Long Duk Dong: Last of the Hollywood Stereotypes? Related: Whatever Happened to John Hughes? which has an accompanying photo gallery: Where are Hughes' teen stars now? [A previous post about John Hughes here.]
posted on Mar 24, 2008 - View this thread

On Tuesday, A.V. Club critic Nathan Rabin's reassessment of the rabidly ambitious Perfume: The Story of a Murderer marked the culmination of his Year of Flops project, a reviewing marathon of 104 commercial and critical failures. Here's the index of the films, sorted into Elizabethtown-derived categories of good but luckless movies, ordinary losers, and disasters of mythic proportions.
posted on Jan 24, 2008 - View this thread

You can love him or hate him but Transformers made $250,000,000 last week. To some, Michael Bay is a genius. To others he's a racist hack. Or just a hack. He may even be both a hack and a genius. Is this evidence of an auteur? Or does dude just like really big explosions? Plus: a character driven Bay film?
posted on Jul 9, 2007 - View this thread

'In defense of film critics' posits that 'Film critics [unlike food critics, etc] are expected to be cheerleaders.' I guess we're not supposed to think it's odd that the piece was written by paper's resident film critic. He does ask at least one good question, though: why have so many truly awful [and poorly reviewed ] films done so well at the the box office this year?
posted on Apr 27, 2007 - View this thread

Roscoe Lee Browne, class act from beginning to end. The first time I ever noticed him was in The Cowboys, a western I've watched many times just to hear him speak.
posted on Apr 13, 2007 - View this thread

Lobby Card Invasion. A searchable collection of a wide variety of lobby cards for all kinds of interesting films. [via PCL LinkDump]
posted on Jan 27, 2007 - View this thread

Perfection and Eraserhead. Discussing Singing in the Rain and Goodfellas with prisoners. The link between Pasolini, Blind Willie Johnson and Carl Sagan. If you like hanging out at the corner of Film and Word, you might enjoy spending time in the archives at Your Humble Viewer, a wide-ranging, well-written, funny and literate film blog.
posted on Jul 31, 2006 - View this thread

Forgotten silent film comedian Larry Semon. Part II - Heyday. Part III - Trouble Brewing. In 1920, he was the world's 2nd-most-famous Hollywood star, with a contract and creative control rivaling Chaplin. In 1921, he made a popular series of films with Oliver Hardy as his main comic foil, six years before Laurel & Hardy became a household name. In 1925, he directed a truly bizarre silent version of The Wizard of Oz, just as wild overspending, erratic behavior and lawsuits ruined his career. The Larry Semon Research site has an interesting picture gallery.
posted on May 1, 2006 - View this thread

Jerry Lewis at 80 (more inside)
posted on Mar 13, 2006 - View this thread

Hollywood fights back: is this the year Hollywood finally nails its political colours to the mast, or are we seeing just the latest salvo in a battle for the political heart of the industry? [NYT registration required.] In the red corner, "uninformed, misleading, money-hungry, two-faced, elitists" making films about gays, feminists and commies. In the blue corner, "towering intellectuals, hard-core conservatives, supermen and superwomen, and just good common people" making films about god, democracy and family values. And if you wonder what difference it makes anyway, just ask eBay founder Jeff Skoll. He thinks films have the power to shape public opinion, and has launched a website to galvanise support for social change.
posted on Jan 20, 2006 - View this thread

I Find Your Lack of Faith Disturbing is the new blog by screenwriter Josh Friedman. Not much there yet but what is is fun, especially parts one and two of his adventures with arbitration on War of the Worlds. (Of note: Friedman is the writer who adapted James Ellroy's The Black Dahlia for David Fincher Brian De Palma.) {via The Screenwriting Life}
posted on Aug 21, 2005 - View this thread

Call her Madame. Among the old-timers, the story went like this: a woman known to everyone as Madame came to California from Kentucky with her children and her husband. But once they were in the Gold Rush State, her husband left her. Desperate to find work, she introduced herself to a movie director named D. W. Griffith. He not only cast her in his movie, but the two became friends for life. And with this woman, called Madame Sul-Te-Wan, what we now call Black Hollywood began -- as a new book by historian Donald Bogle explains. (more inside)
posted on Feb 7, 2005 - View this thread

Hollywood Propaganda

The Manchurian Candidate remake has all the makings of a cunning piece of republican political propaganda. The most obvious theme of the movie warns a politician war hero is a danger to the country.

The movie has all the makings of a good thriller. However, the script and screen play are so heavily slanted the movie comes across as a commercial just like other movies geared towards one political ideal.
posted on Aug 12, 2004 - View this thread

Hollywood? Old. Bollywood? That's soooo 2003. Make room for Nollywood, Nigeria's own film industry which is growing by leaps and bounds every year, and is currently worth about $45 million dollars. About 400 Nollywood films are produced every year many on a budget of around $15000 and are distributed almost entirely by VHS and VCD. The stories are very much simplistic and pulpy (check out 419 Stalk Exchange. Yes, 419 as in the email scam) but are much preferred by local residents and emigre's than the usual arthouse fair one often thinks of when talking about African cinema. Now if you'll excuse me there's a bucket of popcorn and a copy of GSM Connection waiting for me in the living room.
posted on Jan 19, 2004 - View this thread

Film Mogul is an online RPG that's "a simulation of what it is like to be a power player in the movie industry today." Take on the role of studio head, agent, producer, critic, or journalist and make virtual movies every bit as crappy as the ones that the real Hollywood churns out!
posted on Apr 6, 2003 - View this thread

HMOs sign on with William Morris. "We're not saying it's verboten to attack some part of the health care system. We're saying there is another side to what we do." No word yet on whether the American Association of Health Plans is set to star opposite Tom Cruise in the next summer blockbuster. But, aside from moving beautiful people from casting to marquee, I believe this is the first time in history that the William Morris Agency has been set up as a Hollywood lobbyist. It's bad enough that more than 100 product placement agencies continue to bombard movies with increasing junk. But, assuming the studios take this representation seriously, is it too much to ask that corporate interests be denied any potential sullying of the cinematic voice? Will CAA follow suit and take on the NRA? Or are today's movies beyond salvation?
posted on Jul 16, 2002 - View this thread

Hollywood loses another giant. Billy Wilder passes on at 95. Just the quick list of movies at the top of the article gives me pause..Stalag 17, Some Like it Hot, The Seven-Year Itch. Damn, this is definitely a sad week in the entertainment business.
posted on Mar 28, 2002 - View this thread

The "Sum Of All Fears" trailer recently went online, and is already causing some heated discussion over major changes from the book. In the wake of 9/11, it seems that terrorists in the film have been changed from Muslim to Neo-Nazi (who then go on to detonate a bomb within the United States). Hollywood knee-jerk reaction or a good call given the timing of things? Discuss...
posted on Mar 28, 2002 - View this thread

File Under "Duh": Hollywood Colluded With Tobacco Giants. You'd think they'd never seen film noir...
posted on Mar 11, 2002 - View this thread

"Leave no man behind" is the tagline for the new Scott/Bruckheimer battlepic, Blackhawk Down.

In October of 1993, US Rangers and Delta Force personnel stationed outside of Mogadishu, Somalia, launched what should've been a 30 minute grab-and-go mission to capture higher-ups under the command of Mohammed Aidid, a Somali warlord. Before it was all over, many hours later, 19 US servicemen and 1000+ Somalis were dead.

PBS has a decent writeup on the Bakara Market ambush, but I still feel like I am missing something. Some sources share the movie's claim that the US was there to support humanitarian relief efforts, that Aidid was preventing the distribution of food. Others say we were there to protect American oil interests.

So what really happened on that day in October 1993? The movie opens on Friday, I saw it last night, and I am still exhausted. Admittedly, this film is far better than Pearl Harbor (no contrived love-triangles are used as a framing device here), but for all the simulated shooting and on-screen heroism, it still seems hard to make out the truth through all of the Hollywood dust. So I guess I am wondering, can we prevent Hollywood's versions of history from replacing the truth (or even the truth-as-we-knew-it)? Should we even try? Is it even possible?
posted on Jan 16, 2002 - View this thread

America's Obsession With Movies Reaches The WTC Attacks The website Metaphilm(grrr...)says the 1998 movie The Siege eerily anticipated the WTC attacks and offers a list of impressive coincidences to back up its analysis. Is this taking moviemania too far? Or is there something in it? (More)
posted on Oct 2, 2001 - View this thread

San Fran: Matrix 2 Casting Call June 5, 6, 7 I don't live in SF but maybe you do, and maybe you'd be interested in being in The Matrix 2? (sorry, no link and more details within...)
posted on Jun 5, 2001 - View this thread

Lincoln a dysfunctional, racist, manic-depressive? This is the latest proposed Hollywood revision of history. So what's been the most egregious example of movie distorting or ignoring historical fact? JFK? Amistad? Gladiator?
posted on Mar 19, 2001 - View this thread