In This Horror Film, Blood Is All Too Real [New York Times] ‘Terror at the Mall’ on HBO
documents an Attack in Kenya.
One year ago, gunmen from the Shabab militant group in Somalia laid siege to the Westgate shopping mall in Nairobi, Kenya. Armed with AK-47s and grenades, they stalked their victims from a gourmet burger restaurant at the entrance to the vegetable aisle of a grocery store at the back.
The British filmmaker Dan Reed assembled thousands of hours of footage gleaned from more than 100 security cameras inside the mall, video from television crews and modest cellphones, as well as still photographs. Then he and his team tracked down more than 200 people and interviewed 82 of them on camera, many survivors or their rescuers. [more inside]
posted by Fizz
on Sep 17, 2014 -
In 2004 Joseph Kahn
directed the hyper-kinetic, poorly reviewed motorcycle action movie Torque
. It was Kahn's directorial debut, and though he was tapped for (one of many
) failed Neuromancer adaptations, he devoted the next six years to a largely self financed project: the horror-comedy farce Detention
. Noted cultural critic Steven Shaviro discusses in this essay
why Detention, despite also being reviewed negatively
, is one of his favorite movies of the decade. Shaviro's review contains major spoilers for the plot, and it's probably best to go into the movie blind. A brief non-spoiler synopsis is available below the jump. [more inside]
posted by codacorolla
on Sep 15, 2014 -
No, the above quote is not the answer to “How many total episodes are there of the various “Law & Order” franchises?”. In actuality, those nine words conclude one of the most exciting films of the 1940’s (and the direct ancestor of Dick Wolf’s prolific franchise). Welcome to “The Naked City”
. [more inside]
posted by AlonzoMosleyFBI
on Sep 14, 2014 -
A lot of the world’s most powerful people look like Lester Burnham: white, male, middle-aged, well off, and bored to death. There are Lester Burnhams in public office, in the Supreme Court, at billion dollar corporations, at record labels and movie studios. These people in power aren’t happy, and this movie gives them what must be a very comforting message: let go of your responsibility, but not your power. Don’t worry about what the world will look like after you die. You’ll be happy if you help yourself — not the people who need you.Fifteen Years Later, 'American Beauty' is Just a Bad, Pretty Movie
posted by almostmanda
on Sep 9, 2014 -
Things That Don't Suck
, Some Notes on The Stand
I recently reread The Stand for no particular reason other than I felt like it. I'm honestly not sure how many time[s] I've read it at this point, more than three, less than a half dozen (though I can clearly remember my first visit to that horrifyingly stripped bare world as I can remember the first reading of all the truly great King stories). It's not my favorite of King's work, but it is arguably his most richly and completely imagined. It truly is the American Lord of The Rings, with the concerns of England (Pastorialism vs. Industrialism, Germany's tendency to try and blow it up every thirty years or so) replaced by those of America (Religion, the omnipresent struggle between our liberal and libertarian ideals, our fear of and dependence on the military, racial and gender tension) and given harrowing size.
I'm happy to say that The Stand holds up well past the bounds of nostalgia and revisiting the world and these characters was as pleasurable as ever. But you can't step in the same river twice, even when you're revisiting a favorite book. Even if the river hasn't changed you have. This isn't meant as any kind of comprehensive essay on The Stand. Just a couple of things I noticed upon dipping my toes in the river this time.
[Spoiler alert: assume everything, from the link above to those below, contains SPOILERS.] [more inside]
posted by joseph conrad is fully awesome
on Aug 19, 2014 -
Back in 2012, fashion photographer and filmmaker Milton Tan
shot a time lapse film over a six month period, of planes overflying Singapore's Changi Beach
on their way to and from Changi airport. After his "The Air Traffic
" video went viral, managers at the airport made Tan an offer: six months of access to a restricted runway for a second film: The Air Traffic Two
. (Via) [more inside]
posted by zarq
on Aug 19, 2014 -
The School for Postmen
is a 16 minute short film from 1947 by French director and physical comedian Jacques Tati. It's being shown on The Guardian's website and is introduced
by their film critic Peter Bradshaw. The film is about a postman in rural southern France trying to finish his round on time.
posted by Kattullus
on Aug 6, 2014 -
"DISCLAIMER TIME! 50 is a very small number. I make no claims to any of these lists being either comprehensive or some sort of objective analysis of the 'best' films directed by women. I make selections based on on what I've seen, what I like, and the position of the stars. One film per director. Ready? Let's go
." [more inside]
posted by joseph conrad is fully awesome
on Jul 31, 2014 -
In October 1990, Colombian novelist Gabriel García Márquez visited Tokyo during the shooting of Akira Kurosawa’s penultimate feature, Rhapsody in August. García Márquez, who spent some years in Bogota as a film critic before penning landmark novels such as One Hundred Years of Solitude and Love in the Time of Cholera, spoke with Kurosawa for over six hours on a number of subjects.
posted by shakespeherian
on Jul 19, 2014 -
A Piece of Monologue is a treasure trove of modern, contemporary, and avant-garde expression in literature, philosophy, art, design, painting, music, theater, and more.
A smattering of insides:
Flannery O'Connor on Ayn Rand.
An online guide to the life and work of Samuel Beckett.
Twin Peaks Behind the Scenes Photographs.
Rare photographs of John Coltrane.
posted by whimsicalnymph
on Jul 10, 2014 -
But what was it, precisely, that Pasolini did?
In 1970, five years before he was murdered on a beach near Rome, and about a decade after his first movie, Accattone, had made him notorious as a filmmaker, Pier Paolo Pasolini sat down to write a preface to a new book of his selected poems.He called this little essay “To the New Reader,” and in it he wanted to explain to this new reader—who perhaps only knew him as a filmmaker, or novelist, or polemical essayist—why he was always, in fact, a poet. His first poem, he observed, was written when he was seven. His first collection had come out when he was twenty. The volume of selected poems was taken from three books: Gramsci’s Ashes, which appeared in 1957, when he was thirty-five; The Religion of My Time, from 1961; and Poem in the Shape of a Rose, which was published in 1964, the same year that his movie The Gospel According to St. Matthew came out. And so he had really made his films, he argued, “as a poet.” Not that a film and a poem were exactly equivalent, but still: “I think one can’t deny that a certain way of feeling something occurs in the same identical way when one is faced with some of my lines and some of my shots.” [more inside]
posted by whyareyouatriangle
on Jul 7, 2014 -