The Archive of Recorded Poetry and Literature at the Library of Congress dates back to 1943, when Allen Tate was Consultant in Poetry. It contains nearly two thousand recordings—of poets and prose writers participating in literary events at the Library’s Capitol Hill campus as well as sessions at the Library’s Recording Laboratory. Highlights from the collection include: Kurt Vonnegut, Margaret Atwood, Ray Bradbury, Adrienne Rich, Audre Lorde, Mario Vargas Llosa, Rita Dove, Elizabeth Bishop, Gwendolyn Brooks, W.S. Merwin, Sandra Cisneros, Amy Clampitt, Robert Pinsky , and Miłosz, Czesław, among many others. [more inside]
The Lesbrary - "The humble quest to read everything lesbian: a lesbian book blog." Also see sidebar for links to other lesbian book blogs, websites, and online resources. [more inside]
Does The Handmaid's Tale hold up? , Adi Robertson for The Verge:
"A few weeks ago, I mentioned to a friend that I was in the middle of Margaret Atwood's The Handmaid's Tale. 'It’s like 1984 for feminists, right?' he asked. Sort of, I said. But it's a lot scarier. It's about how you'll lose every right you have, and none of the men you know will care. Then I said he would probably betray me if they froze all women's bank accounts. That was the peak of my paranoia, but it held on for several more days, as I read on the subway while half-consciously figuring out how I might theoretically escape to Canada. 1984 was for lightweights."[more inside]
"Year-end lists are always subjective and incomplete, but they are especially tricky for books. A dedicated film critic can watch every wide release film and a theater critic can go to most every play, but the book critic is faced with an insurmountable mountain of books each year. The sheer number of books is inspiring as a reader, but it can make 'best of' lists laughably subjective when the critic has only read a fraction of the hundreds of thousands of novels published each year. With that in mind, I decided to crowd source Electric Literature’s year-end lists. First up: novels."
"Much has been said about the storytelling techniques of 'Serial,' which comes out in weekly installments even as the show’s host, Sarah Koenig, reinvestigates the conviction of a Baltimore-area teenager for the murder of his ex-girlfriend. The serialized approach teases its audience with cliffhangers, prompts its listeners to construct their own theories and invites outsiders to glimpse the tricky winnowing process of reporting. But 'Serial' also testifies to how much the criminal justice system itself is founded on storytelling." (Laura Miller, Salon: The new "In Cold Blood" revisionism: Why it doesn't matter if Capote’s classic wasn't fully true) [more inside]
Steven Millhauser is an American Pulitzer Prize-winning fiction author known for his erudite, witty and surreal writing style that blends the magical and the real. Enjoy the full text of Eisenheim The Illusionist (pdf, 20 pages), the story that inspired the 2006 film The Illusionist. [more inside]
17 Brilliant Short Novels You Can Read in a Sitting by Lincoln Michel at Electric Literature:
This week author Ian McEwan expressed his love of short novels, saying “very few [long] novels earn their length.” Certainly it seems like a novel has to be a minimum of 500 pages to win a major literary award these days, and many genre novels have ballooned to absurd sizes.[more inside]
I love a good tome, but like McEwan many of my favorite novels are sharpened little gems. It’s immensely satisfying to finish a book in a single day, so in the spirit of celebrating quick reads here are some of my favorite short novels. I’ve tried to avoid the most obvious titles that are regularly assigned in school (The Stranger, Heart of Darkness, Mrs Dalloway, Of Mice and Men, Frankenstein, The Crying of Lot 49, etc.). Hopefully you’ll find some titles here you haven’t read before.
"Longings and Desires", a Slate.com book review by Amanda Katz:
[Sarah] Waters, who was born in Wales in 1966, has carved out an unusual spot in fiction. Her six novels, beginning with Tipping the Velvet in 1998, could be called historical fiction, but that doesn’t begin to capture their appeal. It is closer to say that she is creating pitch-perfect popular fiction of an earlier time, but swapping out its original moral engine for a sensibility that is distinctly queer and contemporary, as if retrofitting a classic car.[more inside]
Her books offer something like an alternate reality—a literary one, if not a historical one. There may have been lesbian male impersonators working the London music halls in the 1890s, as in Tipping the Velvet, but there were certainly not mainstream novels devoted to their inner lives and sexual exploits. Waters gives such characters their say in books that imitate earlier crowd-pleasers in their structure, slang, and atmosphere, but that are powered by queer longing, defiant identity politics, and lusty, occasionally downright kinky sex. (An exception is her last novel, The Little Stranger.) The most masterful of these books so far is Fingersmith, a Wilkie Collins-esque tale full of genuinely shocking twists (thieves, double-crossing, asylums, mistaken identity, just go read it). The saddest is The Night Watch, a tale told in reverse of a group of entwined characters during and after World War II. But among many readers she is still most beloved for Tipping the Velvet, a deliriously paced coming-of-age story that is impossible to read in public without blushing.
Things That Don't Suck, Some Notes on The Stand
[Spoiler alert: assume everything, from the link above to those below, contains SPOILERS.] [more inside]
I recently reread The Stand for no particular reason other than I felt like it. I'm honestly not sure how many time[s] I've read it at this point, more than three, less than a half dozen (though I can clearly remember my first visit to that horrifyingly stripped bare world as I can remember the first reading of all the truly great King stories). It's not my favorite of King's work, but it is arguably his most richly and completely imagined. It truly is the American Lord of The Rings, with the concerns of England (Pastorialism vs. Industrialism, Germany's tendency to try and blow it up every thirty years or so) replaced by those of America (Religion, the omnipresent struggle between our liberal and libertarian ideals, our fear of and dependence on the military, racial and gender tension) and given harrowing size.
I'm happy to say that The Stand holds up well past the bounds of nostalgia and revisiting the world and these characters was as pleasurable as ever. But you can't step in the same river twice, even when you're revisiting a favorite book. Even if the river hasn't changed you have. This isn't meant as any kind of comprehensive essay on The Stand. Just a couple of things I noticed upon dipping my toes in the river this time.
[Spoiler alert: assume everything, from the link above to those below, contains SPOILERS.] [more inside]
The Biographical Dictionary of Literary Failure: poignant tales of the justly obscure. The entry on Hans Kafka is a good starting point.
"Book TV's After Words features the author of a recently published hardback non-fiction book interviewed by a guest host with some knowledge, background, or connection to the subject matter of the book." There's also a podcast version (link goes to XML feed), for those who'd rather listen. Many more non-fiction author interviews can be found at Booknotes (transcripts and streaming video). If your tastes run to interviews with authors of fiction, check out the BBC's Modern Writers archive. (BookTV (but not specifically After Words) previously, Booknotes (but before the series ended) previously.)
Dalkey Archive conversations with William Burroughs, Angela Carter, Robert Creeley, William Gaddis, William H. Gass, Danilo Kis, Harry Mathews, Richard Powers, Raymond Queneau, Hubert Selby, William T. Vollman, David Foster Wallace, and many other writers.
The Page 69 Test --inspired by Marshall McLuhan's suggestion to readers for choosing a novel, a new blog, inviting authors to describe what's on page 69. One says: Not the best, but not the worst. If my pages were presidents, I’d put page 69 somewhere in the James K. Polk range.
Booktribes is a new site from the creators of writing site Abctales where bibliophiles can compile lists of every book they've ever read. Replete with a simple, intuitive interface, compiling your life's reading list becomes strangely addictive, and for the whole of March, the best comment of the day on this as-yet underpopulated site wins a copy of David Mitchell's Black Swan Green, with the best comment of the month winning the entire 21 volume Sceptre Collection. And if you're worried your reading list isn't up to scratch, don't panic - you can always cheat.
Have you heard of Will Christopher Baer? He writes twisty, noir fiction. His trilogy of Phineas Poe books (Kiss Me, Judas, Penny Dreadful, and Hell's Half Acre) have just been re-released, and Kiss Me, Judas was optioned for a movie. (more inside)
NASA Fired Will Carpenter for writing a short story. "Some kind of harrassment," they said, and since Texas is an at-will employment state, there's not much he can do about it. Is this story a valid means of self-expression or a harrassing glimpse into jilted anger? I've stumbled across more and more news stories about people being fired for writing, and students expelled for writing "dark poetry" in the classroom. How much do you have to keep secret from your classmates and co-workers?
Star Trek: Voyager fanfiction. For years, people have asked themselves, what would happen if certain crewmembers hooked up? Endless combinations have been thought out and pondered, but perhaps the most popular of all, Janeway and Seven of Nine, has been given the full treatment here. Possibly not safe for work (especially the "R" rated stories), because you could be carried out as you laugh yourself to death. A look into the bizarre and often highly amusing world of fanfiction.
Is It Fiction If It Says "Fiction" On The Cover? Jorge Luis Borges brilliantly obscured fact and fiction presenting fiction as fact. Things seem to have swung round 180º and fact is now increasingly being sold as fiction. This certainly seems to be the case with Siri Hustvedt's What I Loved. She's Paul Auster's second wife and... Well... now even critics, like The New York Observer's Joe Hagan have joined the fun, as Slate's Katie Roiphe duly noted. Fact is now presented as fiction, without the traditional disguise of the roman à clef. I think it's sad. In fact, it's an attempt on the life of imagination itself. Perhaps these authors who write memoirs masquerading as novels could be sued under the Trade Description Act? [With thanks to the always excellent Literary Salon weblog. Thanks to ColdChef for pointing it out to me.]
'Literature of fact' The high wall which seperates fact and fiction has a small door in it through which people can step. A piece which discusses how someone writing a supposed eyewitness account of an event always tends to fictionalise, even unconciously, in order to make the subject interesting, the idea being that just because a book is in that section, it might not actually be completely non-fiction.
What DOESN'T this guy do? He writes novels, screenplays, and old school radio dramas. In his spare time he records sci-fi inspired avant-garde electronica, trippy ambient stuff, and produces albums for other bands. He meshes spoken word and noise-pop , and with his old band, the unapologetic New Romantics Oo Oo Wa, produced an absolute wanker masterpiece, and ended up getting signed by the same guy who gave the Smashing Pumpkins their first record deal. Of late, he just turned up on Electric Lash: A Tribute to The Church. Creative genius, or too damned much Starbucks?