"Reading comments on any article about pantyhose, you’d think we were talking about the Gaza strip, not flimsy tubes of nylon. Trends come and go... But there’s something about pantyhose that’s oddly divisive." Autumn Whitefield-Madrano on The Beheld with Hosed: Conservatism and the Return of Pantyhose. [more inside]
On Kate Moss, and Taking One for the Team: "So, earlier this week Vanity Fair published a rare interview with Moss, in which the model, who is well-known for her circumspection, is unusually frank about the early years of her career. Moss was still a skinny, gangly teenager when she was plucked from mediocrity in Croydon and catapulted to superstardom. She was barely an adult, almost still a child, when she did her first topless photo shoot, with Corinne Day for The Face. In the interview, she talks about how uncomfortable this made her... This isn't the only the only revelation Moss made during the interview. It also turns out that the famous Calvin Klein campaign she did in 1992 with Mark Wahlberg gave her a nervous breakdown... Conveniently ignoring the fact that when the pictures were taken, Moss wasn't 'the face of the '90s', but a skinny teenage girl who cried because she was made to take her clothes off, Needham continues by saying that Moss' skinny frame 'seemed to encapsulate the euphoria of those long-distant times.'" [more inside]
The Afterlife of Cheap Clothes is an excerpt from Elizabeth Cline's book Overdressed: The Shockingly High Cost of Cheap Fashion. 10 facts from Overdressed. An interview with Cline on Salon. Cheap clothing's high cost (infographic). Previously: stuff we don't want. [more inside]
Sneaking Into Pantone HQ: "While the Pantone meetings are traditionally secret, I was invited to the Summer 2013 meeting on the condition that I not reveal the colorists’ identities." (An older, brief interview on Pantone forecasts.) For Summer 2013: forecast overview - palette descriptions - palette colors. (via good.is: ...the Ethics of Color Forecasting)
Can using different types of models benefit brands? Ben Barry discusses his Ph.D. research in Elle Canada, making a business case for diversity in fashion: women increased their purchase intentions when they saw models who reflected their size, age, and race. Jezebel summarizes, "Barry's research... casts doubt on the age-old theory that people buy things because advertising stokes their insecurities, creating a need that can only be filled by the advertised product. It suggests that advertising can work by inducing in the consumer feelings of affinity for and identification with the people shown in the ad."