Via
io9: "The first nine Superman cartoons produced by Fleischer Studios from 1941 to 1942 are a wonder of animated retrofuturism, giving us a peek into a world that not only had a flying superstrong protector, but also filled viewers' heads with dreams of autonomous robots, comet-controlling telescopes, and machines that could shake the Earth. These films are in the public domain and have been available on the Internet Archive," but now Warner Bros. is releasing them (remastered) on YouTube. The first short,
"Superman" (also known as "The Mad Scientist,") was nominated for an Academy Award. Also see:
The Super Guide to the Fleischer Superman Cartoons. Find links to all nine episodes and more inside.
[more inside]
posted by zarq
on Nov 25, 2012 -
28 comments
In May, YouTube
announced they would be hosting a lineup of original video channels, in a possible attempt to compete with network and cable television. Among the new offerings was
WIGS, the (
NSFW) brainchild of director/producer/writers Jon Avnet and Rodrigo Garcia, of original, scripted dramatic series and short films exploring female characters.
[more inside]
posted by zarq
on Jun 27, 2012 -
14 comments
Kirby Ferguson's fourth and final installment of
Everything is a Remix:
System Failure has been released. (Also on
YouTube.) It covers intellectual property rights, the derivative nature of creativity, patents and copyright.
Transcript.
[more inside]
posted by zarq
on Feb 17, 2012 -
5 comments
Death to the spoiler police! Salon's Mary Elizabeth Williams takes a stand against people who insist on spoiler alerts: "[O]nce a work enters the pop culture vernacular, it is not society's responsibility to provide you with earmuffs until you finally get around to experiencing it. ... But for the love of God, if you really don't want to know about a book/movie/television show, do the rest of the world a favor and stop hanging out in the online discussion groups about it." Via
Roger Ebert.
posted by mcwetboy
on May 20, 2010 -
151 comments
Indian Superman is a movie of questionable legality released in India in the mid eighties. Perhaps it should have had a wider release since it has a great deal of humorous appeal for Western audiences. Check out this
review from Stomp Tokyo. I'm looking forward to a crossover when Indian Superman meets
Indian Spider-Man. via
Sepia Mutiny
posted by rks404
on Aug 17, 2004 -
10 comments
"Movies: They're worth it!" In a move to educate those darn thieving kids and their evil P2P file-sharing networks which are used to trade ripped movies, the MPAA has launched a
public service campaign to explain, in layman's terms, why violating their copyrights is wrong. …Yes, these are the same people who have just brought us an entire summer of bloated sequels, shameless celebrity vehicles and uninspired hack-work. Respect!
posted by Down10
on Aug 3, 2003 -
81 comments
if you're in California you're undoubtedly aware of the bitter intrastate rivalry. if you're not here, now you can get caught up:
Slowcal vs. NOcal
posted by donkeysuck
on Oct 3, 2002 -
30 comments
It's the plot, stupid.
USA Today runs their usual insightful commentary about the upcoming release of Lilo and Stitch. It obsesses over the absence of CGI graphics pointing to
Atlantis as evidence for the failure of traditional animation to draw box office. Funny me, I thought that
Atlantis bombed because of a plot better left in 50s serial format, a cast of sterotypes rather than characters, and no sense of humor beyind dirty French jokes repeated over and over again. And is huge success of
Pixar due to their pioneering animation, or their brilliant comic talent?
What causes FX myopia anyway? Granted I can understand why fanboys obsess over the wrong things in a movie. Do the studios set it up by trying to hype each new summer release as the next big technical development (while the artistic development gets trumped by
Waking Life and
Insomnia?)
posted by KirkJobSluder
on Jun 18, 2002 -
7 comments
iPix Movies are cool interactive movies, you choose the angle you view while it is playing and you can turn to any angle, up, down, left, right and zoom. This is pretty wild but takes a broadband connection so if you are a dial up user, forget it. I want the little helicopter the camera is on, very cool.
posted by me myself and i
on Apr 13, 2001 -
11 comments
Dark Angel is a rip-off of Heinlein's Friday, which I completely agree with. Cameron has been successfully sued by Harlon Ellison before for blatantly ripping off his ideas. Then again the sci-fi word is a static world of either super-humans/machines/aliens/time-trave/alternate dimensions.
posted by skallas
on Oct 19, 2000 -
13 comments