Above The Game: A Guide to Getting Awesome with Women
has raised $16,369 out of its $2,000 goal on Kickstarter. Casey Malone has called it out as "a book about how to sexually assault women"
and "a rape manual"
, including quotes from seddit, the seduction subReddit
(Google cache). A petition asking Kickstarter to withdraw funding
has gathered close to 50,000 signatures, but while Kickstarter agrees that the material is "abhorrent and inconsistent with our values", it has declined to cancel the project
Author Ken Hoinsky
is "devastated and troubled"
by allegations that his book promotes rape, because the quotes were taken out
. However, Jezebel reports that Hoinsky e-mailed them, "Wanna let your readers know [about the Kickstarter]? I'm sure they'll have a field day with this"
which indicates he may be banking on the outrage
and the backlash
for added publicity.
[via /r/feminism and /r/nottheonion]
posted by Lush
on Jun 20, 2013 -
"In 1961, Phyllis Richman applied to graduate school at Harvard. She received a letter asking how she would balance a career in city planning with her 'responsibilities' to her husband and possible future family. Fifty-two years later, she responds
." [more inside]
posted by DarlingBri
on Jun 8, 2013 -
An Alternative History of 11 American Female Doctors:
"A new producer, Glen A. Larsons, changed up almost everything fans knew about Doctor Who. Gone was the constant traveling, and in its place Jennifer Jones
' Doctor was now a scientist working exclusively for the United States military in exile on Earth. The comedic style that had always been a tremendous part of the show was left behind in order to capitalize on the drama skills of the Academy Award-winning actress." [more inside]
posted by feelinglistless
on May 29, 2013 -
"But something happened. Once industrial music had fully transitioned from avant-garde venues into nightclubs, the stench of Axe body spray began to dominate the subculture as a certain douchey, bro-tastic vibe emerged. Where the goth/industrial scene had once existed as a safe haven for artists, weirdos, outcasts, geeks, dreamers and rebels, a disturbing trend of sexism, racism and anti-intellectualism is driving people out.
posted by cthuljew
on May 9, 2013 -
is a one day Twitter project
created by author Maureen Johnson
. There are only three rules: 1. Take a well-known book. (It’s up to you to define well-known.) 2. Imagine that book was written by an author of the OPPOSITE GENDER. 3. Now, COVERFLIP! Make the new cover and put it online. Tweet or Tumbl it with the tag #coverflip.
posted by roomthreeseventeen
on May 6, 2013 -
"By the time Cathy
began, the sexual revolution had ended, so the strip stands as a perfect artifact of a moment when the cultural understanding of coercion changed completely—a moment when, one could argue, second-wave feminism basically died. With its baby-boomer characters, Cathy
dramatizes the aftermath: the ’60s ended when it became clear that a revolutionary movement toward a just society wasn’t happening; the ’70s ended up being about trying to navigate the wreckage of the ’60s. The ’80s were largely about looking for strategies to accept injustice and inequality, and to construe that acceptance itself as a positive value.
"Cathy takes its place in this cultural progression by drilling in the notion that it doesn’t matter what the law says: you are being coerced not by the state but by your desire to be valued.
posted by Rory Marinich
on May 5, 2013 -
'The Great Gatsby' Still Gets Flappers Wrong
“The Flapper awoke from her lethargy of sub-deb-ism, bobbed her hair, put on her choicest pair of earrings and a great deal of audacity and rouge and went into the battle. She flirted because it was fun to flirt and wore a one-piece bathing suit because she had a good figure, she covered her face with powder and paint because she didn’t need it and she refused to be bored chiefly because she wasn’t boring. She was conscious that the things she did were the things she had always wanted to do. Mothers disapproved of their sons taking the Flapper to dances, to teas, to swim and most of all to heart. She had mostly masculine friends, but youth does not need friends—it needs only crowds.”
posted by Charlemagne In Sweatpants
on May 5, 2013 -
Sexism at the border: A personal account.
"For me, carrying my own condoms (in purses, wallets, camera bags; everywhere) is a routine act towards safer sex. For someone else with the power to not only deny passage but judge, moralize and intimidate, it has become enough evidence to put a woman through hell. My story has brought a number of women out of the woodwork stating that they have had similar experiences." [h/t Alex Grossman
posted by jaduncan
on Apr 6, 2013 -
"The snobbishness has struck me as irrational
. They want the end of Page 3, but claim to be "sex positive" and pro porn. It's as if pornography for the upper classes - tasteful monochrome Testino images of nudes, Mapplethorpe coffee table books or vintage Tom of Finland* prints are acceptable, yet accessible muck for the working classes is simply de trop. A catwalk show for a milliner featuring chilly looking models completely nude apart from the hat is applauded as high art: Sandra from Dagenham, in a pair of lacy pants, is not."
posted by MartinWisse
on Mar 24, 2013 -
Makers: Women Who Make America
is a sweeping 3-hour documentary of the movement for women's equality in the last half of the twentieth century. Airing this month on US public television, it's accompanied by an online archive of videos
of interviews with individual women in leadership across a variety of fields. Leaders and activists, celebrities and pioneers, and everyday women retell the story of their awakening, organizing, and world-changing efforts.
posted by Miko
on Feb 28, 2013 -
The Everyday Sexism Project
collects user-submitted reports from women to document their day-to-day experiences with normalized sexism, including sexual harassment and job discrimination. Entries can be submitted at the site, in an email to founder Laura Bates or to their twitter
account. [more inside]
posted by zarq
on Feb 20, 2013 -
, a collaboration between illustrator Lisa Congdon and writer Maria Popova, is a yearlong celebration of remarkable women — beloved artists, writers, and scientists, as well as notable unsung heroes — who have changed the way we define ourselves as a culture and live our lives as individuals of any gender.
Every Monday in 2013, we'll be publishing an illustrated portrait of one such trailblazing woman, along with a hand-lettered quote that captures her spirit and a short micro-essay about her life and legacy."
posted by cheerwine
on Jan 20, 2013 -
As the culture evolves, people who benefitted from the old ways invariably see themselves as victims of change. The world used to fit them like a glove, but it no longer does.
Increasingly, they find themselves in unfamiliar situations that feel unfair or even unsafe. Their concerns used to take center stage, but now they must compete with the formerly invisible concerns of others.
If you are one of the newly-visible others, this all sounds whiny compared to the problems you face every day. It’s tempting to blast through such privileged resistance with anger and insult.
Tempting, but also, I think, a mistake. The privileged are still privileged enough to foment a counter-revolution, if their frustrated sense of entitlement hardens.
posted by Kitty Stardust
on Jan 18, 2013 -
"When the National Football League locked out its referees’ union this year, it seemed to delight in exploiting the perceived “women vs. labor” split, putting a woman on the field for the first time as one of the replacement refs. Feminists cheered, labor folks groaned, and those of us who are both buried our heads in our hands, angered by the cynical move, wanting to cheer new ground broken for women but having learned the hard lesson that not all first steps by women are progressive. Whether it’s City Council speaker Christine Quinn in New York City blocking paid sick days or Marissa Mayer taking the helm at Yahoo or Shannon Eastin taking the job of a locked-out worker for less money, we have to recognize that some first steps are taken on the backs of workers, many of whom are also women." -- Sara Jaffe writing about mainstream feminism's obsession with the glass ceiling and corresponding lack of attention for working women's issues
: trickle down feminism.
posted by MartinWisse
on Jan 17, 2013 -