"The rise in popularity of television is credited with inciting the move to the widescreen systems that flourished throughout the 50s, 60s, and 70s. This is only partially true. In the early 1950s, studios did begin to compose their movies so that the top and bottom of the picture could be chopped off and a wider screen would show the center of the old 1.37:1 frame. The aspect ratio used by the various studios varied from about 1.5:1 up to the common 1.85:1. But the real reason for the birth of a multitude of widescreen and large format systems was the 1952 opening of a movie made in a process that had its roots in a World War II aerial gunnery trainer. This Is Cinerama
(modern YouTube trailer; Wikipedia
) shook the industry to the core. The public and reviewers loved it. Its giant screen filled with three oversized 35mm images and an incredible new sound system called Stereophonic were a marvel to behold, and the studios immediately rushed to find something that could do what Cinerama did
(Google books preview of the August 1952 issue of Popular Mechanics
)." [more inside]
posted by filthy light thief
on Jan 4, 2014 -
Do you turn off Old Yeller before the end so you can pretend that he lived a long and happy life? Did a cute pet on a movie poster make you think it would be a fun comedy but it turned out to be a pet-with-a-terminal-illness tearjerker instead? Are you unable to enjoy the human body count in a horror movie because you're wondering whether the dog's going to kick the bucket? Have you ever Googled "Does the [dog/cat/horse/Klingon targ] die in [movie title]?"
If you answered "yes" to any of these questions, then welcome - DoestheDogDie.com
is here for you! [more inside]
posted by jedicus
on May 29, 2013 -
"Oh, Anne! With your small head and pert nose and oversized, ready smile and glossy pixie cut and squeakily tuneful speaking voice, uttering lines like “It came true!” as you gaze at your newly won Oscar with moistened doe-eyes, wearing a powder-pink Prada gown adorned with diamonds and bows: Why are you so annoying?
posted by vidur
on Feb 28, 2013 -
The Nigerian film industry known as Nollywood
started humbly about 20 years ago. Nollywood movies were shot as cheaply and as quickly as possible, then released straight to VHS. The majority of Nollywood films are still sold offline, in outdoor markets from wheelbarrows or by the roadside from street vendors. In the early 2000s, Nollywood distribution shifted from VHS to discs — and now, the movies are also beginning to stream online. iROKO, one of the first companies to take Nigerian films online, is carefully tracking the viewing patterns of its growing audience
. While Nigerian internet access is often subpar
, streaming services are catering to the international diaspora. iROKOtv is a hub for streaming movies
, with plenty of free movies alongside movies available as part of monthly membership. Their website grew out of their YouTube channel
, which had over 400 movies online in 2011
, though recently they are mainly posting trailers. If you're not sure which movies to see, Nollywood Forever has plenty of reviews
, and Nollywood.com has a ton of African movie trailers
posted by filthy light thief
on Feb 16, 2013 -
For Roger Ebert, it's a prayer that made him "more alert to the awe of existence."
For Rober Koehler, it's a kitschy New Age con.
For Richard Brody, it perfectly captures the essence of a generation by depicting a character thinking "back to the musings and fantasies of childhood, which are the product of a wondrous and fantastic view of science formed by popular-science books for children and by the commercial artists whose illustrations adorned them."
For Stephanie Zacharek, it's "a gargantuan work of pretension."
For Ignatiy Vishnevetsky, it's "a creation myth in the guise of a crypto-autobiography" that invents a universe of its own only to destroy it.
For J. Hoberman, it's lifeless and dull, "essentially a religious work and, as such, may please the director's devotees, cultists, and apologists."
It spent thirty years in development, three in editing
and, yes, it contains dinosaurs
. The Tree of Life
, written and directed by famously reclusive Zoolander fan
and "JD Salinger of American movies" Terrence Malick
, won the Palme d'Or
at this year's Cannes Film Festival. Tomorrow, it comes out in the United States
. [more inside]
posted by alexoscar
on May 26, 2011 -
Finnish YouTube user Ishexan
has uploaded seven English subtitled movies in parts: Broken Blossoms
), The Gipsy Charmer
), The Tragedy of Elina
), The Activists
), The Wooden Pauper's Bride
), and Sampo
), which is based on the epic poem The Kalevala
. The films are mostly Finnish, though Aelita
is a silent Russian sci-fi film, and Sampo
was a joint Finnish and Soviet production. More film clips inside (mostly Finnish documentaries and "dorky musical numbers"). [more inside]
posted by filthy light thief
on Apr 30, 2011 -
is a continually-updated collection of movie reviews based around one very interesting concept -- how accessible they are to the visually impaired. [more inside]
posted by flatluigi
on Nov 22, 2008 -
is a documentary about Oscar nominee/animator Ryan Larkin, who now panhandles on the streets of Montreal. A preview clip is at the far right of the photo gallery.
posted by disgruntled
on Jun 4, 2004 -
Roger Ebert salutes Buster Keaton
in an article in which he says the Great Stone Face is "the greatest actor-director in the history of the movies." High praise indeed! Any other Keaton fans out there? (This is from the Chicago Sun-times--I don't believe registration is required.) And if you want to see Buster smiling--sort of--here's a picture of him with one-time movie partner Fatty Arbuckle
posted by Man-Thing
on Nov 13, 2002 -
Real Cinephiles Prefer Reading "Cahiers du Cinema" to Going to the Movies:
I stopped reading Cahiers du Cinema
- the famously dogmatic French film journal where Godard, Truffaut, Resnais and Rohmer cut their teeth - a few years ago, when it got too arty-farty for its own good. Well
, it's slowly becoming essential again. Their website is trés chic
, intelectually challenging and a welcome antidote to the usual online movie-reviewing clowns. Or is it still a load of pretentious rubbish? (In French, but with a lovely intro, lots of cool stills and a Quicktime interview, in English, with underrated director Paul Verhoeven
posted by MiguelCardoso
on Dec 5, 2001 -