16 posts tagged with film and cult (View popular tags)
Trailers From Hell. Cult directors (and other industry types) introduce and comment on trailers for cult films. For instance, Allison Anders on Peeping Tom,
Rick Baker on The Man Of A Thousand Faces,
Joe Dante on Attack Of The 50 Foot Woman,
Jack Hill on White Heat, Dan Ireland on The Haunting, Mary Lambert on The Masque Of The Red Death and Edgar Wright on Carnage.
(Flash menu and intro unfortunately)
posted on Jan 28, 2008 - View this thread
21-87 is a short film from Arthur Lipsett that has been discussed before.
posted on Aug 2, 2007 - View this thread
Children of God film to premiere September 6 on HBO. Filmmaker Noah Thomson goes in search of the young adults who have made a life for themselves outside of the controversial Christian cult "The Children of God." [previously] Many children of this cult have failed to thrive in the outside world and committed suicide, unable to adjust to life in a society indifferent to their abuse as children. Premieres Thursday September 6 on HBO. Link to trailer (sound is low). Jane Magazine has an article on the group and Noah Thompson in its June/July issue. [link to text and PDF scans].
posted on Jul 20, 2007 - View this thread
Withnail & I on the YouTube:
Drinking the Lighter FluidWithnail & I - A review, Sanjek on Withnail and I
In the tearoom
Withnail and Danny argue about drugs
Withnail and the Telephone Box
Monty and I
Withnail's monologue in the rain
The Room: The Movie. Triple-threat (actor/writer/director) Tommy Wiseau made his cinematic debut in 2003 with the The Room (see trailer and various scenes), "a blend between a
softcore porn flick and a Tennessee Williams stageplay." Wiseau ("who's not just one of the most unusual looking and sounding-with
an unidentifiable Eastern European accent-leading men ever to
grace the screen, but a narcissist nonpareil whose movie makes Vincent Gallo's "The Brown Bunny" seem
the apotheosis of cinematic self-restraint...may be something of a first: A movie that
prompts most of its viewers to ask for their money back-before even
30 minutes have passed." - Variety), allegedly raised $6 million outside Hollywood to cover production and marketing costs of the self-described "black comedy about love, passion, betrayal and lies" (see various rough dress rehersals).
Audience members, including comedian
David Cross, have been "marveling at the bizarre editing, bad bluescreen, uncomfortably explicit
sex scenes and, of course, the enigma of Wiseau himself" as the film
played monthly for years in Los Angeles. Available on
DVD, diehard "roomies" swear by the
theatrical experience,
shout out their own commentary, hurl spoons at the screen and singalong to the soundtrack. Some call it "The Rocky Horror of the New Millenium" and stage "Room"
parties. If you look at the marketing campaign or survived a screening you might see The Room as "a seminar on how
NOT to make a movie." [Inspired by
Boing Boing]
posted on Jun 1, 2006 - View this thread
Drama is impossible today. I don't know of any. Drama used to be the belief in guilt, and in a higher order. This absolutely cruel didactic is impossible, unacceptable for us moderns. But melodrama has kept it. You are caged. In melodrama you have human, earthly prisons rather than godly creations. Every Greek tragedy ends with the chorus — "those are strange happenings. Those are the ways of the gods". And so it always is in melodrama.
His career as a film director lasted more than 40 years, but Douglas Sirk (1900-1987) is remembered for the melodramas he made for Universal in Hollywood between 1954 and 1959, his "divine wallow": Magnificent Obsession (1954), All That Heaven Allows (1955), Written on the Wind (1956), The Tarnished Angels (1958, William Faulkner considered it the best screen adaptation of one of his novels), Imitation of Life (1959) -- all considered for decades little more than a camp oddity. Now audiences are beginning to look deeper at the films of Douglas Sirk, at how, in megafan Todd Haynes' words, they are "almost spookily accurate about the emotional truths". Now, lucky Chicagoans can enjoy "Douglas Sirk at Universal", matinees at the Music Box. More inside.
posted on Apr 29, 2006 - View this thread
"It is nothing less than a generation-defining event.... It is this era’s 2001: A Space Odyssey." Even as the second, shorter cut of Terrence Malick's Pocahontas epic is slinking out of theaters, The New World is dividing and confounding critics, audiences, and bloggers: "The New World is my new religion." - "The New World separates the wheat from chaff." - "The first necessary film of this young year." The Village Voice's J. Hoberman observes the growing cult, Dave Kehr of the New York Times weighs in and gets testy. Matt Zoller Seitz responds. In the meantime, Malick is reportedly preparing a third, longer cut for the DVD.
posted on Mar 14, 2006 - View this thread
I first read "Ask the Dust" in 1971 when I was doing research for "Chinatown". I was concerned about the way people really sounded when they talked, and I was dissatisfied with everything else I had read that was written during the '30s. I wanted the real thing, as Henry James would say. When I picked up Fante's "Ask the Dust," I just knew that was the way those kids talked to each other—the rhythms, cadences, racism.
Robert Towne on adapting John Fante's novel for the big screen. More inside.
posted on Mar 4, 2006 - View this thread
"It has always been as if I carry chaos with me the way others carry typhoid. My purpose in writing is to transcend my existence by illuminating it."
Crime novelist Edward Bunker, who died last Tuesday at age 71 (LATimes obit), became at 17 the youngest inmate at San Quentin after he stabbed a prison guard at a youth detention facility. It was during his 18 years of incarceration for robbery, check forgery and other crimes that Bunker learned to write. In 1973, while still in prison, he made his literary debut with "No Beast So Fierce", a novel about a paroled thief James Ellroy called "quite simply one of the great crime novels of the past 30 years" and that was made into the movie "Straight Time" starring Dustin Hoffman. Also a screenwriter ("Runaway Train"), Bunker appeared as an actor in nearly two dozen roles, most notably as Mr. Blue in "Reservoir Dogs." (more inside)
posted on Jul 25, 2005 - View this thread
"And yet his life's work of nine short films amounts to little more than three hours of celluloid..." Kenneth Anger: author, Crowley associate, and cult film legend.
posted on Jun 23, 2005 - View this thread
"When George saw 21-87, a lightbulb went off". "21-87" is an experimental film made in 1964 by Canadian avant-garde director Arthur Lipsett ,who committed suicide in 1986.
"George" is George Lucas, who was obsessed by underground movies until "a little movie called Star Wars lured him to the dark side". (more inside)
posted on May 2, 2005 - View this thread
“The problem is not to make political films but to make films politically.” In "Tout Va Bien", just released on Criterion DVD, four years after May '68 Jean-Luc Godard and Jean-Pierre Gorin examine the wreckage: fading workers' empowerment (page with sound), media fatuity, capitalist sprawl, global imperialist mayhem, interpersonal disconnections.
"Tout Va Bien" is the story of a strike at a factory as witnessed by an American reporter (Jane Fonda) and her has-been New Wave film director husband (Yves Montand).
Included on the DVD is also Letter to Jane (1972), a short film in which Godard and Gorin spend an hour examining the semiotics of a single, hypnotizing photograph of Fonda as she shares feelings with a Vietnamese villager. More inside.
posted on Mar 8, 2005 - View this thread
Detailing the impossible. Louis Feuillade made more than 800 films covering almost every contemporary genre: historical drama, comedy, realist drama, melodrama, religious films. However, he was most famous, or infamous, for his crime serials: Fantômas (1913-14), Les Vampires, Judex (1916), La Nouvelle Mission de Judex (1917), Tih-Minh (1918) and Barrabas (1919).
Critics panned his crime films, often savagely, because the preoccupation of French critics and film-makers in the 1910s and 20s was to elevate cinema -– and, ironically, back then the French saw their own films as lacking the artistry and sophistication of American ones, by Griffith or DeMille – to the level of art. It was years before Feuillade's films escaped the label of aesthetic backwardness. Now, critics have realized that what Feuillade has done is to offer us an alternative cinematic mode to Griffiths', one that continues in updated variants throughout cinema. It is predicated on a principle of uncertainty, that questions our understanding of the real. It is as fluid and elusive a tradition as a cat burglar, dressed in black on a night-time rooftop.
posted on Nov 8, 2004 - View this thread
Dazed and Sued. Three Huntsville residents who say they went to high school with Austin film director Richard Linklater accused him of using them as the basis for the girl-chasing, drug-taking characters in his film "Dazed and Confused" in a lawsuit filed last week, 11 years after the movie was released
(Universal Studios, also included in the suit, is scheduled to release a special edition DVD of the movie Nov. 2.) More inside.
posted on Oct 12, 2004 - View this thread
Evil Dead: The Musical
In making your list of should-be musical theater productions, you've likely considered the Evil Dead series, right? Fortunately for you, Montreal's Just for Laughs comedy festival has put together just that, believe it or not, for this year's festival.
A special run will happen in Toronto on the week of June 22nd before moving to Montreal for a full run.
posted on Jun 12, 2004 - View this thread
These people make for some "Interesting Motherfuckers."
posted on Nov 28, 2003 - View this thread
