Foodfight! is an computer-animated
"movie" starring Charlie Sheen, Hillary Duff, Eva Longoria, Wayne Brady, and Christopher Loyd. Set in a supermarket that transformed into a city when the lights came off at the end of the day and inhabited by mascots for food products coming to life.
After a theft of company's computers in 2003, and numerous other delays, the film would not see the light of day until 2012
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posted by hellojed
on Feb 10, 2013 -
277 comments
Archetype is a seven minute sci-fi short by Aaron Sims, which despite being a no-budget project, features amazingly high quality special effects.
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posted by quin
on Jan 24, 2012 -
17 comments
Nants ingonyama bagithi baba! It's been nearly two decades since that glorious savanna sunrise, and once again
The Lion King is
at the top of the box office. It's a good chance to revisit what made the original the capstone of the
Disney Renaissance, starting with the music. Not the gaudy show tunes or the Elton John ballads, but the soaring, elegiac score by Hans Zimmer which, despite winning an Oscar, never saw a full release outside of
an unofficial bootleg.
Luckily, it's unabridged and high-quality, allowing one to lay Zimmer's
haunting,
pulse-pounding,
joyful tracks
alongside the original video (
part 2,
3,
4), revealing the subtle leitmotifs and careful matching of music and action.
In addition, South African collaborator
Lebo M wove traditional Zulu chorals into the score, providing
veiled commentary on
scenes like this; his work was later
expanded into
a full album,
the Broadway stage show, and
projects closer to his heart. Speaking of expanded works, there were inevitable sequels -- all of which you can experience with
The Lion King: Full Circle (
download guide), a fan-made, three-hour supercut of the original film and its two follow-ups.
Want more? Look...
harder... [more inside]
posted by Rhaomi
on Oct 1, 2011 -
22 comments
It was bound to happen eventually. After
a quarter-century,
26 Academy Awards, and an unparalleled streak of
eleven artistic and commercial triumphs, Pixar's latest project,
Cars 2, is
Certified Rotten. Critics have
assailed the film as a slick but hollow vehicle for Disney's
$10 billion-dollar Cars merchandising industry "lifestyle brand," replacing the original's serviceable tale of small-town redemption with
zany spy games,
hyperactive chase sequences, and even more
lowbrow aww-shucks potty humor from
Larry the Cable Guy. But it's not all bad news! Along with
a fun new Toy Story 3 short, preceding today's (3-D) premiere showings is a first look at next year's
Brave --
a darkly magical original story set in ancient Scotland featuring the studio's first female lead (and
director).
Evocative high-res concept art [mirror] is available at the official website, and
character sketches have leaked to the web, with the apparently striking teaser trailer sure to follow. Also, be sure not to miss the sneak peak of
Brave's associated short,
"La Luna"!
posted by Rhaomi
on Jun 24, 2011 -
263 comments
The history of Poland, in eight minutes,
in CGI, from the country's exhibition at Expo 2010 in Shanghai. The film is full of blink-and-you'll-miss-it references - check the date at the bottom-left of the screen and see how many you can find!
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posted by mdonley
on Aug 7, 2010 -
24 comments
Toy Story 3 hits theaters today, and it's already winning
universal acclaim as an enchanting and heartbreaking wonderwork, employing
understated 3D and a
"real-time" perspective that
deftly capitalizes on the nostalgia and can't-go-home-again angst of a generation that grew up with the series.
It has a strong pedigree, with 11-year-old predecessor
Toy Story 2 the rare sequel to equal its forebear, 1995's
Toy Story (itself the first CGI feature in history).
And it joins a lofty stable of films: over the last 15 years, Pixar has put out an unbroken chain of
ten commercial and critical successes that have grossed over $5 billion worldwide and collected
24 Academy Awards (including the
second-ever Best Picture nom for animation with
Up), a legacy that
rivals some of the greatest franchises in film history.
But there's rumbling on the horizon. Although the studio has been
hailed for its originality (of the 50 top-grossing movies in history, only nine were original stories -- and
five of them were by Pixar), two of their upcoming projects are
sequels, both of them based some of their least-acclaimed films (
Cars 2 in 2011 and
Monsters, Inc. 2 in 2012). And while 2012 will also bring
The Bear and the Bow Brave, the first Pixar flick to feature a female protagonist
[previously], fellow newcomer
Newt has been
canceled. With
WALL-E/Up/Toy Story 3 guru Andrew Stanton focusing on
his 2012 adaptation of
John Carter of Mars and with
forays into live-action already in development,
does this mark the end of the golden age of Pixar? Or is this latest entry lasting proof that even the toughest case of sequelitis can be raised to the level of masterpiece?
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posted by Rhaomi
on Jun 18, 2010 -
227 comments
The Steam Tank is a brief visual effects reel by Chris Paul, from the Vancouver Film School. It begins with a somewhat mundane steam powered tank attacking a mounted gun in a downtown building, but then replays the event shot by shot, showing the original filmed plate, and adding on each cgi component, to give a good idea of how cg & reality interface in an effects piece.
warning: link goes to direct download of 56MB QuickTime mov
posted by jonson
on Feb 7, 2006 -
13 comments
Seeing The Matrix yesterday (and just before it, the preview for the third Terminator movie) reminded me of this old David Foster Wallace essay
"F/X Porn", in which he points out how Hollywood blockbusters have become the equivalent of your average "2 for $10.99!!" XXX rentals.
[Google cached version here.]
posted by slipperywhenwet
on Jun 13, 2003 -
36 comments
It's the plot, stupid.
USA Today runs their usual insightful commentary about the upcoming release of Lilo and Stitch. It obsesses over the absence of CGI graphics pointing to
Atlantis as evidence for the failure of traditional animation to draw box office. Funny me, I thought that
Atlantis bombed because of a plot better left in 50s serial format, a cast of sterotypes rather than characters, and no sense of humor beyind dirty French jokes repeated over and over again. And is huge success of
Pixar due to their pioneering animation, or their brilliant comic talent?
What causes FX myopia anyway? Granted I can understand why fanboys obsess over the wrong things in a movie. Do the studios set it up by trying to hype each new summer release as the next big technical development (while the artistic development gets trumped by
Waking Life and
Insomnia?)
posted by KirkJobSluder
on Jun 18, 2002 -
7 comments
Admittedly,
this is nerdy-precedent cool, but methinks it will yield celluloid hemlock. Although, if it does work, maybe they can start augmenting the often less-than-lifelike performances of certain flesh-and-blood starlets (who are usually already augmented in other ways).
HOO-ah! indeed. Brave new world, and all that.
posted by highindustrial
on Aug 15, 2000 -
0 comments