Today is the 100th birthday of Raymond Nicholas Kienzle, better known as Nicholas Ray. The seminal Hollywood-outcast-turned-French-New-Wave idol behind Rebel Without a Cause, Bigger Than Life, Bitter Victory and the hallucinatory Western Johnny Guitar made intensely emotional films about isolated people, often infused with profound desperation and a sense of the nightmarish. Francois Truffaut dubbed him "the poet of nightfall," while Jean-Luc Godard simply declared that "the cinema is Nicholas Ray." He studied architecture under Frank Lloyd Wright, mentored Jim Jarmusch and let Wim Wenders film him as he was dying of cancer. Bob Dylan even wrote a hit song about one of his movies. [more inside]
For Roger Ebert, it's a prayer that made him "more alert to the awe of existence." For Rober Koehler, it's a kitschy New Age con. For Richard Brody, it perfectly captures the essence of a generation by depicting a character thinking "back to the musings and fantasies of childhood, which are the product of a wondrous and fantastic view of science formed by popular-science books for children and by the commercial artists whose illustrations adorned them." For Stephanie Zacharek, it's "a gargantuan work of pretension." For Ignatiy Vishnevetsky, it's "a creation myth in the guise of a crypto-autobiography" that invents a universe of its own only to destroy it. For J. Hoberman, it's lifeless and dull, "essentially a religious work and, as such, may please the director's devotees, cultists, and apologists." It spent thirty years in development, three in editing and, yes, it contains dinosaurs. The Tree of Life, written and directed by famously reclusive Zoolander fan and "JD Salinger of American movies" Terrence Malick , won the Palme d'Or at this year's Cannes Film Festival. Tomorrow, it comes out in the United States. [more inside]
It is acceptable, but rarely, to join in a general audience uproar, as at the first Cannes press screening of "The Brown Bunny." Even then, no cupping your hand under your armpit and producing fart noises. Roger Ebert's little rule book.
Roger Ebert salutes Buster Keaton in an article in which he says the Great Stone Face is "the greatest actor-director in the history of the movies." High praise indeed! Any other Keaton fans out there? (This is from the Chicago Sun-times--I don't believe registration is required.) And if you want to see Buster smiling--sort of--here's a picture of him with one-time movie partner Fatty Arbuckle.
The Godfather Mystery Goof is now solved. Thanks to Roger Ebert, Francis Ford Coopola, and Mike Spearns from Newfoundland.