One of the more famous suppressed films of recent years is Superstar: The Karen Carpenter Story, an early work by writer/director Todd Haynes (Safe, Velvet Goldmine, Far from Heaven). Filmed in 1987, the short film -- which relates the rise and fall of Karen Carpenter with a cast of Barbie dolls -- barely got a year's worth of festival time in 1989 before the twin iron boots of A&M Records and Richard Carpenter came down on Haynes.* [more inside]
posted by Trurl
on Dec 31, 2011 -
29 comments
A decade on, the Coen brothers' woefully underrated
O Brother, Where Art Thou? [alt] is remembered for
a lot of things: its sun-drenched, sepia-rich
cinematography (a pioneer of
digital color grading), its
whimsical humor,
fluid vernacular, and
many subtle references to Homer's
Odyssey. But one part of its legacy truly stands out:
the music.
Assembled by
T-Bone Burnett, the soundtrack is a cornucopia of American folk music, exhibiting everything from
cheery ballads and
angelic hymns to
wistful blues and
chain-gang anthems. Woven into the plot of the film through radio and live performances, the songs lent the story a
heartfelt, homespun feel that echoed its cultural heritage,
a paean and uchronia of the Old South.
Though the multiplatinum album was recently
reissued, the movie's medley is best heard via famed documentarian
D. A. Pennebaker's
Down from the Mountain, an
extraordinary yet
intimate concert film focused on a night of live music by the soundtrack's stars (among them
Gillian Welch,
Emmylou Harris,
Chris Thomas King, bluegrass legend
Dr. Ralph Stanley) and wryly hosted by
John Hartford, an accomplished
fiddler,
riverboat captain, and
raconteur whose struggle with terminal cancer made this his last major performance. The film is free in its entirety on
Hulu and
YouTube -- click inside for individual clips, song links, and breakdowns of
the set list's fascinating history.
[more inside]
posted by Rhaomi
on Dec 22, 2011 -
107 comments
In Southern California in the 1980s, KROQ had this weird un-DJ-like guy named (seriously)
Rodney Bingenheimer, who came on late at night on Sundays and played punk records and new bands like Blondie, The Ramones, X, Joan Jett, Devo and Cheap Trick. Did this weirdo really have some influence? A 90-minute 2004 documentary now on YouTube,
Mayor of the Sunset Strip (Part 1) tells his story, and it's weirder than you may have imagined.
[more inside]
posted by planetkyoto
on Nov 14, 2011 -
24 comments
The most vivid figure in Michael Gramaglia and Jim Fields's End of the Century was the least articulate and most archetypal of the Ramones: Johnny, the right-wing prole whose hard-ass sense of style the others nutballed and softened and accelerated and above all imitated. ... Exciting and absolutely right though their '70s sets always were, the film establishes that they kept the faith live till the end, lifted by Joey's goofy dedication and powered by the chords Johnny thrashed out like they were why he was alive. As unyielding in his aesthetic principles as he was in everything else, this reactionary was an avant-gardist in spite of himself. -
Robert Christgau
posted by Trurl
on Nov 9, 2011 -
17 comments
Nants ingonyama bagithi baba! It's been nearly two decades since that glorious savanna sunrise, and once again
The Lion King is
at the top of the box office. It's a good chance to revisit what made the original the capstone of the
Disney Renaissance, starting with the music. Not the gaudy show tunes or the Elton John ballads, but the soaring, elegiac score by Hans Zimmer which, despite winning an Oscar, never saw a full release outside of
an unofficial bootleg.
Luckily, it's unabridged and high-quality, allowing one to lay Zimmer's
haunting,
pulse-pounding,
joyful tracks
alongside the original video (
part 2,
3,
4), revealing the subtle leitmotifs and careful matching of music and action.
In addition, South African collaborator
Lebo M wove traditional Zulu chorals into the score, providing
veiled commentary on
scenes like this; his work was later
expanded into
a full album,
the Broadway stage show, and
projects closer to his heart. Speaking of expanded works, there were inevitable sequels -- all of which you can experience with
The Lion King: Full Circle (
download guide), a fan-made, three-hour supercut of the original film and its two follow-ups.
Want more? Look...
harder... [more inside]
posted by Rhaomi
on Oct 1, 2011 -
22 comments
Two and a half years ago, we explored
the early history of Cartoon Network... but it wasn't the only player in the youth television game.
As a matter of fact,
Fred Seibert -- the man responsible for the most inventive projects discussed in that post -- first stretched his creative legs at the network's
truly venerable forerunner:
Nickelodeon.
Founded as Pinwheel, a six-hour block on Warner Cable's innovative
QUBE system, this humble channel struggled for years before Seibert's innovative branding work transformed it into a national icon and capstone of a media empire.
Much has changed since then, from the mascots and game shows to
the versatile orange "splat." But starting tonight in response to popular demand, the network is
looking back with
a summer programming block dedicated to the greatest hits of the 1990s, including
Hey Arnold!, Rocko's Modern Life, The Adventures of Pete & Pete, The Ren & Stimpy Show, Double Dare, Are You Afraid of the Dark?, Legends of the Hidden Temple, and
All That.
To celebrate, look inside for the complete story of the early days of the network that incensed the religious right, brought doo-wop to television, and slimed a million fans -- the golden age of Nickelodeon.
(warning: monster post inside) [more inside]
posted by Rhaomi
on Jul 25, 2011 -
116 comments
HUH. Magazine is a media platform with the latest, most relevant news from the worlds of art, fashion, design, music and film. Recent features include:
Harvest by Haroshi: Skate and Destroy, artworks created with old worn, or snapped, skateboard decks |
Disassembly, capturing relics of our past in a unique, dismantled and exposed form |
Murakami at Versailles, knee-deep in controversy since its inception | and
Darren's Great Big Camera, a
short documentary about a camera that shoots on 14" x 36" negatives and measures 6ft. in length.
posted by netbros
on Jun 1, 2011 -
8 comments
Five years ago this week, the BBC started broadcasting one of the most extraordinary documentaries ever to grace television:
Planet Earth. The culmination of
five years of field work, it employed
the most cutting-edge of techniques in order to capture life in all its forms, from
sweeping spaceborne vistas to shockingly intimate close-ups -- including
many sights rarely glimpsed by human eyes.
Visually spectacular, it showcased footage shot in
204 locations in 62 countries, thoroughly documenting every biome from the snowy peaks of the Himalayas to
the lifegiving waters of the Okavango Delta, a rich narrative tapestry backed by
a stirring orchestral score from the BBC Concert Orchestra. Unfortunately, the series underwent
some editorial changes for rebroadcast overseas. But now fans outside the UK can rejoice -- all eleven chapters of this epic story are available on YouTube in their original form: uncut, in glorious 1080p HD, and with the original narration by renowned naturalist
Sir David Attenborough. Click inside for the full listing (and kiss the rest of your week goodbye).
[more inside]
posted by Rhaomi
on Mar 7, 2011 -
69 comments
RIP John Barry, composer of the soundtracks of 11 James Bond films and many others including
Midnight Cowboy. He won Oscars for
Born Free (for best song and best score),
The Lion in Winter,
Out of Africa and
Dances With Wolves.
[more inside]
posted by fearfulsymmetry
on Jan 31, 2011 -
65 comments
The long take, an uncut, uninterrupted shot in film, is
seen by some as the counter to CGI, the last great field for cinematic art. The linked page features six clips from 1990 on, plus
the opening shot from Orson Welles' 1958 film,
Touch of Evil. Alfred Hitchcock's film from a decade earlier,
Rope, took the long cut further, with the whole film shot in eight takes of up to 10 minutes each,
a decision shaped by the limit of the physical recording media. With digital media, the long take could be pushed further, as with
Russian Ark, from 2002. The movie was shot in one long take, with the narrative working through the history of Russia,
set within The State Hermitage Museum, and captured in one day on the 4th take. If the long takes are a tad long for you, try the "short" long takes that are
one-shot music videos [videos inside]
[more inside]
posted by filthy light thief
on Dec 28, 2010 -
74 comments
Unlike many cinematic exports,
the Disney canon of films distinguishes itself with an impressive dedication to
dubbing.
Through an in-house service called
Disney Character Voices International, not just dialogue but songs, too, are
skillfully re-recorded, echoing the voice acting, rhythm, and rhyme scheme of the original work to
an uncanny degree (while still leaving plenty of room for
lyrical reinvention).
The breadth of the effort is surprising, as well -- everything from
Arabic to
Icelandic to
Zulu gets its own dub, and their latest project,
The Princess and the Frog, debuted in
more than forty tongues.
Luckily for polyglots everywhere, the exhaustiveness of Disney's translations is thoroughly documented online in
multilanguage mixes and
one-line comparisons, linguistic kaleidoscopes that cast new light on old standards.
Highlights:
"One Jump Ahead," "Prince Ali," and
"A Whole New World" (
Aladdin) -
"Circle of Life," "Hakuna Matata," and
"Luau!" (
The Lion King) -
"Under the Sea" and
"Poor Unfortunate Souls" (
The Little Mermaid) -
"Belle" and
"Be Our Guest" (
Beauty and the Beast) -
"Just Around the Riverbend" (
Pocahontas) -
"One Song" and
"Heigh-Ho" (
Snow White) -
"Bibbidi-Bobbidi-Boo" (
Cinderella) -
Medley (
Pinocchio) -
"When She Loved Me" (
Toy Story 2) -
Intro (
Monsters, Inc.)
posted by Rhaomi
on Nov 12, 2010 -
31 comments
Music! - A 1968 documentary by the National Music Council of Great Britain, featuring folk singing, The Beatles, and even early electronic music produced by tape splicing.
Part 1,
part 2,
part 3,
part 4,
part 5.
posted by Artw
on Mar 7, 2010 -
8 comments
"Men working on the river would move in time to the beat of the music. It was everywhere: on the street, in the church. In the tonks and barrelhouses where people went to be together. Like the beating of a big heart. It gave everyone a good feeling." The Cradle is Rocking is a delightful 12-minute film that, though somewhat damaged (Folkstreams has found what may be the only surviving print), is highly recommended viewing for anyone interested in American roots music: in this case, New Orleans jazz. The film's thoughtful and affable narrator is trumpeter
George "Kid Sheik" Cola, who can be heard along with Captain John Handy serving up some fine old-school Dixieland jazz
here and
here.
posted by flapjax at midnite
on Dec 9, 2009 -
13 comments
Lost At E Minor is an online publication of inspiring art, illustration, photography, music, fashion, film — basically contemporary pop culture.
posted by netbros
on May 20, 2009 -
23 comments
Blanka is a collection of original, vintage, and limited edition posters and prints.
posted by netbros
on May 16, 2009 -
9 comments
Top Events USA lists their top 20 events across the USA, the top 10 events and festivals for each of the United States, and lists of the best annual events and festivals by category or theme.
[more inside]
posted by netbros
on Jan 10, 2009 -
7 comments
