Kichwateli (Kenya, 2011; 07:46), The Day They Came (Nigeria, 2013; 03:59), The Tale of How (South Africa, 2006; 04:28; previously), Alive in Joburg (South Africa, 2006; 06:22; previously), Umkhungo (South Africa, 2010; 30:34; trailer alt. link), Evolve (Egypt, 2014; 24:17), Mwansa the Great (Zambia, 2011; 23:11; two trailers as alt. links), and Pumzi (Kenya, 2009; 21:51): eight short works of SF/fantasy via The Skiffy and Fanty Show.
Ronald D. Moore and Brannon Braga discuss writing the Star Trek: The Next Generation series finale. [more inside]
The British Film Institute's YouTube channels offer a staggering amount (previously) of content on historical cinema, shorts, and discussion. Some short selections from the early and silent period of note - The Sick Kitten (1903) - How Percy Won The Beauty Competition (1909) - Tilly The Tomboy Visits The Poor (1910) - Suffragette Riot In Trafalgar Square (1913) - The Fugitive Futurist, in which a man on the run shows a device that can see far into the future (1924) - Vaudevillian legend Billy Merson Singing 'Desdemona'. Widely considered Britain's first sound film - (1927) Charley In New Town - part of an animated series from the Central Office, this one explaining the need for "New Towns." (1948) - Growing Girls, a filmstrip guide to puberty for young women (1951).
Searching for Slave Leia fiction by Sandra McDonald. Slave Leia PSA starring Kaley Cuoco (yt), Leia's Metal Bikini, Meet the Slave Leia's of Star Wars Celebration V (yt), Slave Leia Appreciation Society, In Defense of Slave Leia , In Response to In Defense of Slave Leia.
His official title is continuity database administrator for the Lucas Licensing arm of Lucasfilm — which means Chee keeps meticulous track of not just the six live-action [Star Wars] movies but also cartoons, TV specials, scores of videogames and reference books, and hundreds of novels and comics.
... Buckaroo Banzai is paradoxically decades ahead of its time and yet completely of its time; it’s profoundly a movie by, for, and of geeks and nerds at a time before geek/nerd culture was mainstreamed, and a movie whose pre-CG special effects and pre-Computer Age production design were an essential part of its good-natured enthusiasm. What at the time was a hip, modern take on classic SF is now, almost thirty years later, almost indistinguishable from the SF cinema that inspired it in terms of the appeal to modern viewers: the charmingly old-fashioned special effects, and the comparatively innocent earnestness of its tone. - Danny Bowes [more inside]
Essayist and cartoonist Tim Kreider is no stranger to film criticism ( previously) but his thoughtful, surprising, detailed analysis of Lynch's The Straight Story and Spielberg/Kubrick's AI deserve special attention.
Stanley Kubrick didn’t like giving long interviews, but he loved playing chess. So when the physicist and writer Jeremy Bernstein paid him a visit to gather material for a piece for The New Yorker about a new film project he was writing with Arthur C. Clarke, Kubrick was intrigued to learn that Bernstein was a fairly serious chess player. The result was an unusually long and candid recorded interview for the New Yorker. (77 min)
Alex Pappademas and Sean Witzke over at Grantland have a long, detailed, super geeky film-nerd discussion of the Alien franchise. "It's important to note here that this is a nuke-it-from-space kind of conversation in which just about every aspect of the original "Alien Quadrilogy" is spoiled, as are some fairly crucial plot points from Prometheus. The Alien vs. Predator movies are neither spoiled nor discussed, because that would mean acknowledging their existence. Some people will undoubtedly view this as curatorial negligence on our part, but we welcome their scorn. "
Beanplating on The Fifth Element from architecture students at the University of Waterloo. [more inside]
The extended trailer for David Cronenberg's adaptation of Don DeLillo's Cosmopolis has hit the internet.
... it’s no exaggeration to say that LIFEFORCE tosses everything in but the kitchen in an attempt to entertain you. Actually, scratch that, it tosses everything including the kitchen sink. By the time the movie is complete, you may have to watch it again just to verify that you actually saw what you just saw. The movie is a mess of enormous proportions which I absolutely loved.
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To paraphrase a character in the film, The Black Hole walks "a tightrope;" if not between "genius" and "insanity," then certainly between "genius" and "banality". If you're looking at this movie as a Manichean exercise between darkness and light, then you can -- for at least a few hours -- entertain the "genius" part of that equation.
Logan's Run is a 1976 science fiction film... It depicts a dystopian future society in which population and the consumption of resources are managed and maintained in equilibrium by the simple expediency of killing everyone who reaches the age of thirty, preventing overpopulation. (related 2004 post worth clicking through for) [more inside]
From 2005, a short film version of Rogue Farm by Metafilter's Own Charlie Stross. Not had your fill of biotech horror in the Highlands? Listen to an ensemble cast perform the whole thing at Balticon, or indeed, read the original story.
He invented or popularized a startling array of the fundamental elements of film: the dissolve, the fade-in and fade-out, slow motion, fast motion, stop motion, double exposures and multiple exposures, miniatures, the in-camera matte, time-lapse photography, color film (albeit hand-painted), artificial film lighting, production sketches and storyboards, and the whole idea of narrative film.
By 1897, in a studio of his own design and construction – the first complete movie studio – his hand forged virtually everything on his screen. Norman McLaren writes, "He was not only his own producer, ideas man, script writer, but he was his own set-builder, scene painter, choreographer, deviser of mechanical contrivances, special effects man, costume designer, model maker, actor, multiple actor, editor and distributor." Also, his own cinematographer, and the inventor of cameras to suit his special conceptions. Not even auteur directors such as Charles Chaplin, Orson Welles, John Cassavetes, and Stanley Kubrick would personally author so many aspects of their films."Inside: 57 films by Georges Méliès, the Grandfather of Visual Effects. [more inside]
Fox have offocially announced that Ridley Scott has officially signed on to direct the new 'Alien' prequel. He certainly did a great job on the original but can he match his previous truimph? Given the number of projects he has in gestation (heh) maybe any celebration is premature...
Paramount does Neil: Gaiman's book (illustrated by Charles Vess) is being made into a film called Stardust. You can watch the trailer or read the first chapter online. The film is directed by Matthew Vaughn, who doesn't exactly have a strong fantasy background. Cross your fingers, Gaimanites.
The Golden Gate Bridge Suicide Documentary is going to be an interesting project. Filmmaker Eric Steel applied for a permit to film the Golden Gate Bridge in San Francisco for a year, saying he was trying to "capture the grandeur" of the bridge. But what he actually ended up doing was capture 19 suicides and many attempts. He is now working on a feature-length documentary about these suicides, and has 100 hours of interviews with family members, psychiatrists, and some of the people who attempted suicide but didn't follow through. Now that he's revealed what his documentary is and what it will be about, a lot of people are pretty ticked off.
Dark Angel is a rip-off of Heinlein's Friday, which I completely agree with. Cameron has been successfully sued by Harlon Ellison before for blatantly ripping off his ideas. Then again the sci-fi word is a static world of either super-humans/machines/aliens/time-trave/alternate dimensions.