"Oh, Anne! With your small head and pert nose and oversized, ready smile and glossy pixie cut and squeakily tuneful speaking voice, uttering lines like “It came true!” as you gaze at your newly won Oscar with moistened doe-eyes, wearing a powder-pink Prada gown adorned with diamonds and bows: Why are you so annoying?"
"...the first decade of the 21st century can be viewed as a singularly male-dominated era in American cinema."
New York Times Magazine "Hollywood Issue": Hollywood’s Year of Heroine Worship. Accompanied by an online web series of 13 original, short films: Wide Awake, each starring an actress whose performance helped 'define the year in film.' [more inside]
After 65 Years The Hollywood Reporter addresses its role in the hollywood blacklist, including an apology from W.R. Wilkerson III, son of THR founder Billy Wilkerson whose "A Vote For Joe Stalin" editorial named writers such as Dalton Trumbo, Lester Cole, Howard Koch and John Howard Lawson as communist sympathisers.
James McBride talks about The Help, Hattie McDaniel, why black women are still winning awards for playing maids, how black culture is appropriated and represented, and whether marginalized groups in America all serve the purpose of "cultural maids". [more inside]
Are small theaters punching a ticket to oblivion? Radical changes in the traditional structure of the lab processing and exhibition sides of the film industry have been filling the lives of small theater operators with uncertainty and worry for the last few years. Will filmstock be the next Kodachrome? (And what will that mean for the future of film preservation?) [more inside]
The Miscreants of Taliwood is probably one of the best documentaries I have ever seen. And it defies all types of film making (in a good way). The subject? The Talibanization of a certain part of Pakistan and the assault on art, entertainment, and humanity. But it’s not quite a documentary. It is a surreal trip through the fiction and the nonfiction of Peshawar, NWFP and FATA. It is fake, it is real, it is unbelievable. Basically, it is Pakistan. [more inside]
It's been estimated that the average UK adult is now registered on more than 700 databases and is caught many times each day by nearly five million CCTV cameras. So how hard would it be for an average citizen to disappear completely? That’s the subject of a new documentary film: Erasing David, (Trailer: YouTube, Vimeo) which premieres this evening in the UK on More4. It's also now available worldwide online at the iTunes store and through several Video On Demand services, as well as through Good Screenings. [more inside]
The common desk. [huge quicktime movie]
French politicians polish cultural credentials. France's presidential hopefuls have begun pledging to defend the country's cherished culture, hoping to drum up support from artists worried that American films and music will steamroll finer French productions. This rhetoric makes it sound like American films are picking up guns to massacre poor defenseless French culture. Maybe American films are so successful because they give people something that the "finer French productions" don't, and if so, then is that such a horrible thing? After all, we are just giving the people what they want, right? And if that takes money away from more artsy productions, then whose fault is that anyway?