... Buckaroo Banzai is paradoxically decades ahead of its time and yet completely of its time; it’s profoundly a movie by, for, and of geeks and nerds at a time before geek/nerd culture was mainstreamed, and a movie whose pre-CG special effects and pre-Computer Age production design were an essential part of its good-natured enthusiasm. What at the time was a hip, modern take on classic SF is now, almost thirty years later, almost indistinguishable from the SF cinema that inspired it in terms of the appeal to modern viewers: the charmingly old-fashioned special effects, and the comparatively innocent earnestness of its tone.
- Danny Bowes [more inside]
posted by Egg Shen
on Aug 19, 2012 -
"What is a cult film? A cult film is one that has a passionate following, but does not appeal to everyone. James Bond movies are not cult films, but chainsaw movies are. Just because a film has become a cult movie does not automatically guarantee quality. Some are very bad; others are very, very good. Some make an awful lot of money at the box office; others make no money at all. Some are considered quality films; others are exploitation movies. One thing cult movies do have in common is that they are all genre films - for example gangster films or westerns. They also have a tendency to slosh over from one genre into another, so that a science fiction film might also be a detective movie, or vice versa. They share common themes as well, themes that are found in all drama: love, murder and greed."
- of the British TV film slots accompanied by an introduction perhaps the most celebrated
, running between 1988 and 2000 and presented first by Repo Man director Alex Cox
and then film critic Mark Cousins
. [more inside]
posted by Artw
on Aug 3, 2012 -
: REPO MAN was made as a "negative pickup" by Universal at the time when Bob Rehme was head of the studio. At the time, the big deal over there was STREETS OF FIRE, and nobody really noticed our film [8 MB PDF] at all. Which was lucky for us, since Bob Rehme had "green-lighted" a film which was quite unusual by studio standards. (previously)
posted by Trurl
on Oct 31, 2011 -
Straight to Hell is a 1987 action-comedy film directed by Alex Cox, featuring Sy Richardson, The Clash frontman Joe Strummer (after whose song the film is named), Courtney Love, Dick Rude, Dennis Hopper, Grace Jones, Elvis Costello, Xander Berkeley, Kathy Burke, Jim Jarmusch, Edward Tudor-Pole, Miguel Sandoval, as well as members of The Pogues, Amazulu and The Circle Jerks. ... While the film received almost no positive reviews, it has (like several other of Cox's films) achieved a minor cult status, largely due to its cast of musicians, many of whom have cult followings of their own. A soundtrack has been released. (previously, awesomely)
posted by Trurl
on Jul 1, 2011 -
"Beat the Devil" went straight from box office flop to cult classic and has been called the first camp movie, although Bogart, who sank his own money into it, said, "Only phonies like it." It's a movie that was made up on the spot; Huston tore up the original screenplay on the first day of filming, flew the young Truman Capote to Ravallo, Italy, to crank out new scenes against a daily deadline and allowed his supporting stars, especially Robert Morley and Peter Lorre, to create dialogue for their own characters. (Capote spoke daily by telephone with his pet raven, and one day when the raven refused to answer he flew to Rome to console it, further delaying the production.)
- Roger Ebert's Great Movies
posted by Trurl
on May 22, 2011 -
"Let's do those drive-in totals. We have: Nineteen dead bodies (plus fragments)
. Ten breasts (shame on you, TNT censors)
. Two zombie breasts. One-hundred twenty-five zombies. Mummy dogs. One-half zombie dog. Ten gallons blood. Brain-eating. Gratuitous embalming. Zombie fu. Nekkid punk-rocker fondue. Gratuitous midget zombie. Torso S&M. One motor vehicle chase (totalled by zombies)
. Pool cue fu. No aardvarking. Heads roll. Brains roll. Arms roll. Hands roll. Joe Bob says, Check It Out."
Only on MonsterVision
. [more inside]
posted by zarq
on Feb 3, 2011 -
I am Myra Breckinridge whom no man will ever possess. Clad only in garter belt and one dress shield, I held off the entire elite of the Trobriand Islanders, a race who possess no words for "why" or "because." Wielding a stone axe, I broke the arms, the limbs, the balls (nsfw) of their finest warriors, my beauty blinding them, as it does all men... [more inside]
posted by Joe Beese
on Jun 1, 2009 -
...[Change of scene. We are looking out of a car window; it is raining, or has recently rained. Shops go by.] I treated myself to a taxi. I rode home through the city streets! There wasn't a street--there wasn't a building--that wasn't connected to some memory in my mind. There I was buying a suit with my father. There I was having an ice-cream soda after school. When I finally came in, Debby was home from work. And I told her everything about my dinner with André
And here is Sergio Leone and the Inside Fly Rule's
meditation on the only possible other candidate for Best.Movie.Ever. [more inside]
posted by y2karl
on Apr 3, 2009 -
, respected Canadian indie director, announced his plans last week to make not one, not two, but three sequels to his low-budget 1996 cult favorite Hard Core Logo
, essentially turning it into a franchise
Hard core fans will no doubt hope that the films are either great enough to live up to the original, or that it's all a publicity stunt timed for the TIFF premiere of his new film Pontypool
, a horror flick about zombies who spread infection through conversation. [more inside]
posted by mannequito
on Sep 3, 2008 -
The Room: The Movie.
Triple-threat (actor/writer/director) Tommy Wiseau
made his cinematic debut in 2003 with the The Room
and various scenes
), "a blend between a
softcore porn flick and a Tennessee Williams stageplay."
Wiseau ("who's not just one of the most unusual looking
an unidentifiable Eastern European accent-leading men ever to
grace the screen, but a narcissist nonpareil whose movie makes Vincent Gallo's "The Brown Bunny"
the apotheosis of cinematic self-restraint...may be something of a first: A movie that
prompts most of its viewers to ask for their money back-before even
30 minutes have passed." - Variety
), allegedly raised $6 million outside Hollywood to cover production and marketing costs
of the self-described "black comedy about love, passion, betrayal and lies" (see various rough dress rehersals
Audience members, including comedian
, have been "marveling at the bizarre editing, bad bluescreen, uncomfortably explicit
sex scenes and, of course, the enigma of Wiseau himself"
as the film
played monthly for years
in Los Angeles. Available on
DVD, diehard "roomies" swear by the
shout out their own commentary
, hurl spoons at the screen
and singalong to the soundtrack
. Some call it "The Rocky Horror of the New Millenium"
and stage "Room"
. If you look at the marketing campaign
or survived a screening
you might see The Room as "a seminar on how
NOT to make a movie."
posted by boost ventilator
on Jun 1, 2006 -
Drama is impossible today. I don't know of any. Drama used to be the belief in guilt, and in a higher order. This absolutely cruel didactic is impossible, unacceptable for us moderns. But melodrama has kept it. You are caged. In melodrama you have human, earthly prisons rather than godly creations. Every Greek tragedy ends with the chorus — "those are strange happenings. Those are the ways of the gods". And so it always is in melodrama.
His career as a film director lasted more than 40 years, but Douglas Sirk (1900-1987)
is remembered for the melodramas he made for Universal in Hollywood between 1954 and 1959, his "divine wallow
": Magnificent Obsession (1954)
, All That Heaven Allows (1955)
, Written on the Wind (1956)
, The Tarnished Angels (1958, William Faulkner considered it the best screen adaptation of one of his novels)
, Imitation of Life (1959)
-- all considered for decades little more than a camp oddity
. Now audiences are beginning to look deeper at the films of Douglas Sirk, at how, in megafan Todd Haynes' words, they are "almost spookily accurate about the emotional truths
". Now, lucky Chicagoans can enjoy "Douglas Sirk at Universal", matinees at the Music Box
. More inside.
posted by matteo
on Apr 29, 2006 -
I first read "Ask the Dust" in 1971 when I was doing research for "Chinatown". I was concerned about the way people really sounded when they talked, and I was dissatisfied with everything else I had read that was written during the '30s. I wanted the real thing, as Henry James would say. When I picked up Fante's "Ask the Dust," I just knew that was the way those kids talked to each other—the rhythms, cadences, racism.
on adapting John Fante
's novel for the big screen
. More inside.
posted by matteo
on Mar 4, 2006 -
Detailing the impossible. Louis Feuillade
made more than 800 films
covering almost every contemporary genre
: historical drama, comedy, realist drama, melodrama, religious films. However, he was most famous, or infamous, for his crime serials: Fantômas
(1913-14), Les Vampires
, Judex (1916), La Nouvelle Mission de Judex (1917), Tih-Minh
(1918) and Barrabas (1919).
Critics panned his crime films
, often savagely, because the preoccupation of French critics and film-makers in the 1910s and 20s was to elevate cinema -– and, ironically, back then the French saw their own films as lacking the artistry and sophistication of American ones, by Griffith or DeMille – to the level of art. It was years before Feuillade's films
escaped the label of aesthetic backwardness. Now, critics have realized
that what Feuillade has done is to offer us an alternative cinematic mode to Griffiths', one that continues in updated variants throughout cinema. It is predicated on a principle of uncertainty, that questions our understanding of the real. It is as fluid and elusive
a tradition as a cat burglar
, dressed in black on a night-time rooftop
posted by matteo
on Nov 8, 2004 -
Evil Dead: The Musical
In making your list of should-be musical theater productions, you've likely considered the Evil Dead series
, right? Fortunately for you, Montreal's Just for Laughs
comedy festival has put together just that
, believe it or not, for this year's festival.
A special run will happen in Toronto on the week of June 22nd before moving to Montreal for a full run.
posted by Evstar
on Jun 12, 2004 -