 1897, in a studio of his own design and construction – the first complete movie studio – his hand forged virtually everything on his screen. Norman McLaren writes, "He was not only his own producer, ideas man, script writer, but he was his own set-builder, scene painter, choreographer, deviser of mechanical contrivances, special effects man, costume designer, model maker, actor, multiple actor, editor and distributor." Also, his own cinematographer, and the inventor of cameras to suit his special conceptions. Not even auteur directors such as Charles Chaplin, Orson Welles, John Cassavetes, and Stanley Kubrick would personally author so many aspects of their films."Inside: 57 films by Georges Méliès, the Grandfather of Visual Effects. [more inside]
Like others before him Benjamin Rosenbaum is making his debut short story collection, The Ant King And Other Stories, available from his publishers, Small Beer, as a free download. More than this though, he is holding a competition to find the best derivative work inspired by it. These include "translations, plays, movies, radio plays, audiobooks, flashmob happenings, horticultural installations, visual artworks, slash fanfic epics, robot operas, sequels, webcomics, ASCII art, text adventure games, roleplaying campaigns, knitting projects, handmade shoes, or anything else you feel like." [more inside]
Free Speculative Fiction Online is a database of free science fiction and fantasy stories online by published authors (no fan-fiction or stories by unpublished writers). Among the authors that FSFO links to are Paul Di Filippo (14 stories), James Tiptree, Jr. (4 stories), Connie Willis (3 stories), Eleanor Arnason (3 stories), Bruce Sterling (5 stories), Robert Heinlein (7 stories), Ursula K. LeGuin (3 stories), Jonathan Lethem (5 stories), Michael Moorcock (6 stories), Chine Miéville (2 stories), Samuel R. Delany (3 stories), Robert Sheckley (8 stories), MeFite Charles Stross (33 stories) and hundreds of other authors. If you don't know where to start, there's a list of recommended stories.
Paramount does Neil: Gaiman's book (illustrated by Charles Vess) is being made into a film called Stardust. You can watch the trailer or read the first chapter online. The film is directed by Matthew Vaughn, who doesn't exactly have a strong fantasy background. Cross your fingers, Gaimanites.
Looking for that rare science fiction first edition? The Barry R. Levin Science Fiction & Fantasy Literature store just might have the volume you seek.