11 posts tagged with film by chuckdarwin.
Displaying 1 through 11 of 11.
The Thirties in Colour is a four-part series using rare colour film and photographs to give poignant and surprising insights into the 1930s. [Previously] [more inside]
A Matter of Loaf and Death is the new BBC Christmas short from Nick Park and Aardman. In the mock murder mystery, Wallace and Gromit start a new bakery business, Top Bun. The short, Park's first since 1995, will introduce a new love interest for Wallace, Piella Bakewell, a bread enthusiast.
The Boy in the Striped Pyjamas: "You're never too young to learn about the idiocy of racism and the folly of prejudice." [more inside]
Between 1908 and 1931, French philanthropist Albert Kahn funded The Archive of the Planet. He sent out still photographers and motion picture cameramen who returned with 72,000 Autochrome colour plates, 4,000 steroscopic views, and 600,000 feet of film. BBC4's startling series allows us all to see Edwardians In Colour.
A film adaptation of Neil Gaiman's Hugo Award winning novella, Coraline will be out (in 3D) in early 2009. [Previously] [more inside]
17 Notorious Living, Working Cinematic Provocateurs. The Onion A/V Club strikes again.
The first known film of the long-eared jerboa, an endangered Mongolian rodent with legs like a kangaroo, was released today by the owners of London Zoo. Previously
Joel and Ethan Coen rarely disappoint. Their new film, No Country for Old Men (based on a novel by Cormac McCarthy), is no exception. See also: Cannes.
Paramount does Neil: Gaiman's book (illustrated by Charles Vess) is being made into a film called Stardust. You can watch the trailer or read the first chapter online. The film is directed by Matthew Vaughn, who doesn't exactly have a strong fantasy background. Cross your fingers, Gaimanites.
Top 40: The greatest foreign films of all time as chosen by Guardian readers (complete with snarky comments by the paper's resident film writers).
'In defense of film critics' posits that 'Film critics [unlike food critics, etc] are expected to be cheerleaders.' I guess we're not supposed to think it's odd that the piece was written by paper's resident film critic. He does ask at least one good question, though: why have so many truly awful [and poorly reviewed ] films done so well at the the box office this year?