<?xml version="1.0" encoding="utf-8"?>
<rss version="2.0"
    xmlns:dc="http://purl.org/dc/elements/1.1/"
     xmlns:admin="http://webns.net/mvcb/"
     xmlns:content="http://purl.org/rss/1.0/modules/content/"
     xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#">
	<channel>
	<title>MetaFilter posts tagged with feminism and photography</title>
	<link>http://www.metafilter.com/tags/feminism+photography</link>
	<description>Posts tagged with 'feminism' and 'photography' at MetaFilter.</description>
	<pubDate>Sat, 15 Apr 2006 15:30:47 -0800</pubDate> <lastBuildDate>Sat, 15 Apr 2006 15:30:47 -0800</lastBuildDate>

	<language>en-us</language>
	<docs>http://blogs.law.harvard.edu/tech/rss</docs>
	<ttl>60</ttl>
	<item>
		<title></title>
		<link>http://www.metafilter.com/50935/</link>
		<description> Virginia Woolf the cricketer, the beach belle posing in a stripy bathing suit or as the March Hare at an Alice in Wonderland-themed party. &lt;/br&gt;
&lt;a href=&quot;http://enjoyment.independent.co.uk/books/features/article357540.ece&quot;&gt;For the first time, 1,000 photographs from Woolf&apos;s private album&lt;/a&gt; and that of her sister, Vanessa Bell, have been catalogued and &lt;a href=&quot;http://www.amazon.com/exec/obidos/ASIN/0813537061/metafilter-20/ref=nosim/&quot;&gt;published&lt;/a&gt;. More inside. &lt;small&gt;&lt;em&gt;(via &lt;strong&gt;&lt;a href=&quot;http://litterae.blogspot.com/&quot;&gt;litterae&lt;/a&gt;&lt;/strong&gt;)&lt;/em&gt;&lt;/small&gt;  </description>
		<guid isPermaLink="false">tag:metafilter.com,2006:site.50935</guid>
		<pubDate>Sat, 15 Apr 2006 15:30:47 -0800</pubDate>
		<category>authors</category>
		<category>feminism</category>
		<category>photographs</category>
		<category>photography</category>
		<category>virginiawoolf</category>
		<category>writers</category>
		<dc:creator>matteo</dc:creator>
	</item>
      <item>
		<title>Jo Spence and the Half Moon Photography workshop</title>
		<link>http://www.metafilter.com/50333/Jo%2DSpence%2Dand%2Dthe%2DHalf%2DMoon%2DPhotography%2Dworkshop</link>
		<description>&lt;a href="http://www.communityphotography.co.uk/"&gt;Community photography&lt;/a&gt; projects abounded during the 1970&apos;s, but the most influential was the &lt;a href=&quot;http://www.mpmw.co.uk/archive/articles/Camerawork.html&quot;&gt;Half Moon Community Workshop&lt;/a&gt;. Besides the workshop, this group also ran a gallery and a journal, &lt;a href=&quot;http://www.buildingsoflondon.co.uk/pm/lip/mar98/ptrev.htm&quot;&gt;Camerawork&lt;/a&gt; that introduced many British photographers to a theoretical and politically engaged aesthetic practice.

Much of the theory espoused in Camerawork might seem naive or overly polemical for today&apos;s jaded post-Marxist intellect, but one thing that came out of the collective that does &lt;a href=&quot;http://hosted.aware.easynet.co.uk/jospence/jo3.htm&quot;&gt;stand&lt;/a&gt; &lt;a href=&quot;http://www.artfacts.net/index.php/pageType/artistInfo/artist/27755&quot;&gt;the&lt;/a&gt; &lt;a href=&quot;http://www.belfastexposed.com/exhibitions/2005/exhispenjo.html&quot;&gt;test&lt;/a&gt; &lt;a href=&quot;http://www.amazon.co.uk/exec/obidos/ASIN/0415088844/203-5377544-9415161&quot;&gt;of&lt;/a&gt; &lt;a href=&quot;http://www.npg.org.uk/live/search/person.asp?LinkID=mp06336&quot;&gt;time&lt;/a&gt; is the work of &lt;a href=&quot;http://www.portfolio.mvm.ed.ac.uk/studentwebs/session1/group54/Jospence.htm&quot;&gt;Jo Spence.&lt;/a&gt;  </description>
		<guid isPermaLink="false">tag:metafilter.com,2006:site.50333</guid>
		<pubDate>Fri, 24 Mar 2006 08:08:48 -0800</pubDate>
		<category>breastcancer</category>
		<category>british</category>
		<category>camerawork</category>
		<category>feminism</category>
		<category>jospence</category>
		<category>photography</category>
		<dc:creator>PeterMcDermott</dc:creator>
	</item>
      <item>
		<title>The Memory of The Netherlands</title>
		<link>http://www.metafilter.com/49326/The%2DMemory%2Dof%2DThe%2DNetherlands</link>
		<description>&lt;a href="http://www.geheugenvannederland.nl/gvnnl/all/index.cfm"&gt;The Memory of The Netherlands&lt;/a&gt; is an extensive digital collection of illustrations, photographs, texts, film and audio fragments from a large variety of Dutch cultural institutions. &lt;a href=&quot;http://www.geheugenvannederland.nl/gvnnl/all/1F0667E0-6721-11D6-8F22-0002A508D0B7.html&quot;&gt;There are about 50 collections&lt;/a&gt; (in english).  </description>
		<guid isPermaLink="false">tag:metafilter.com,2006:site.49326</guid>
		<pubDate>Sun, 19 Feb 2006 10:40:35 -0800</pubDate>
		<category>advertizing</category>
		<category>art</category>
		<category>asia</category>
		<category>books</category>
		<category>botany</category>
		<category>cartoons</category>
		<category>digitalcollection</category>
		<category>ephemera</category>
		<category>europe</category>
		<category>feminism</category>
		<category>geography</category>
		<category>history</category>
		<category>holland</category>
		<category>illustrations</category>
		<category>indonesia</category>
		<category>library</category>
		<category>music</category>
		<category>netherlands</category>
		<category>photography</category>
		<category>posters</category>
		<dc:creator>peacay</dc:creator>
	</item>
      <item>
		<title>Germaine Greer on posing for Diane Arbus</title>
		<link>http://www.metafilter.com/45726/Germaine%2DGreer%2Don%2Dposing%2Dfor%2DDiane%2DArbus</link>
		<description>&lt;a href="http://www.guardian.co.uk/arts/features/story/0,11710,1586249,00.html"&gt;Wrestling with Diane Arbus&lt;/a&gt; &quot;She set up no lights, just pulled out her Rolleiflex, which was half as big as she was, checked the aperture and the exposure, and tested the flash. Then she asked me to lie on the bed, flat on my back on the shabby counterpane.
I did as I was told. Clutching the camera she climbed on to the bed and straddled me, moving up until she was kneeling with a knee on both sides of my chest. She held the Rolleiflex at waist height with the lens right in my face. She bent her head to look through the viewfinder on top of the camera, and waited&quot;.  </description>
		<guid isPermaLink="false">tag:metafilter.com,2005:site.45726</guid>
		<pubDate>Sat, 08 Oct 2005 09:11:35 -0800</pubDate>
		<category>art</category>
		<category>DianeArbus</category>
		<category>feminism</category>
		<category>freaks</category>
		<category>journalism</category>
		<category>magazine</category>
		<category>magazines</category>
		<category>photo</category>
		<category>photography</category>
		<category>photojournalism</category>
		<category>portrait</category>
		<category>portraits</category>
		<category>Rolleiflex</category>
		<dc:creator>matteo</dc:creator>
	</item>
      <item>
		<title>In the eye of the beholder, or a bar of soap?</title>
		<link>http://www.metafilter.com/31500/In%2Dthe%2Deye%2Dof%2Dthe%2Dbeholder%2Dor%2Da%2Dbar%2Dof%2Dsoap</link>
		<description>&lt;a href="http://www.dovebeyondcompare.ca/flash_en.html"&gt;Beyond Compare: Women Photographers On Beauty&lt;/a&gt; &quot;&lt;em&gt;An international photography exhibit from Dove that aims to inspire dialogue, move beyond stereotypes and challenge women to question their definition of beauty.&lt;/em&gt;&quot; &lt;br&gt;
&lt;small&gt;&lt;small&gt;(Flash, mostly safe for work)&lt;/small&gt;&lt;/small&gt;  </description>
		<guid isPermaLink="false">tag:metafilter.com,2004:site.31500</guid>
		<pubDate>Mon, 01 Mar 2004 11:55:58 -0800</pubDate>
		<category>beauty</category>
		<category>cameras</category>
		<category>feminism</category>
		<category>photographers</category>
		<category>photography</category>
		<category>photos</category>
		<category>portraits</category>
		<category>women</category>
		<dc:creator>ashbury</dc:creator>
	</item>
      
	</channel>
</rss>


