is a short companion piece to Gravity
, written and directed by Gravity
co-writer Jonas Cuaron.
posted by brundlefly
on Nov 20, 2013 -
These movies offer not just a twist, but a twist atop a twist, and a joke atop the joke: the “superjoke,” as Billy Wilder called it. Those themes repeat: the lively, often-painful love triangle, the sexual and romantic jealousy, the thrill of sex, and in this case, the carnal kicks co-mingling with the art of stealing, an act more erotic than gold-digging. (Gold-fleecing is much more penetrating.) And then—important during one of the worst economic times in America’s history—there’s Lily and Gaston’s hard, artful work, something to respect.
Ernst Lubitsch’s charming pre-Code transgressions
posted by timshel
on Nov 19, 2013 -
In 2009, on the occasion of the 20th anniversary of the United Nations’ Convention on the Rights of the Child
, filmmaker Gilles Porte
between the ages of 3 and 6, who have yet learn to read or write, and from around the world, draw themselves, without adult intervention, on a pane of glass. The result of which is this gallery of 80 self-portraits
, that are in turn sweet, comical, and moving.
At the end of each movie, the character drawn is animated and comes to life.
(To play the movies, click on “voir” below each thumbnail image on the TV5 site.) [more inside]
posted by MelanieL
on Nov 11, 2013 -
"For a period of time, while we believe it to be perfectly still, lifeless flesh responds, stirs and contorts in a final macabre ballet. Are these spasms merely erratic motions or do they echo the chaotic twists and turns of a past life?" [NSFW, SLV, Via]
posted by homunculus
on Nov 3, 2013 -
"The film is like trance music in movie form
. It is liquid. Scenes flow in and out of each other. A scene will start and then the imagery will jump to another, sometimes from the past, other times from the future, while the audio from the initial scene continues to play through. Other times repetition is used as a narrative device, most prominently Alien’s southern, sizzurp-inflected drawl, rolling out in languid syllables, so that each is enjoyed to the fullest, reminiscent, although with his own depraved contemporary hip-hop spin, of Humbert Humbert’s delectation over the individuation of his young love’s name: Lo-li-ta,as it trips along the tongue, but for Alien, his long relaxed exhale of Sppprrrrrrriiiiiiinnnnnngggggg Brrrreeeeeeeeaaaaaak again and again, emanates more from the back of the throat, you might say the deep throat, and just to the side, to give it it’s arch southern twang. " James Franco (previously
) reviews Spring Breakers (previously
) starring James Franco.
posted by codacorolla
on Nov 2, 2013 -
Bras in Space: The Incredible True Story Behind Upcoming Film "Spacesuit"
When we think of the Apollo 11 moon landing, what do we think of? President Kennedy’s bold vision. Neil Armstrong and Buzz Aldrin’s heroism (unfortunately we rarely think about Command Module Pilot Michael Collins). Perhaps we even think of the incredible engineers, rocket scientists, astrophysicists and all the other geniuses at NASA who made it possible. Now we want you to think about your grandma’s bra. [more inside]
posted by Room 641-A
on Oct 29, 2013 -
Terry Gilliam fans are patiently waiting for the release of "The Zero Theorem"
, his first film in four years. In the meantime, let's go back thirty years ago to the moment that Gilliam really
found his footing as a director in between the filming of "Time Bandits" and "Brazil". It all concerns a bunch of elderly accountants... [more inside]
posted by AlonzoMosleyFBI
on Oct 26, 2013 -
"...What I have to say is very simple and very short: He's the greatest director I've had the good fortune, pleasure and honor to work with up to this point. It'd take too long to explain. He's wonderful. He knows more about cinema than anyone. He's the greatest director I know, the greatest cameraman, the best at framing and lighting, the best at everything. He's a living encyclopedia of cinema."
Le Samouraï: Jean-Pierre Melville's Work of Art
via the best film blog to ever exist, Cinephilia and Beyond
posted by timshel
on Oct 24, 2013 -
, one of the weirder videos on YouTube, is a short film about three restaurant employees—Sammy, Bill, and Finger—who hunt demons. Sort of like Invader Zim meets David Lynch's "sitcom" Rabbits
posted by Rory Marinich
on Oct 22, 2013 -
Opening Day of The Guggenheim Museum
, 3:34 of color film shot on October 21, 1959 in NYC.
“Buildings & Crowd” captures the their excitement as lines formed down Fifth Avenue. The end of the film highlights the inaugural exhibition within the rotunda. With works by Jean Arp, Constantin Brancusi, Marc Chagall, Stuart David, Max Ernst, Paul Klee, and Vasily Kandinsky.
posted by R. Mutt
on Oct 21, 2013 -
Character actor Ed Lauter has died
. In a career
that spanned over forty years, he was a familiar face on both television and film (and active until the end with appearances in "Trouble With The Curve" and "The Artist"). And with the greatest respect and affection, he also costarred in one the greatest bad films
of the eighties.
posted by AlonzoMosleyFBI
on Oct 17, 2013 -
Whether or not all cultural historians agree with the premise that Rom people came to Europe originally from India, or whether or not the portrayals of Rom musicians in the film are always *accurate* or *authentic* ones (some have indicated they're not, or are too heavily draped in over-stylized Exotica), there is surely no denying that the film is a treasure trove of fantastic musical performances. You've probably guessed by now that we're talking about Latcho Drom
, which you can see it in its entirety here
posted by flapjax at midnite
on Oct 15, 2013 -
and Emmanuel Lubezki
's 22 year collaboration continues to break new ground with the release of Gravity
. Whether you enjoy Gravity or not, you may want to take a moment and consider the lengths to which Cuarón and Lubezki went to make Gravity a fully immersed cinematic experience. [more inside]
posted by silsurf
on Oct 12, 2013 -
Media Studies professor Anne Helen Petersen writes about the dominant role of Netflix
in her students’ film and television consumption, and its effect on the lasting influence of works that are — or are not — available there:
Through this reliance on Netflix, I’ve seen a new television pantheon begin to take form: there’s what’s streaming on Netflix, and then there’s everything else… [more inside]
posted by mbrubeck
on Oct 7, 2013 -