projects abounded during the 1970's, but the most influential was the Half Moon Community Workshop
. Besides the workshop, this group also ran a gallery and a journal, Camerawork
that introduced many British photographers to a theoretical and politically engaged aesthetic practice.
Much of the theory espoused in Camerawork might seem naive or overly polemical for today's jaded post-Marxist intellect, but one thing that came out of the collective that does stand the test of time
is the work of Jo Spence.
posted by PeterMcDermott
on Mar 24, 2006 -
Wrestling with Diane Arbus
"She set up no lights, just pulled out her Rolleiflex, which was half as big as she was, checked the aperture and the exposure, and tested the flash. Then she asked me to lie on the bed, flat on my back on the shabby counterpane.
I did as I was told. Clutching the camera she climbed on to the bed and straddled me, moving up until she was kneeling with a knee on both sides of my chest. She held the Rolleiflex at waist height with the lens right in my face. She bent her head to look through the viewfinder on top of the camera, and waited".
posted by matteo
on Oct 8, 2005 -