"Every month, Netflix quietly clears its virtual shelves to prepare for the arrival of new offerings. There are roughly 80 movies expiring from Netflix Instant at the end of November. We've picked seven that we think you should make sure to watch before they’re no longer streaming – one for each night until Dec. 1." (Paste Magazine)
Why not just quit your job and spend all of your savings on a horror-themed road trip where you visit the real locations of some iconic scary movies. If that sounds like too much effort, well we've done a Google-based trip ourselves.
Here's what we found... [more inside]
Here's what we found... [more inside]
Halloween is almost here which to me means one thing: overanalyzing horror flicks for any feminist undertones! ... [N]o season has better metaphors for misogynistic fears and powerful female sexuality than the scary movies that permeate almost every channel and film festival throughout October.At Autostraddle, Nina suggests nine horror films she likes in the "Blossoming-Teenage-Girl-Becoming-A-Woman" sub-genre. She is far from alone in her search for interesting feminist themes in horror cinema and literature. [more inside]
Kichwateli (Kenya, 2011; 07:46), The Day They Came (Nigeria, 2013; 03:59), The Tale of How (South Africa, 2006; 04:28; previously), Alive in Joburg (South Africa, 2006; 06:22; previously), Umkhungo (South Africa, 2010; 30:34; trailer alt. link), Evolve (Egypt, 2014; 24:17), Mwansa the Great (Zambia, 2011; 23:11; two trailers as alt. links), and Pumzi (Kenya, 2009; 21:51): eight short works of SF/fantasy via The Skiffy and Fanty Show.
'Dance party USA teeny bopper' type of shit: Rex Manning, "Say No More, Mon Amour"
The movie was shot over nine weeks in Brooklyn, entirely on Stuyvesant Avenue between Quincy Street and Lexington Avenue.... [more inside]
"The Texas Chainsaw Massacre was the first real “slasher” film, and it changed many things—the ratings code of the Motion Picture Association of America, the national debate on violence, the Texas Film Commission, the horror genre—but it remained a curiously isolated phenomenon. The film itself, involving five young people on a twisted drive through the country, is a strange, shifting experience—early audiences were horrified; later audiences laughed; newcomers to the movie were inevitably stricken with a vaguely uneasy feeling, as though the movie might have actually been made by a maniac—but the story behind the film is even stranger." We begin with a couple of stolen barbecue chicken wings....
What is it that the global pseudo-left in particular objects to about Lincoln and so values in Django Unchained?The intellectually bankrupt defenders of Django Unchained and Zero Dark Thirty by David Walsh, longtime film critic for the World Socialist Web Site. [more inside]
This well-heeled social layer, conditioned by decades of academic anti-Marxism, identity politics and self-absorption, rejects the notion of progress, the appeal of reason, the ability to learn anything from history, the impact of ideas on the population, mass mobilizations and centralized force. It responds strongly to irrationality, mythologizing, the “carnivalesque,” petty bourgeois individualism, racialism, gender politics, vulgarity and social backwardness.
To such people, Lincoln is boring, staid and hagiographic, because it treats ideas and historical actors seriously and even admiringly. A film can hardly be degraded or “dark” enough today for these so-called radical commentators. The latter feel disdain for any expression of confidence in the best instincts and democratic sensibility of the American people, whom they view as always on the verge of forming a lynch mob.
Over a hundred years ago, a most impressive collection of early motion pictures was collected by the Swiss Jesuit abbot, Josef-Alexis Joye, who collected a trove of films as a way of educating children and adults. In total, he collected around 2,500 titles between 1902 or 1904 and 1915. The abbot's collection was not forgotten or lost after his death in 1919 -- it was stored and cataloged, though in danger of deteriorating by the 1940s. A few decades later, Italian film historian Davide Turconi, fearing that the films would be entirely through deterioration, decided to clip a few frames from each print and save something of the collection. Luckily, his fears were unfounded, and many the films were preserved in the 1970s by David Francis of the National Film and Television Archive of the British Film Institute, where approximately 1,200 of the nitrate prints still exist. [more inside]
Captain America: The Winter Soldier is racing towards another blockbuster weekend and another hit for the Marvel cinematic universe. With future films planned out as far as 2028, can any other studio succeed in grabbing at Marvel's crown? And as the stars chafe at their multi-film contracts and grow tired of fame, waht next for Kevin Feige, the man behind Marvel's success?
Tiny Worlds: a series of films about tiny machines in the city like a tiny bulldozer, a tiny logging truck, and a tiny submarine.
"Liquid Sky is one of the most visually ambitious films ever made about fashion, heroin, New Wave clubs, UFO saucers, ordering Chinese food and having them put it on your tab, the Empire State Building, androgyny, neon and tin foil. The 1982 cult classic may be the perfect embodiment of camp. " The Awl talks to the director of the film about his plans for a sequel.
Paramount has ceased releasing films on 35mm film and will go forward distributing movies exclusively in digital formats. The LA Times' sources said that Anchorman 2: The Legend Continues was the last Paramount movie with a celluloid release, and Wolf of Wall Street was the first major motion picture to be distributed entirely digitally.
"The rise in popularity of television is credited with inciting the move to the widescreen systems that flourished throughout the 50s, 60s, and 70s. This is only partially true. In the early 1950s, studios did begin to compose their movies so that the top and bottom of the picture could be chopped off and a wider screen would show the center of the old 1.37:1 frame. The aspect ratio used by the various studios varied from about 1.5:1 up to the common 1.85:1. But the real reason for the birth of a multitude of widescreen and large format systems was the 1952 opening of a movie made in a process that had its roots in a World War II aerial gunnery trainer. This Is Cinerama (modern YouTube trailer; Wikipedia) shook the industry to the core. The public and reviewers loved it. Its giant screen filled with three oversized 35mm images and an incredible new sound system called Stereophonic were a marvel to behold, and the studios immediately rushed to find something that could do what Cinerama did (Google books preview of the August 1952 issue of Popular Mechanics)." [more inside]
Steven Soderbergh shares his thoughts on his favourite James Bond film, ON HER MAJESTY'S SECRET SERVICE. [more inside]
The Dollar Baby (also sometimes referred to as the Dollar Deal) is a term coined by best-selling author Stephen King (Previously) in reference to a select group of students and aspiring filmmakers or theatre producers whom he has granted permission to adapt one of his short stories for only $1. [more inside]
Movies in movies: A montage (SLYT).
Chicago Sun-Times editor Robert Elder asked 35 film directors to name the movies they most admire that have been panned, forgotten or ignored. Some nuggets from the TOC: Todd Solondz is sweet on The Honeymoon Killers, Peter Bogdanovich finds Trouble in Paradise and Danny Boyle shouts Eureka.
Do you turn off Old Yeller before the end so you can pretend that he lived a long and happy life? Did a cute pet on a movie poster make you think it would be a fun comedy but it turned out to be a pet-with-a-terminal-illness tearjerker instead? Are you unable to enjoy the human body count in a horror movie because you're wondering whether the dog's going to kick the bucket? Have you ever Googled "Does the [dog/cat/horse/Klingon targ] die in [movie title]?" If you answered "yes" to any of these questions, then welcome - DoestheDogDie.com is here for you! [more inside]
Former Great Leader of North Korea, Kim Jong Il was a noted cinephile with a personal video library of over 20,000 movies. In 1970, he said "The motion picture industry, when dealing with the socialist reality, has not yet reached the standard set by our Party." To help it reach the standard, the Dear Leader wrote a treatise On the Art of the Cinema (PDF), took an interest in minute details of film production (as recounted by film stars), revamped the Taedongmun Cinema House, and kidnapped a director (previously 1, 2.) But did this lead to better movies?.... [more inside]
The same kind of numbers analysis that has reshaped areas like politics and online marketing is increasingly being used by the entertainment industry. "A chain-smoking former statistics professor named Vinny Bruzzese – "the reigning mad scientist of Hollywood", in the words of one studio customer – has started to aggressively pitch a service he calls "script new evaluation". For as much as $US20,000 per script, Bruzzese and a team of analysts compare the story structure and genre of a draft script with those of released movies, looking for clues to box-office success." His research has lead to conclusions like "If it's a targeting demon, you are likely to have much higher opening-weekend sales than if it's summoned. So get rid of that ouija board scene." and "Bowling scenes tend to pop up in films that fizzle"
The various Star Wars movies have been translated into at least 39 languages (as also seen here in a set of 16 international logos for Attack of the Clones), but the Navajo Nation is set to be the first Native American tribe to officially dub the original Star Wars film. [more inside]
@UnfinishedS is a Twitter feed in which comedian Gavin Speiller posts the first pages of his unfinished screenplays, covering genres such as science fiction, family dramas, mysteries, financial dramas, mob movies, alien invasion films, heist pictures, spy thrillers, biopics, and everything in between.
Bug Art - Steven Kutcher creates paintings using bugs as living brushes. He's probably more noted as the working entomologist on a number of Hollywood films, including Arachnophobia. Bonus: Steven's E-Z Bug Collector Method (via FLUXO)
"Oh, Anne! With your small head and pert nose and oversized, ready smile and glossy pixie cut and squeakily tuneful speaking voice, uttering lines like “It came true!” as you gaze at your newly won Oscar with moistened doe-eyes, wearing a powder-pink Prada gown adorned with diamonds and bows: Why are you so annoying?"
Without visual effects the average blockbuster movie would look like this. However as Hollywood comes under financial pressure they are putting the squeeze on the VFX industry that they rely on, who are in turn passing the pressure onto workers. Now VFX workers are organizing a protest in time for the Oscars, which will be celebrating visual effects as the companies responsible for them close down. [more inside]
From The Weyland-Yutani Archives:
During Alien's pre-production, Ridley Scott drew up a story board presentation of Alien for 20th Century Fox. These storyboards are known as 'Ridleygrams'. This story board presentation contains scenes and FX shots that were later re-written or dropped due to budgetary reasons.[more inside]
The Nigerian film industry known as Nollywood started humbly about 20 years ago. Nollywood movies were shot as cheaply and as quickly as possible, then released straight to VHS. The majority of Nollywood films are still sold offline, in outdoor markets from wheelbarrows or by the roadside from street vendors. In the early 2000s, Nollywood distribution shifted from VHS to discs — and now, the movies are also beginning to stream online. iROKO, one of the first companies to take Nigerian films online, is carefully tracking the viewing patterns of its growing audience. While Nigerian internet access is often subpar, streaming services are catering to the international diaspora. iROKOtv is a hub for streaming movies, with plenty of free movies alongside movies available as part of monthly membership. Their website grew out of their YouTube channel, which had over 400 movies online in 2011, though recently they are mainly posting trailers. If you're not sure which movies to see, Nollywood Forever has plenty of reviews, and Nollywood.com has a ton of African movie trailers.
The Snipist - a post-apocalyptic nightmare set in a post-rabies Britain (warning: absolutely bleak). A Gun For George - a short film about crime-writer Terry Finch, author of the 70s Kentish fiction masterpieces The Reprisalizer. [more inside]
RIP Michael Winner, director of the Death Wish series among others, restaurant critic, Esure advert star (remix) and clean underpants wearer.
Links to 30 Screenplays from films released in 2012, including Django Unchained, The Master, Looper, Lincoln, Amour...
Here Is What Happens When You Cast Lindsay Lohan in Your Movie. The movie in question is The Canyons, the Kickstarter-funded erotic thriller written by Bret Easton Ellis and directed by Paul Schrader. There's no release date yet, but the film does have several retro-themed trailers.
Michael Caine is frank about his experiences on the set of The Muppet Christmas Carol. [more inside]
Turns out many of Ridley Scott's Prometheus' flaws were the result of shoddy editing and mismatching elements from essentially two different scripts.
"...the first decade of the 21st century can be viewed as a singularly male-dominated era in American cinema."
New York Times Magazine "Hollywood Issue": Hollywood’s Year of Heroine Worship. Accompanied by an online web series of 13 original, short films: Wide Awake, each starring an actress whose performance helped 'define the year in film.' [more inside]
"Voice over of Mickey Rourke rambling platitudes over images of soldiers and/or rare birds at magic hour may be out there somewhere."
Every Thursday, Film School Rejects posts things "learned from the commentary tracks of an iconic movie": Commentary Commentary [more inside]
After 65 Years The Hollywood Reporter addresses its role in the hollywood blacklist, including an apology from W.R. Wilkerson III, son of THR founder Billy Wilkerson whose "A Vote For Joe Stalin" editorial named writers such as Dalton Trumbo, Lester Cole, Howard Koch and John Howard Lawson as communist sympathisers.