3 posts tagged with fashion by MiguelCardoso.
Displaying 1 through 3 of 3.
Guy Bourdin, Photographer Extraordinaire, 1928-1991 He was the most controversial of the not-really-fashion fashion photographers. "Too sexy, too necro, too sado, too gratuitously violent, too misogynist", they said. Now he's on the verge of a big retrospective, opening Saturday at the Victoria & Albert Museum in London; being exhibited at leading galleries; lauded in the NYT and the object of a website as excellent as the one in my main link. [ These last 3 links go directly to the portfolios.] I just hope - being old enough to remember being severely scolded by my parents for collecting the photographs he published in my generation's vademecum, the since-degraded French magazine Photo - that these far more politically correct times (specially in increasingly intolerant, hygienist and puritanical America) won't prove to be even less welcoming of his work than his own times were.[ *sigh* Probably still NSFW, though most of his work was flipped through by our mothers in Vogue magazine more than 20 years ago...]
Damn La Difference! Europe (and apparently Japan) seem to be going through a Dickies craze. You say work wear; we say American blue-collar chic. You pay $20 for an industrial shirt; we pay $100. Should we call the whole thing off? [More inside.]
Women's Bodies or Women's Fashions: What Should Come First? Comfort in Western dress is a relatively modern and liberal concept. In the last few years, though, it seems to have been forgotten by increasingly unforgiving - even sadistic - designers. Or is it just Art? Last Wednesday, the Costume Institute of the Metropolitan Museum of Art opened a new exhibition called Extreme Beauty: The Body Transformed. Judith Thurman, in the current New Yorker, suggests things have gone too far. The question is: should leading designers be free to be absolutely creative - as they seem to be at the moment - or should they adapt their creations to the actual shape of women's bodies? Has "haute couture" finally become an art in itself, with no pretence of actually clothing real women? Is, in fact, a certain hatred of women involved?