Jamestown Baloos (1957) [SLYT]
by Robert Breer [PDF]
) "is a frenetic, three-part stop-motion animation that features an army of everyday forms and figures — geometric shapes, a piece of string, newspaper clips, a pin-up girl, even Napoleon Bonaparte — flashing across the screen. Placed in increasingly compromised situations and choreographed to a jingoistic tune, the figures essentially become puppets of their former selves. Such unrelenting visuals recall not only Fernand Léger’s early experimental film, Ballet Mécanique
(1924), as Breer himself has mentioned, but also early twentieth-century Dadaist collage. Dada artists like Kurt Schwitters and Hannah Höch created witty, unapologetic works that reflected the chaos and violence of modern existence. Jamestown Baloos
serves, as their works did, as a pointed indictment on the absurdity of war."
posted by Room 641-A
on Mar 8, 2014 -
From 1935 to 1951, Time Magazine bridged the gap between print & radio news reporting and the new visual medium of film, with March of Time
: award-winning newsreel reports that were a combination of objective documentary, dramatized fiction and pro-American, anti-totalitarian propaganda. They “often tackled subjects and themes that audiences weren’t used to seeing
— foreign affairs
, social trends
, public-health issues — and did so with a combination of panache and subterfuge that today seems either absurd or visionary.” (Previous two links have autoplaying video.)
By 1937, the short films were being seen by as many as 26 million people every month and may have helped steer public opinion on numerous issues,
) America’s entry to WWII
. Video samples are available at Time.com,
the March of Time Facebook page
and the entire collection is available online, (free registration required)
at HBO Archives. [more inside]
posted by zarq
on Aug 22, 2011 -
In 2009, Ctrl.Alt.Shift
, the "youth initiative
of Christian Aid," held a national competition in the UK for aspiring filmmakers aged 18 to 25. Their mission: create a short film treatment based around three key issues: "War + Peace," "Gender + Power" and "HIV + Stigma." The results were then screened to an audience at the 2009 Raindance Film Festival. The films: 1000 Voices
, HIV: The Musical
, Man Made
, No Way Through
and War School
. (All YouTube links. Vimeo links and descriptions of each film are inside this post.) These films deal with adult subject matter and may be disturbing for some viewers. Some may also be nsfw. [more inside]
posted by zarq
on May 24, 2011 -
. (1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13) Testament (1983)
. (1, 2, 3, 4, 5, 6, 7) [more inside]
posted by Joe Beese
on Feb 25, 2011 -
Restrepo is a feature-length documentary that chronicles the deployment of a platoon of U.S. soldiers in Afghanistan's Korengal Valley. The movie focuses on a remote 15-man outpost, "Restrepo," named after a platoon medic who was killed in action. It was considered one of the most dangerous postings in the U.S. military. This is an entirely experiential film: the cameras never leave the valley; there are no interviews with generals or diplomats. The only goal is to make viewers feel as if they have just been through a 90-minute deployment. This is war, full stop. The conclusions are up to you. (previously) [more inside]
posted by Joe Beese
on Dec 14, 2010 -
Japan Air Raids
"is an ongoing project to build a digital archive dedicated to the international dissemination of information about the World War II air raids against Japan." They have seeded it with quite a bit of material (e.g. Target Tokyo, narrated by Ronald Reagan in the documentary and propaganda
section) and promise there is much more to come. [Warning, some images may disturb] [via]
posted by unliteral
on Dec 12, 2010 -
For quite some time, I’d wanted to make a screwball comedy. A fast-talking, wildly acclerating ensemble comedy that gets stupider and stupider. I never imagined it would be about a war, and inspired by a very recent war at that. But Simon, Jesse, Tony and I all felt that the more we found out about the dysfunction in Washington and the naivety in London leading up to the Iraq invasion, the more obvious it was that the only way to deal accurately and fairly with this topic was as a screwball comedy.
- The Oscar nominated script for In The Loop
, with an introduction by writer Armando Iannucci.
posted by Artw
on Feb 13, 2010 -
'Films from the Homefront'
is a (new) collection of amateur documentaries, newsreels, government films, and home movies documenting life for the ordinary people in Britain during World War II, with background text descriptions/explication. Browse the themes
. The films are QT and wmv format. I found it both poignant and funny, for instance, seeing kids don gasmasks during air raid drills then attempt to continue writing in their lessons. [via Glasgow School of Art Library]
posted by peacay
on Feb 16, 2007 -
When I Came Home:
Iraq War veteran Herold Noel suffers from post-traumatic stress disorder and lives out of his car in Brooklyn. Using Noel's story as a fulcrum, this doc examines the wider issue of homeless U.S. military veterans-from Vietnam to Iraq-who have to fight tooth-and-nail to receive the benefits promised to them by their government.
posted by riley370
on May 21, 2006 -
- anti-war movie from National Amusements featuring the ungrateful dead. This will possibly invoke some controversy.
posted by ab'd al'Hazred
on Dec 2, 2005 -
The Emperor's Bunker. "The Japanese, with sadness and irony, stressed that Hirohito couldn't even speak properly. This was partly to do with the fact that he didn't have to speak - people spoke in his name and he was isolated from real life"
", the third part in Russian director Aleksandr Sokurov
's 'Men of Power' tetralogy
after the gloom of Moloch (1999)
, about Hitler and Eva Braun, and the despairing tones of "Taurus
, focused on the wheelchair-bound Lenin in his death throes, "The Sun" seems almost upbeat. This, after all, is a film about reconciliation. More inside.
posted by matteo
on Sep 13, 2005 -
"We were wrong, terribly wrong.
We owe it to future generations to explain why."
In The Fog of War
, a revelatory new documentary about his life and times, a disquieted Robert McNamara
implores us to understand why he did the things he did as an Air Force lieutenant colonel who helped plan
the firebombing of Japanese cities
in World War II
, and, later, as a secretary of defense and pivotal decision-maker during Vietnam
, which some Americans came to call "McNamara's War."
One of the movie's most powerful passages covers McNamara's little-known service in World War II, when he was attached to Gen. Curtis LeMay
's 21st Bomber Command stationed on the Pacific island of Guam. LeMay
's B-29s showered 67 Japanese cities with incendiary bombs in 1945, softening up the country for the two atomic blasts
to come. McNamara was a senior planning officer. Story by "Killing Fields"' Sydney Schanberg
in the American Prospect
posted by matteo
on Nov 12, 2003 -
War as a Way of Life
The latest Reggio/Glass collaboration - Naqoyqatsi - is coming out Oct. 18. From the looks of the trailer, this could be the coolest of the trilogy
. Of course, who could forget the scene from Koyaanisqatsi where Reggio jumps from scene of Twinkies rushing through production line to fast-forward scene of daily-grinders moving up escalators in subway station - priceless. Just more 70's grad-student dope-smoking backdrop -- or essential media for our age?
posted by minnesotaj
on Sep 26, 2002 -
"Leave no man behind"
is the tagline for the new Scott
battlepic, Blackhawk Down
In October of 1993, US Rangers and Delta Force personnel stationed outside of Mogadishu, Somalia, launched what should've been a 30 minute grab-and-go mission to capture higher-ups under the command of Mohammed Aidid
, a Somali warlord. Before it was all over, many hours later, 19 US servicemen and 1000+ Somalis were dead.
PBS has a decent writeup
on the Bakara Market ambush, but I still feel like I am missing something. Some sources
share the movie's claim that the US was there to support humanitarian relief efforts, that Aidid was preventing the distribution of food. Others
say we were there to protect American oil interests.
So what really happened on that day in October 1993? The movie opens on Friday, I saw it last night, and I am still exhausted. Admittedly, this film is far better than Pearl Harbor
(no contrived love-triangles are used as a framing device here), but for all the simulated shooting and on-screen heroism, it still seems hard to make out the truth through all of the Hollywood dust. So I guess I am wondering, can we prevent Hollywood's versions of history from replacing the truth (or even the truth-as-we-knew-it)? Should we even try? Is it even possible?
posted by grabbingsand
on Jan 16, 2002 -
"What is it really like to live in Jerusalem? PROMISES offers touching and fresh insight into the Middle East conflict when filmmakers Shaprio, Goldberg and Bolado travel to this complex and charged city to see what seven children — Palestinian and Israeli — think about war, peace and just growing up." airs tonite (check your local listings)
i've seen a few POV documentaries before and they were pretty good.
posted by kliuless
on Dec 13, 2001 -