Join 3,558 readers in helping fund MetaFilter (Hide)

19 posts tagged with folk and Dylan. (View popular tags)
Displaying 1 through 19 of 19. Subscribe:

but I'll dream of pretty Saro wherever I go...

Bob Dylan ran through the 18th century English folk song "Pretty Saro" six consecutive times during the Self Portrait sessions in March 1970, but none of those versions made the final cut for the album and the song remained in Columbia's vault for the past 43 years, until now. Bob Dylan's Lost 1970 Gem 'Pretty Saro' - Premiere
posted by flapjax at midnite on Aug 7, 2013 - 14 comments

Farewell Angelina by Joan Baez, Bob Dylan and Nana Mouskouri, among others

Audio only, Newport 1966: Joan Baez - Farewell Angelina
Recorded Jan. 13, 1965, released 1991: Bob Dylan - Farewell Angelina
B/W Video 1966 Joan Baez - Farewell Angelina
Tablature and lyrics following those of the Dylan recording: dylanchords: Farewell Angelina
French TV 1967: Nana Mouskouri - Adieu Angélina
Bratislava 1989, avant de la Révolution de velours: Joan Baez - Farewell Angelina
From the 90s, or so I believe: Nickle Creek - Farewell Angelina
June 19, 2010 at Kidzstock: Joan Baez and Jasmine Harris - Farewell Angelina [more inside]
posted by y2karl on Dec 7, 2012 - 33 comments

He Said, She Said, Starring Bob Dylan and a $1 Million Guitar.

Bob Dylan famously "went electric" at the Newport Folk Festival in 1965. 47 years later, experts believe a woman in New Jersey has the guitar the Dylan played on stage that day. [more inside]
posted by COD on Jul 13, 2012 - 46 comments

Dylanology

How to listen to Bob Dylan, a guide. [more inside]
posted by gman on Jul 14, 2010 - 171 comments

The Revolution Will Now Be Available in PDF

"Broadside was a small underground magazine smuggled out of a New York City housing project in a baby carriage, filled with new songs by artists who were too creative for the folkies and too radical for the establishment." The entire back catalog of this influential magazine - which helped set the visual standard for underground zines until desktop publishing - is now avalable online, in PDF.
posted by Miko on Apr 2, 2010 - 9 comments

Hey, Mr. Tambourine Man!... Say "Cheese!"

Dr. John Rudoff is a cardiologist in Oregon, but before he entered medical school, he was the staff photographer at The Main Point, a coffeehouse in Bryn Mawr, PA associated with the early 1960s folk revival in the Philadelphia area. His photographs of the Philadelphia folk scene include unidentified local folkies, but also touring folk singers such as Dave van Ronk and John Hammond. Eventually, Rudoff got a press pass to the 1965 Newport Folk Festival, where he took photos of Mary Travers sharing a moment with Mimi and Dick Fariña and Joan Baez with a pre-psychedelicized Chambers Brothers, but the most amazing discovery of all are the photos of when Bob Dylan "went electric." And now you can see Rudoff's whole collection, thanks to the magic of Flickr.
posted by jonp72 on May 7, 2009 - 13 comments

Figuring out harmonies mathematically is like reading the mind of God.

The occasionally updated The Celestial Monochord claims to be the "Journal of the Institute for Astrophysics and the Hillbilly Blues" [more inside]
posted by 1f2frfbf on Jan 23, 2009 - 5 comments

The young Dylan on TV

Back in 1963, a TV special called "Folk Songs and More Folk Songs" aired, which featured a cross section of the "folk" artists who were at that time just beginning to receive wider media exposure. Aside from the squeaky-clean, white bread embarrassment of groups like The Brothers Four, the show redeemed itself with performances by a very young Bob Dylan, who sang The Ballad of Hollis Brown (with banjo and bass accompaniment) and Man of Constant Sorrow. And here's two more very early Dylan TV appearances, from Canada, 1964: A Hard Rain's a-Gonna Fall and Girl From the North Country. Here's the same Girl From the North Country performed years later, once again on broadcast TV, in duet with Johnny Cash, from the Johnny Cash Show. [more inside]
posted by flapjax at midnite on Oct 4, 2008 - 23 comments

The People's Singer

"If Communists liked what we did, that was their good luck," said Lee Hays, founding member of the Almanac Singers. A fascinating portrait of one of the linchpins of the politically engaged folk movement of the '40s and '50s. Hays sang beside the more celebrated (and, on one important day in Bob Dylan history, infamous) Pete Seeger on such classic Almanac albums as Talking Union. [Listen here.]
posted by digaman on Feb 18, 2008 - 9 comments

'Mystic Nights - The Making of Blonde On Blonde In Nashville' by Sean Wilentz

... After take seventeen, Dylan heeds the producer Johnston’s advice to start with a harmonica swoop. Crescendos off of an extended fifth chord, led by Paul Griffin’s astonishingpiano swells (“half Gershwin, half gospel, all heart” an astute critic later wrote), climax in choruses dominated by piano, organ, and Bobby Gregg’s drum rolls; Robbie Robertson’s guitar hits its full strength at the finale. Intimations of the thin, wild mercury sound underpin rock & roll symphonics. Johnston delivers a pep talk before one last take—“keep that soul feel”—and Gregg snaps a quick click opener, and fewer than five minutes later, the keeper is in the can.
Mystic Nights - The Making of Blonde On Blonde In Nashville
An account of how the many strands of that thin, that wild mercury sound were woven. And the annotation goes on. Via email via St Urbain's Horseman
posted by y2karl on Sep 28, 2007 - 36 comments

Watching Watchtower

Aside from the usual crap, YouTube has a great selection of one the most covered song of all time: All Along the Watchtower. Classics like Hendrix (live and studio), Neil Young (at DailyMotion with better sound) and U2--and some great contemporary versions like Keziah Jones' blazingly-fast version, Bradley Fish's 12-instrument (including Chinese Zither) version, Michael Hedges’ reason-to-be-excited cover, and even a quite good version of DMB's much-maligned cover. What doesn't really rank: Dylan's original.
posted by FeldBum on Jul 2, 2007 - 43 comments

In a city renowned for phoney affection and rabid ambition, he exudes only diffidence, humour and generosity.

"If you had Bruce playing with you," Dylan wrote, in his 2004 autobiography, Chronicles, "that's all you would need to do just about anything."
Bruce Langhorne has quite the discography. And a hot sauce, to boot. And he's led quite the life. Here is Richie Unterberger's interview with Langhorne in Parts One and Two. And here he talks with Unterberger about working with Mimi and Richard Fariña.

On a personal note, I will add that his hot sauce is hot indeed. Will buy it again.
posted by y2karl on Apr 13, 2007 - 6 comments

The Minstrel Show 2.2 - On "Love and Theft" and the Minstrel Boy

On "Love and Theft" & On On "Love and Theft" and the Minstrel Boy & The Annotated Love And Theft...    In melody, Bye and Bye comes by way of Billie Holiday's Having Myself A Time and Floater by way of Bing Crosby's (& Eddie Duchin's & Kate Smith's & Isham Jones's...) Snuggled On Your Shoulder--and lyrically, by way, in part, of Junichi Saga's Confessions Of A Yakuza, which was not a crime novel, as StupidSexyFlanders once surmised, but an outright As told to memoir, which makes it four or five degrees from Yakuza to Dr. Saga to translator to Dylan to Plagiarism in Dylan, or a Cultural Collage?

Oh, who's going to throw that minstrel boy a coin ?
posted by y2karl on Apr 14, 2005 - 18 comments

A review of Bob Dylan in his own and other people's words

Be careful what you wish for, the cliché goes. Having aspired from early youth to become stars, people who achieve that status suddenly find themselves imprisoned, unable to walk down the street without being importuned by strangers. The higher their name floats, the greater the levy imposed, the less of ordinary life they can enjoy. In his memoir, Bob Dylan never precisely articulates the ambition that brought him to New York City from northern Minnesota in 1961, maybe because it felt improbable even to him at the time. Nominally, he was angling for Leading Young Folksinger, which was a plausible goal then, when every college town had three or four coffeehouses and each one had its Hootenanny night, and when performers who wowed the crowds on that circuit went on to make records that sometimes sold in the thousands. But from the beginning Dylan had his sights set much higher: the world, glory, eternity—ambitions laughably incommensurate with the modest confines of American folk music. He got his wish, in spades... 'I Is Someone Else'
posted by y2karl on Feb 19, 2005 - 34 comments

Dylan on Dylan, ad. infi.

"It was surprising how thick the smoke had become. It seems like the world has always needed a scapegoat --someone to lead the charge against the Roman Empire. But America wasn't the Roman Empire and someone else would have to step up and volunteer. I really was never any more than what I was -- a folk musician who gazed into the gray mist with tear-blinded eyes and made up songs that floated in a luminous haze. Now it had blown up in my face and was hanging over me." -- from Bob Dylan's new autobiography, Chronicles, with a brief interview, via Newsweek
posted by digaman on Sep 26, 2004 - 14 comments

Casey Jones, Stagolee, Frankie and Johnny - Murder and Death Ballad Back Stories

My Back Pages--Interesting in his own right Eyolf Østrem still maintains the fan's fan tab, chords and music site, the standard by which all others are judged. I just revisited it the other night, while trying to recall how that little run in Dylan's version of Delia went, and dang, if it didn't have the back story of that ballad. I love this kind of stuff. The source of that account, John Garst, is the folklorist king of such research--he puts John Henry at a railroad tunnel near Leeds, Alabama, just east of Birmingham on September 20, 1887, for example. Murder and heroic death ballad back stories are of extreme interest to me, so I decided to post a few more here: Frankie and Albert, Frankie and Johnny, Casey Jones and Stagger Lee. Did I say I love this kind of stuff?
posted by y2karl on Sep 23, 2004 - 10 comments

The Annotated Blonde On Blonde

The closest I ever got to the sound I hear in my mind was on individual bands in the 'Blonde on Blonde' album. It's that thin, that wild mercury sound. It's metallic and bright gold, with whatever that conjures up.

Bob Dylan 1978

Blonde On Blonde--Seven mixes, four or five covers, four or five women, some missing photographs and one leather coat... (story within)
posted by y2karl on Nov 19, 2003 - 26 comments

Bob Dylan Live at Newport, 1965: Maggie’s Farm.

Bob Dylan Live at Newport, 1965: Maggie’s Farm. 10 MB Quicktime mp3 A notorious and historic moment, that began a legendary year of touring , stolen moments of which are available in several sometimes bootlegged formats .Sometimes, perhaps revised , stories differ at what happened, and, now, post-ironically enough, He appears at Newport again this Saturday.
posted by y2karl on Aug 2, 2002 - 35 comments

Harry Smith and The Anthology of American Folk Music

American Magus
Without Harry Smith I wouldn’t have existed!
Bob Dylan
… I put Harry Smith with the three most dear to me GRAND INTELLIGENCE!! Allen Ginsberg, William Burroughs, Harry Smith…These were sharp motherfuckers… and heavy… talk about heavy!!
Gregory Corso
Harry Smith, a central figure in the mid-20th-century avant-garde, was a complex artistic figure who made major contributions to the fields of sound recording, independent filmmaking, the visual arts, and ethnographic collecting. Along with Kenneth Anger, Jordan Belson, and Oskar Fischinger, Smith is considered one of America’s leading experimental filmmakers. He would often hand-paint directly on film creating unique, complex compositions that have been interpreted as investigations of conscious and unconscious mental processes. Smith began as a teenager to record Native American songs and rituals. He is best known for his Anthology of American Folk Music, a music collection widely credited with launching the urban folk revival.
The Anthology is the focus here, but Harry Smith, the artist, avant garde film maker, polymath, musicologist and quintessential hipster must be mentioned, too. Details Within
posted by y2karl on Jul 10, 2002 - 32 comments

Page: 1