It's Payback Time for Women - "Society is getting a free ride on our unrewarded contributions to the perpetuation of the human race." (via) [more inside]
“To the world, I am an attorney who had an abortion, and, to myself, I am an attorney because I had an abortion." The Center for Reproductive Rights and law firm Paul Weiss submitted an amicus brief [pdf] to the U.S. Supreme Court signed by 113 attorneys, detailing the importance of abortion rights in their own lives. [more inside]
At Philosop-her, Meena Krishnamurthy invites women in philosophy to introduce themselves and their work. For example, Elizabeth Barnes, "Confessions of a Bitter Cripple": "I have sat in philosophy seminars where it was asserted that I should be left to die on a desert island ... I have been told that, while it isn't bad for me to exist, it would've been better if my mother could've had a non-disabled child instead ... And these things weren't said as the conclusions of careful, extended argument ... They were the kind of thing you skip over without pause because it's the uncontroversial part of your talk." [more inside]
Throughout our lives, women hear insidious, often-conflicting messages about what it means to be a woman, about how we should act, talk and look. [more inside]
"That night, Soloway sat in the bathtub, while her husband, Bruce Gilbert, a music supervisor for film and television, brushed his teeth. She remembers telling him, “ ‘I don’t want to use the money to pay off our debt. I want to be a director, and I want to make a film with it and get into Sundance. I want to double down on me.’ And Bruce was, like, ‘O.K.’ ” Then, just as Soloway was making the leap to directing her own material, her father called one afternoon and came out as transgender." (SL New Yorker)
Being A Girl: A Brief Personal History of Violence [The Belle Jar]
“The distance between the station and the train was accurately measured ... I was not nervous as it approached and I leaped without hesitation,” she recalled. She landed safely, but the rocking motion of the train rolled her straight toward the end of the car. Just before being pitched off, “I caught hold of an air vent and hung on.” Then, with a sense of the dramatic, silent film actress Helen Gibson let her body “dangle over the edge to increase the effect on the screen.” [more inside]
The Internet is blowing up over this 70's "radical lesbian separatist" shirt. i-D has the story. [more inside]
Caitlin Stasey talks about beauty and sexism in the entertainment industry. (SLYT) (NSFW swearing) [more inside]
When Fiona Ingleby took to Twitter last April to vent about a journal’s peer-review process, she didn’t expect much of a response. With only around 100 followers on the social-media network, Ingleby — an evolutionary geneticist at the University of Sussex near Brighton, UK — guessed that she might receive a few messages of support or commiseration from close colleagues. What she got was an overwhelming wave of reaction. Social media has enabled an increasingly public discussion about the persistent problem of sexism in science.
Why men don't like funny women:
When they would ask men and women what they looked for in their long-term partners, both genders would say they wanted someone “with a good sense of humor.” It was only when researchers pressed their subjects on what they meant, specifically, by “sense of humor,” that the sex difference became clear. Women want men who will tell jokes; men want women who will laugh at theirs.
"Young women could now do more than read about feminist issues and discuss them in class; they could find communities of women on Twitter or Tumblr whose experiences they could relate to—or who could open up new vistas for them on what other women’s lives are like. They could participate in the creation of a new feminism—one that would be a far cry from Friedan’s. By 2011, the writer Flavia Dzodan was famously declaring on her blog: “My feminism will be intersectional or it will be bullshit.” Her words became a rallying cry."
Vankadarath Saritha, Delhi's first female bus driver - "Women have been to space so why can't we drive a bus?"
I had trouble saying more than a few words at a time, my voice croaking and words slurred or over-pronounced. I stuttered and gasped. I started leaving out words that weren’t essential, breaking my sentences down into telegrams, paid by the word or even the letter. Big words were a thing of the past. Or, as I would have said it then: Big. Words. Gone.
The time expert looked through the messy time diaries I'd been keeping (one mysteriously went through the dryer) and found 27 hours of what he called leisure, and I called bits and scraps of garbagey time. Five minutes here. Ten minutes there. Listening to the radio, exhausted, trying to get out of bed. Getting some exercise. Waiting by the side of the road for a tow truck. (Yes, he said that counted as leisure.) The image that came to mind was this: time confetti.
"Whether it is the covering of breasts in Southern India or the wearing of burqas in Afghanistan, women's comportment and clothing have offered an emotionally powerful shorthand for all that is wrong with native culture and all that must be corrected by the empire." Rafia Zakaria for Aeon: Clothes and daggers. [more inside]
Not all comments are created equal: the case for ending online comments - Jessica Valenti for The Guardian. Previously: All of the commenting, none of the comments., What We Comment About When We Comment About Commenting
The Tropes vs Women in Video Games project aims to examine the plot devices and patterns most often associated with female characters in gaming from a systemic, big picture perspective. - Tropes vs Women: Women as Reward. Tropes versus Women creator Anita Sarkeesian on the backlash to the series (Warning: GamerGate), Previously, previously.
‘I’m No Longer Afraid’: 35 Women Tell Their Stories About Being Assaulted by Bill Cosby, and the Culture That Wouldn’t Listen (trigger warning: sexual assault) SL longform New York Magazine. [archive.org saved version here]
Marlene Sanders’ Feminist Legacy [Slate obit] - "She wrote of her accomplishments: 'As I look back on my career, the women's movement provided an exceptional point when time, place and position all came together to give me the power and focus to contribute to the country’s awareness of the status of women.'" [more inside]
Housework is not work. Sex work is not work. Emotional work is not work. Why? Because they don’t take effort? No, because women are supposed to provide them uncompensated, out of the goodness of our hearts.
Em Ford is a filmmaker, beauty blogger, and former model. When Ford, who suffers from acne, began posting pictures of herself without makeup on social media, she received over 100,000 comments. In response, she created the short film, You Look Disgusting [SLYT] "to show how social media can set unrealistic expectations on both women and men." [more inside]
"[I]t is her flipping of masculinist scripts—the reclaiming of chauvinistic language, the cartoonish and flippant treatment of violence, her insistence on getting paid for her labor, and her reenactment of machismo through her hyper-feminine fashionista presentation (replete with an all-girl posse)—that makes the BBHMM video [NSFW] much more layered than a simple woman-hating narrative, as some have labeled it." [more inside]
Magic: the Gathering is a fantastic strategy trading card game, currently in it's 22nd year and more popular than ever. But as it becomes more mainstream, an ugly issue is coming to light: there just aren't many women players. The official company line is that 38% of players are female, although that number is not represented in high level play. Gaby Spartz's article 6 Things You Can do to Get More Women Into Magic puts the percentage of women in tournament play closer to 1-2% of the field. Spartz's article, as well as her followup 7 Counterpoints to My Women in Magic Article, has sparked a debate that has raged over the past few months. [more inside]
Here's what happens when a man eats nothing but food made for women. When I began my exploration of gendered food items, I was hoping for a dramatic payoff.... Instead, I got a pile of cardboard packaging and confirmation of my thesis: marketing something as “for women” -- the pinks and purples, the low-calorie labels, the suggestions that life is just sooooo crazy and women need to take a break with a thumbnail-sized brownie -- is the dumbest gimmick in food marketing.
"So last week, when country radio promoter Keith Hill controversially suggested that stations should stop playing songs by female artists, it’s easy to label his actions another example of misogynistic, conservative politics.The Conversation's Clifford Murphy, on why [country radio promoter] Keith Hill’s comments about women in country music cut far deeper than misogyny [more inside]
However, Hill’s comments are actually indicative of something much bigger and far more troubling: the consolidation of an entire genre of music, and the type of environment this can create. In the case of country, it’s allowed for the repurposing of the genre’s history, and the exclusion of certain individuals."
Feminae: Medieval Women and Gender Index covers journal articles, book reviews, and essays in books about women, sexuality, and gender during the Middle Ages. [some pages may contain medieval nudity] [more inside]
"The record store, the guitar shop, and now social media: when it comes to popular music, these places become stages for the display of male prowess. Female expertise, when it appears, is repeatedly dismissed as fraudulent. Every woman who has ever ventured an opinion on popular music could give you some variation (or a hundred) on my school corridor run-in, and becoming a recognized 'expert' (a musician, a critic) will not save you from accusations of fakery." The World Needs Female Rock Critics, by Anwen Crawford for the New Yorker. Discussed in the piece is Jessica Hopper's new collection of essays, The First Collection of Criticism by a Living Female Rock Critic, which has been greeted with glowing praise. Here's an interview she did with Hazlitt: 'Am I Womansplaining To You?' And here she speaks to Meredith Graves of Perfect Pussy: "Being a fangirl is all the qualification you need. And don't wait for anyone to give you permission. They won't. And you should do it anyways." [more inside]
Jill Lepore talks with Amelia Lester and David Haglund about the role of women in contemporary science fiction - A discussion on the New Yorker Podcast
So you gotta go for it. Just do me a favor and FUCK SOME SHIT UP. Surprise yourself, wake up your actors, get wild with your performances, try shit, put in that funky dialogue you’re embarrassed of, in fact, rub your fucked-up-ness all over your scripts, add some shame and embarrassment and glee, and then dare yourself to shoot it, SERIOUSLY, go big or go home -- be a creature unlike any other.Transparent creator Jill Soloway gave an amazing speech full of advice for women in filmmaking a few days ago.
Women haven't always gotten to play a big role in the scientific advancements, studies and cultural conversations concerning sexuality. […] But numerous powerful women have elbowed their way in, taking control over female sexuality and introducing innovations that actually what women want and need.[more inside]
Tilting In Our Favor: Pinball May Be The Most Inclusive Gaming Space For Women
Sustainable, supportive relationships are crucial to me as an intersectional feminist, and there's only so far picking up the check at a fancy restaurant can take you. So I left behind a decade of working in tech to keep kids off the glass at the Pacific Pinball Museum in Alameda, California.[more inside]
Unsung Heroines provides bite-sized biographies of Black women who changed the world, and is a great way to learn history you were deliberately not taught in school. Women profiled include Fannie Lou Hamer, the civil rights hero who first said "I’m sick and tired of being sick and tired;" Mary Church Terrell, an early advocate for civil rights and the suffrage movement; Melba Roy Mouton, a NASA mathmatician; as well as: [more inside]
"There are many ways we can envision women's liberation if we try. Since we total more than half of the world's population, our experiences as women intersect with almost every other struggle against systemic oppression. The lessons learned are personal and political. Tapping into this well can sometimes seem like an infinite journey: where does one start? Well, with comics, of course!" 19 Comic Characters Who Embody Women's Liberation, Ad Astra Comix [more inside]
"... one of the most startling things about this show is that fact that women in Legend of Korra are not required to be likeable." [more inside]
Twenty Questions for Women in Construction was a series of blog posts about female construction workers in NYC which ran on Huffington Post in 2013. Kicking off the series was the article A Day in the Life of a Woman in Construction by Ana Taveras. Many of the respondents to the Twenty Questions series are graduates of Nontraditional Employment for Women. [more inside]
In honour of Women's History Month*, Vibe has been doing brief interviews with "a woman who has made her living by doing exactly what she wants." [more inside]
"What I couldn't say" by Anita Sarkeesian, part of the "What I couldn't say" session at the All About Women Festival at the Sydney Opera House this week [more inside]
Coding Like a Girl - sailor mercury at Medium:
"Apparently, presenting as feminine makes you look like a beginner. It is very frustrating that I will either look like not a programmer or look like a permanent beginner because I have programmed since age 8. I have basically always wanted to be a programmer. I received undergrad and grad degrees from MIT. I’ve worked as a visiting researcher in Honda’s humanoid robotics division on machine learning algorithms for ASIMO.[more inside]
"I don’t think that any of these things make me a better programmer; I list them because I am pretty sure that if i were a white man with these credentials or even less than these credentials no one would doubt my programmer status."
New York Magazine on MoMA's identity politics and gender balance. Art Basel Miami Beach gender balance by the numbers. The White Review on gender balance in the London gallery scene. Georg Baselitz in Der Spiegel:
As always, the market is right. [...] Women simply don't pass the test. The market test, the value test. Women don't paint very well. It's a fact.Collectors still pay more for male artists. [previously]
Wounded Women by Jessa Crispin [Boston Review] The assumption of female vulnerability threatens to invigorate the sexist evils it aims to combat.