Malaysian illustrator Charis Loke designs geek culture-inspired traditional South/South East Asian outfits, primarily baju kurung and kebaya. Some of her inspirations include Tolkein, Pacific Rim, Watchmen, and the Hunger Games.
"Most stores in South Korea are "one size fits all," and that one size is small, as in designer sample size small. Finding clothes larger than a U.S. women’s size 6 is challenging, especially since the starting point for "plus-size," or extra-large, is a Korean size 66, the rough equivalent of a U.S. women’s 8."
As the main supplier of fashion prints to nearly half a continent, the textile company has continued to dominate that fashion scene there for almost 170 years. How’d that happen? Rooted in European colonialism and a testament to African ingenuity, creativity, and cultural pride; it’s a surprising story…
When is it socially acceptable to wear black tights? (slTheGrauniad/The Guardian)
Braxae Vintage Co. is an Etsy shop with over 700 vintage beaded and sequined dresses, jackets, tops, and the rare pant suit for sale. You can also browse the hundreds of items the shop has already sold. [more inside]
“Accommodating a large bust is not taught in fashion school,” Love says simply. A Calgary woman decided to create her own fashion line for the generously endowed lady.
The Understated Elegance of the Airline Scarf by Troy Patterson [New York Times]
“Though the scarf coordinates with contemporary gender politics, it also conjures an old romance of the skies, stirring visions of aviators in open cockpits with white silk rippling at their throats and of fighter pilots wearing flight scarves printed with roaring beasts. It is also polymorphously practical. Heather Poole, a flight attendant and writer, has described scarves deployed as ad hoc bikini tops, improvised curtain ties and all-purpose utility tools: “I’ve seen a scarf used as a lanyard, a belt, a sweatband, a ponytail holder, a napkin and a compression bandage.”
"I'm not a model. I went to a military college on Long Island called the U.S. Merchant Marine Academy. At the end of the four-year program I got a marine engineering degree and a commission as an officer in the naval reserve. I recently spent time on a ship in the Gulf of Mexico. Luckily, I had Wednesday off, because Kanye's show was the very next day." what it was like to walk in yeezy 2 (and make kanye cry) (i-D) [more inside]
"Saada: In some ways, “inconspicuous chic” is about a perceived entitlement to money, not money itself. People who flaunt their wealth by wearing tons of brands and being flashy are not considered wealthy; more often they’re seen as nouveau riche vis-a-vis old-monied. ...Maybe if they were bulldozing low income housing to build a huge Barney's I would be concerned, but to be upset about how rich ladies shop is almost pointless." ---- Clothes & Class - An Adult Magazine roundtable discussion of the minutiae of high fashion, low budgets, the history of class signaling and inconspicuous chic. With Saada Ahmed, Katherine Bernard, Durga Chew-Bose, Fiona Duncan, Hari Nef, Steve Oklyn and Arabelle Scicardi. (NSFW main photos and related ads. Extreme fashion nerdery)
Not one of these hippies looks dirty, or stoned, or tuned out; and they all apparently were a lot happier then I was led to believe. Or maybe this is not representative. Neat pictures though.
The modern market allows us to personalize that style. Casual is the sweet spot between looking like every middle class American and being an individual in the massive wash of options. This idea of the freedom to dress in a way that is meaningful to us as people, and to express various types of identity.
In a very real way, what people tuck into their pockets signals what they care about. "Pockets matter because they’re personal. What we wear at our waists is at least as intimate as what we wear on our wrists, and what we’ve worn there over the centuries tells us a lot about who we are, how we’ve changed, and how we’ve stayed the same. We’re greedy; we’re vain; we’re hungry; we’re late. We want to start fires and listen to a thousand songs."
Letter of Recommendation: Fanny Packs by Jaime Lowe [New York Times]
“For too long, the fanny pack’s cultural baggage has prevented potential adoptees from embracing its sheer practicality. To the unenlightened, fanny packs are synonymous with the ugly American: the perfect accessory for extra-large, convenience-obsessed people. But to me they promote the greatest of our nation’s ideals: freedom.”
Brooklyn's Afropunk festival has gone from a small gathering of friends celebrating an underground documentary to a massive, celebrated boutique fashion and mainstream music cornucopia. Some say they have sold out. But in Pitchfork, author Hanif Abdurraqib, (previously) makes a case that it still represents something very real and important to black youth culture.
- 100 Years of Fashion in 2 Minutes
- 100 Years of Men's Fashion in 3 Minutes
- 100 Years of Men's Swimwear in 3 Minutes (women's)
- 100 Years of Fitness in 100 Seconds
- 100 Years of Female Dance
- 100 Years of Music
- AFI's 100 Years ... (youtube playlist from American Film Institute)
- 100 Years of Black Beauty
- 100 Years of History in 2 Minutes
Most people are familiar with the handkerchief code, which uses different colors of bandannas[NSFW: sexual language] to signal coded messages between queer people. Mostly the province of gay men in the 1970s, today femmes of all gender identities are bringing flagging back in a new movement known as "femme flagging", a way to use style to fight heteronormativity and invisibility in the queer community. While most femmes "finger flag" with nail polish, Queer Fat Femme offers a few more suggestions as well as some conversation starters in the event you see someone else femme flagging.
The Twitter account Diana_Vreeland pays tribute to the celebrated fashion editor/social maven by coming up with colorful suggestions for how to live your life.
With designs inspired by Peking opera the facekini protects its wearer from jellyfish stings and sunburns.
The NYPD uniform is as iconic as it is polarizing. Wearing it makes me a target for both praise and censure—neither of which I, in most cases, did anything to deserve. My character becomes a many-sided die, the cast contingent on the preconceptions and experiences of whoever is looking. With each person I encounter I wonder how it’s going to be: Am I an oaf? A hero? A pawn? A tyrant?An anonymous female NYPD officer reflects on what it's like to wear the blue.
In fashion news, apparently, Merman colour is the next big thing in men’s hair. This styling and particular coloring replaces "man buns" as the in-thing for the man-about-town. Radiant blues and purples predominate, with the occasional green, and the occasional very green. The effect also used on beards and mustaches for that rainbow-hipster identity. Headwear co-ordination is a possibility, and age is not a barrier; neither is being a merman when in a serious boardroom meeting. Yellow is also a choice, and many bright colors at once are possible. For MeFites wanting to make a statement, some do's and dont's. And finally, a personal favorite: you can be very old and still cool.
Hackers was a financial flop, but its hilariously over-the-top early CGI visuals, oddly prescient view on technology, and glam-cyberpunk aesthetic rendered it a cult classic. To honor its 20th anniversary—at a time dogged by newfound fears about what the future of technology holds—we thought it would be fitting to bring together a group of actual hackers to screen and discuss the film. - Hackers watch "Hackers"
Bizarre. Floral. Witty. Futuristic. Avian. Not just for women, either. The hats of Royal Ascot 2015 are stunning works of millinery art. Just the Ladies Day pictures (cute). [more inside]
"We set a few rules. The ties had to be worn all day. There would be no hiding under sweaters. And they had to be worn in order. I’d work my way down from the top layer to the bottom, taking what the box gave me, regardless of the day’s events. Also, there’d be no excuses or explanations. If asked about a tie that was as wide as a flapjack, I could say only, “It was my father’s.”"
The little-known story behind a pair of young newlyweds in post–World War II Manhattan who launched the era of the supermodel.
Feminine Pictorialities is "British Pathé's classic 'special selection for the ladies' from the 1930s [and] covers bathing and hat fashions, hairstyles, and women's sport." Among the 55 short films from 1934 and 1935: Woollies! Handbags! Cartoon fashions! And my favorite, a forerunner of 100 Years of Beauty (previously), Whirly, Curly Girls! [more inside]
"That’s what makes things interesting—when you look at something, and you aren’t sure if you like it or not." Birkenstocks, the charmingly ugly "sensible shoes" long associated with crunchy hippie stereotypes, are in style once again. First brought to the United States in the 60s by Margot Fraser, the sandals enjoyed a resurgence in popularity in the early 90s, and the current trend can be traced to Céline's spring 2013 fashion show. Even Manolo Blahnik is a fan. While the sandals cycle in and out of fashion, the company chugs on: "When they’re all gone… Well, we’re still here."
Fashion to Die For: "Fast fashion might seem like a modern invention, but in the turbulent world of 18th-century France, when Marie Antoinette was calling the shots, fashion moved at light speed." Dr. Kimberly Chrisman-Campbell, art historian specializing in fashion and textiles, gives a delightfully rich interview to Collectors Weekly. Through the prism of fashion, she touches on class fluidity and lack thereof, gender roles, textile trades, guilds, self-expression – all elements that rapidly metamorphosized at the end of the Ancien Régime and inexorably led to the French Revolution and its Reign of Terror. [more inside]
The Met's soon-to-open exhibit, titled "China: Through the Looking Glass," tackles the impact of Chinese aesthetics on Western fashion, and how Chinese culture has inspired fashionable imagination for hundreds of years. Juxtaposing high fashion with Chinese art, film, clothing, and artifacts, the exhibit looks to explore why Western culture is as enraptured with the East as it is. [more inside]
The Men of Condé Nast Photographed in Their Natural Habitat (New York Times)
Ever wanted one of those Elizabethan wing-looking collars? If so, the Very Merry Seamstress has you covered.
As a music fan, what I find even more worrying is that these “festival fashion” features only perpetuate the myth that women are incapable of enjoying music for music’s sake. More than that: these features are flat-out telling us we’re not allowed to. The subtext appears to be, “Girls: the boys have generously granted you access to their sphere; the least you can do is look pretty.”
Men's Neckties: How-to tie necktie knots - from Mefi's own xingcat, posted from MeFi Projects. Selection: How to tie a bow tie.
Why not just read every single Karl Lagerfeld interview ever and wear out both the "command" and "F" keys searching for every single instance in which he's literally uttered the word "hate"? (via)
Meet Georgia’s Christy Plott Redd, the self-proclaimed monarch holds court from the bayous of Louisiana to the posh boutiques of Paris. Her calling card? The skins of the American alligator.
In 1981. Sears released its first (and last) laserdisc based catalog. It's a time capsule of fashions in both clothing and video production, and one more example of how Sears was constantly searching for the future of retail, but never quite found it.
In recent years, many women will have noticed new articles insisting that most of us wear bras that don't fit and that women should measure themselves in a new way. But the sizes that are easily and cheaply available to women are nowhere near the sizes that these experts insist women should be wearing. How did this state of affairs come to be? It turns out the answer lies in the history of bra manufacture. [more inside]
Twenty One Dresses for the early Twentieth Century. The New Yorker looks at a recently discovered cache of dresses from Callot Soeurs, a woman-owned French Haute Couture house.
Archillect, billed as The Ocular Engine, is a recent project from enigmatic designer Murat Pak. [more inside]
In Cut.com's new video series, a model runs through iconic makeup and hairstyle looks of her country for each decade from 1910 to 2010. This is an ongoing series, but there are now four videos up: one each for Anglo-American and African-American women, one for Iranian women, and one for Korean women. [more inside]