35 posts tagged with folk and blues. (View popular tags)
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Chanteur puissant à la voix rocailleuse. And here is bluestab's blog And here, via Babelfish is bluestab's blog in an English of sorts. Then, while, looking for mp3s to match the tabs, I came across the universe of African American history and culture that is AfricanAfrican aka NegroArtist.com, a site so big it has two URLs. [Billy Mays] But, wait--that's not all! [/Billy Mays] [more inside]
posted by y2karl
on Oct 23, 2009 -
12 comments
...The narrative of the blues got hijacked by rock ’n’ roll, which rode a wave of youth consumers to global domination. Back behind the split, there was something else: a deeper, riper source. Many people who have written about this body of music have noticed it. Robert Palmer called it Deep Blues. We’re talking about strains within strains, sure, but listen to something like Ishman Bracey’s ''Woman Woman Blues,'' his tattered yet somehow impeccable falsetto when he sings, ''She got coal-black curly hair.'' Songs like that were not made for dancing. Not even for singing along. They were made for listening. For grown-ups. They were chamber compositions. Listen to Blind Willie Johnson’s "Dark Was the Night, Cold Was the Ground.'' It has no words. It’s hummed by a blind preacher incapable of playing an impure note on the guitar. We have to go against our training here and suspend anthropological thinking; it doesn’t serve at these strata. The noble ambition not to be the kind of people who unwittingly fetishize and exoticize black or poor-white folk poverty has allowed us to remain the kind of people who don’t stop to wonder whether the serious treatment of certain folk forms as essentially high- or higher-art forms might have originated with the folk themselves.From Unknown Bards: The blues becomes apparent to itself by one John Jeremiah Sullivan. I came across it while browsing Heavy Rotation: Twenty Writers On The Albums That Changed Their Lives. For Sullivan, that album was American Primitive, Vol. II: Pre-War Revenants (1897 - 1939), which is my favorite CD of the year. Which came out in 2005 while I just got around to buying it this year. Foolish me. It is a piece of art in itself in every respect--all CDs should have such production values. [more inside]
Kentucky folksinger Paul K. has released his entire catalog online under a Creative Commons Attribution 3.0 license. [more inside]
posted by ford and the prefects
on Jul 9, 2009 -
11 comments
"With this blog, I want to use the Folkways Anthology as a roadmap to explore American folk music and maybe other countries traditions along the way. I’ll use texts, images, music and videos gathered from my personal collection and from the net to make this work-in-progress enjoyable and educational the best I can." (via)
posted by 1f2frfbf
on Mar 12, 2009 -
17 comments
Desperate Man Blues Edward Gillen's documentary about Joe Bussard, renowned collector of 25,000+ blues, folk and gospel 78rpm records from the 20s and 30s. It's about the hunt and the hunter, as much as what he found. One week only on Pitchfork TV [more inside]
posted by msalt
on Jan 31, 2009 -
15 comments
The occasionally updated The Celestial Monochord claims to be the "Journal of the Institute for Astrophysics and the Hillbilly Blues" [more inside]
posted by 1f2frfbf
on Jan 23, 2009 -
5 comments
So, about 9 months ago I started working on this compilation... Until yesterday, however, I hadn't seen a tracklist from the mysterious 10-cd set called the VrootzBox, so this is not a derivative work, however similar it may be...I should mention that not all of these songs are songs that he covered or copped licks from. Most of the music he has made mention to, though a few of the songs were recorded after his formative years and one or two he never would have heard. But they are presented to give an illustration of the styles he drew from (such as gamelan, which he grew up playing in his neighbor's back yard).Wrath of the Grapevine: The Roots of John Fahey
Sounds of America is a new monthly streaming audio program, a collaboration between the National Museum of American History and Smithsonian Global Sound. Up now are 3 episodes: African-American music in New Orleans, Women in American Music, and Freedom Songs of the U.S. Civil Rights Movement.
posted by Miko
on Apr 2, 2008 -
12 comments
And here we have a couple of YouTube productions, screensaverish animations of photos and lyrics to the original recordings: Robert Petway - Catfish Blues and Tommy McClennan - It's Hard To Be Lonesome. This is mostly about Petway and Catfish Blues but you can't mention Petway without mentioning McClennan, as they ran together in their time and as both did versions of Catfish, a song canonical in Delta Blues, recorded and performed by nearly everyone--Muddy Waters - Rolling Stone, for example. Petway just happens to be the first person to record Catfish, and quite possibly the person who wrote it and certainly. to my mind, at least, the person who nailed it... in the uptempo version at the very least. [more inside]
posted by y2karl
on Feb 28, 2008 -
8 comments
In 1900 they were everywhere. Singing on street corners, in front of circus entrances, or just moving down the dusty roads of the South, playing anywhere a crowd might be cajoled into donating a dime to the cause. To survive they played any request--ballads, popular tunes, white hillbilly music, hymns, and the newly emerged blues. Songsters were the first folk musicians to be "professional" ...Most songsters faded into the past. A few waxed recordings, leaving a tempting glance into their world--and many questions. Such is the case with Richard "Rabbit" Brown, one of the most celebrated songsters and the only one from New Orleans to record.Times ain't Like They Used To Be: Richard "Rabbit" Brown, New Orleans Songster--so, James Alley Blues is the song most everyone names as Brown's greatest and, now, you can play it online here. [more inside]
Not exactly breaking news, but still:
The Late Allen Ginsberg and Beck in Conversation
Related YouTuber: Beck on the late Allen Ginsberg
To complete the circle: Jackass by the South Austin Jug Band.
posted by y2karl
on Feb 5, 2008 -
26 comments
In more or less chonological appearance, here are examples of one of our very own still extant national musical treasures:
Ramblin' Jack Elliott - Talking Merchant Marine
Ramblin' Jack Elliott - San Francisco Bay Blues
Ramblin' Jack Elliott - Salt Pork West Virginia
And here, from SXSW 2006, is Ramblin' Jack Elliott & Billy Bragg - The Ballad of Pretty Boy Floyd
Also from SXSW 2006, Jack Elliott & Marty Stuart - Engine 143
From last year, here is Ramblin' Jack Elliott - Old Shep
and Ramblin' Jack Elliott - South Coast
And from last week's Bill Graham's Birthday Bash, here is
Phil Lesh, Jackie Greene & Ramblin' Jack Elliott - Friend of The Devil [more inside]
posted by y2karl
on Jan 20, 2008 -
8 comments
Hill Billie Blues by Uncle Dave Macon and his Fruit Jar Drinkers is under 1924 at Honking Duck. You could search that by title as well. Or you can look up by Artist as in Al Hopkins & His Buckle Busters.
Need I mention all are in RealAudio ? Hate Realplayer ? Well, as noted before, fight the power and use Real Alternative aka Media Player Classic instead. It's not exactly my favorite style of interface but they certainly do afford a large selection.
posted by y2karl
on Nov 5, 2007 -
6 comments
Viola Lee Blues by Cannon's Jug Stompers
The House Carpenter - Clarence Ashley
Old Dan Tucker - Judge Sturdy's Orchestra
Minglewood Blues - Cannon's Jug Stompers
Coo Coo Bird - Clarence Ashley
Sally Gooden - Eck Robertson on fiddle
The Worried Blues - Samantha Bumgarner
Dark Holler - Clarence Ashley
Cocaine Habit Blues - The Memphis Jug Band
All are from Folktunes.org, a list of annotated links to mp3s at the Internet Archive with lyrics and history on each page. It's like a functional annotated academic SomeOfTheCoolest78sAttheInternetArchiveFilter .
posted by y2karl
on Oct 22, 2007 -
14 comments
John Fahey - Fare Forward Voyagers
John Fahey - Dance Of The Inhabitants Of The Palace Of King Phillip XIV
Clips from a 2 hour performance at
the Euphoria Tavern in Portland, Oregon from 1976. Among the cognoscenti at FaheyGuitarPlayers, the consensus is that these clips display Fahey in rare form on a very good night.
Apart from Fahey, Bohemia Visual Music aka Mike Nastra, the contributor of these clips, provides an interesting assortment of way too hip YouTubery offerings including, among others, Spike Jones, Dimandas Galas, Gene Krupa, Tuxedo Moon, Sun Ra, Pere Ubu and the Holy Modal Rounders.
posted by y2karl
on Oct 16, 2007 -
9 comments
This might lead you to learn to play guitar, to write poems, to sing, or just to watch and listen more intently. Kelly joe Phelps, from washington state, is one of the most beautiful musicians I've ever seen. He's got a great way to play traditionals and his originals are mesmerizing.
posted by nicolin
on Sep 11, 2007 -
11 comments
Here is Uncle John Scruggs singing and playing Little Log Cabin Round the Lane in RealAudio Dial Up and DSL format. The dancing is great and I do like the walk-on kitten part, myself.
That's from the Center For Southern African-American Music Video Link Page. Their audio link page is a wonder, too with individual artists galore. But, for the real deal, check out the Various Artist compilation album pages. Those may be 20 second of so mp3 clips but, still, those Yazoo, Document and Folkways albums are the bomb and there you get a taste of what they offer. And anywhere you can hear, for example, even a few bars of Blind Alfred Reed's How Can A Poor Man Stand Such Times And Live ? or Estil C. Ball and Lacey Richardson's Trials, Troubles, Tribulations rules in my world.
posted by y2karl
on Jun 29, 2007 -
9 comments
While some people like their Kottkes all modern & full of links, I'll take mine old skool. Ladies & gentlemen, the greatest 12 string slide guitarist that ever lived.
posted by jonson
on Jun 28, 2007 -
47 comments
Karen Dalton - It Hurts Me, Too
Tim Buckley - Sally Go 'Round The Roses
Tim Hardin - If I Were A Carpenter
See also
The Other Side Of Greenwich Village 60's Folk Scene - Part 1
and Part 2
more within
posted by y2karl
on May 4, 2007 -
47 comments
“We consider the 'primitive' music of blues singers such as Leadbelly to be more authentic than that of the Monkees. But all pop musicians are fakes . . . Hugh Barker and Yuval Taylor . . . have turned out their personal record collections to produce a persuasive defence of inauthenticity as the defining characteristic of great popular music[.]” (via)
posted by jason's_planet
on Apr 20, 2007 -
144 comments
Here is a video of one falsetto singer:
Skip James - Devil Got My Woman
More music by and information about Skip James, a Romanian gypsy named Doma Dumitru Siminica, leo ki'eki'e singers
Richard & Solomon Ho'opi'i and other Legends of Falsetto within...
posted by y2karl
on Dec 14, 2006 -
29 comments
John Fahey in concert: Beverly (aka Indian Pacific Railroad Blues) Poor Boy (Which is a variation on Booker White's Poor Boy Long Way from Home)
posted by y2karl
on Oct 22, 2006 -
19 comments
Folkstreams.net has two goals. One is to build a national preserve of hard-to-find documentary films about American folk or roots cultures. The other is to give them renewed life by streaming them on the internet. The films were produced by independent filmmakers in a golden age that began in the 1960s and was made possible by the development first of portable cameras and then capacity for synch sound. Their films focus on the culture, struggles, and arts of unnoticed Americans from many different regions and communities. The filmmakers were driven more by sheer engagement with the people and their traditions than by commercial hopes. Their films have unusual subjects, odd lengths, and talkers who do not speak "broadcast English." Although they won prizes at film festivals, were used in college classes, and occasionally were shown on PBS, they found few outlets in venues like theaters, video shops or commercial television. But they have permanent value...folkstreams.net Currently streaming are the films The Land Where the Blues Began , Cajun Country , Jazz Parades: Feet Don't Fail Me Now , Talking Feet: Solo Southern Dance: Buck, Flatfoot and Tap , Ray Lum: Mule Trader and Pizza Pizza Daddy-O , among many others.
Here is the Mississippi John Hurt Blues Foundation, the website, which is the creation of one Frank Delaney of Spokane. There's a great deal of guitar related material and a page of mp3's by fans, which includes several interesting originals by one Fred Bolden, a grand nephew. I always knew he had a son who played guitar and wondered why no one had ever tried to record him. Now there is a grand nephew playing, if nowhere near as sublimely as his great uncle, in roughly the same style.
Here is an interview of John Hurt from 1963, courtesy of Stefan Grossman's guitar video empire. It is a real delight.
Consider this a follow up to this post. Not all of the links there are good. The Mississippi John Hurt Guitar Tab Book, for instance, is now available only in PDF format but well worth the download. And here is an illustrated discography of John Hurt by another Stefan, Stefan Wirz, a subject of yet another post back in the day.
posted by y2karl
on Oct 4, 2006 -
19 comments
Etta Baker 1913-2006
posted by y2karl
on Sep 25, 2006 -
19 comments
For murder ballads, here's your Mississippi John Hurt's Louis Collins and your Grayson & Whitter's Ommie Wise. Then, for some early white blues bottleneck guitar, here's your Frank Hutchison's K. C. Blues. Not to mention Charley Patton's Screamin' And Hollerin' The Blues. All courtesy the Internet Archives 78 RPM tag. where there is way more--like Bix Beiderbecke's first record, Davenport Blues, Louis Armstrong's Ain't Misbehavin' and Geeshie Wiley's Last Kind Words, among many others. Then, for more,
Nugrape Records has an mp3 page. The standout there, at least for me, is Gus Cannon's Poor Boy Long Ways From Home. As for their namesake, the Nugrape Twins, well, the Archive has the mp3 of I've Got Your Ice Cold Nugrape. And don't let me omit mentioning PublicDomain4U. They have Mississippi John Hurt's Frankie, for one. Tyrone's Record and Phonograph Links will lead you to more 78 RPM goodness. And don't forget the inestimable and erudite vacapinta first directed us to Dismuke's Virtual Talking Machine.
posted by y2karl
on Aug 25, 2006 -
48 comments
Vera Hall was a black woman born near Livingston, Alabama at the turn of the century. She grew up in a supportive family and community, but in difficult, poor rural living conditions. At a young age, Hall became a respected and devout member of the church, and remained so for the rest of her years. But after leaving home, she also fell in with more worldly crowd, for whom blues, craps, and alcohol were the entertainments of choice. The tension between these two spheres-- that of spirituals and the church, on one hand, and that of blues and the juke-joint, on the other-- is a theme that recurred throughout her life and infused her music. She drew upon both perspectives to cope with and overcome her life's perennial difficulties; sadly, it was dotted with tragedy: she lost both parents, a sister, a husband, a daughter, and two grandchildren-- all before she herself passed away in 1964 at the age of 58.
The Vera Hall Project [+}
posted by y2karl
on Sep 17, 2005 -
5 comments
The Alan Lomax Database is a free multimedia catalog of the audio and video recordings and photographs made by Alan Lomax from 1946 to 1994.
posted by liam
on Apr 25, 2005 -
8 comments
701 78s. A huge set of "old-time" music recordings from 1924-1946, made available in RealAudio format by honkingduck.com. Not high sound quality, but an invaluable collection for anyone with any interest in early recorded bluegrass, folk, country, blues, etc.
posted by staggernation
on Nov 10, 2003 -
23 comments
Howard Armstrong, artist and black string band musician who played 22 instruments--excelling by far on violin and mandolin--who spoke seven languages, who first recorded in 1930 and was still an active performer up into this year, died last Wednesday of complications due to a heart attack he suffered in March. He was the subject of the P.O.V. film Sweet Old Song, which will be reprised a week from today on August 12th, 2003. He was also the subject of Louie Bluie--the first film by string band muscian and director of Crumb and Ghost World, Terry Zwigoff--which is well worth your watching by itself. He was quite a character and lived quite a life.
posted by y2karl
on Aug 5, 2003 -
7 comments
"Now What a Time": Blues, Gospel, and the Fort Valley Music Festivals, 1938-1943
Approximately one hundred sound recordings, primarily blues and gospel songs, and related documentation from the folk festival at Fort Valley State College (now Fort Valley State University), Fort Valley, Georgia. The documentation was created by John Wesley Work III in 1941 and by Lewis Jones and Willis Laurence James in March, June, and July 1943. Also included are recordings made in Tennessee and Alabama by John Work between September 1938 and 1941. Audio Title Index
The John and Ruby Lomax 1939 Southern States Recording Trip
Folk singers and folksongs documented during a three-month trip through the southern United States. Audio Title Index
California Gold: Northern California Folk Music From the Thirties
Materials from the WPA California Folk Music Project Collection, including sound recordings, still photographs, drawings, and written documents from a variety of European ethnic and English- and Spanish-speaking communities in Northern California. The collection comprises 35 hours of folk music recorded in twelve languages representing numerous ethnic groups and 185 musicians. Audio Title Index
(As Always, More Inside)
posted by y2karl
on Apr 14, 2003 -
12 comments
Labors Of Love
Here are some handmade pages, personal and corporate, on American Vernacular Music and more:
First, here's Long Time Coming, with three separate shrines to Dock Boggs, Pretty Boy Floyd and Gus Cannon's Jug Stompers, worthy subjects all. I have no idea what the Eyeneer Records revenue model is or was but their American Music Archive, (Latest Update - August 20, 1999), albeit spotty, is still a must stop and see with pages on Charley Patton, Sleepy John Estes and Lucille Bogan, for example, and that's just the blues section. It's a very promising sounding site--and it's too bad they never finished it, but, on the other hand, thank god,they have not yet pulled the plug. Lea Gilmore's It's A Girl Thang's Historical Profiles has it goin' on with Sister Rosetta Tharpe, Big Maybelle and Georgia White for examples. Catherine Yronwode, of course, is a name well known here, as is her wondrous Lucky Mojo, cornucopica that it is. There, among much riches, is the extensive and authoritative Blues Lyrics and Hoodoo --but that's Not All ! »→ »→ »→
posted by y2karl
on Feb 12, 2003 -
21 comments
John Hurt: Although it was not John (wrong sex anyway) who through a gentle voice and pleasant demeanor (yet he had this about him too) served as my primary impetus to play the guitar, it was nevertheless he, and others who played like him - but mainly he who provided me with my first technical model (emotional model to some extent also) for playing the guitar. He was the first I heard who played in the three-finger, non-choking, "picking" style, and he was one of the best. He was in his quiet way, a very great man, and I deeply mourn our loss of him. John Fahey
Mississippi John Hurt
"I just make it sound like I think it ought to" (more →)
posted by y2karl
on Feb 8, 2003 -
41 comments
Folk Music. Stefan Wirz and Hideki Watanabe pay homage to their favorites. Check out Hideki's Muscle Shoals page for another slice of his Americana pie. Or click on a name--Eric Von Schmidt, say--on Stefan's completist, slow loading page and wallow in pictures and stories... Then there's the Richard & Mimi Fariña website. Jan Hoiberg's Band site is another. I love labors of love.
And don't forget the Bauls of Bengal or the secrets of John Wesley Harding revealed!
And note, newsfilterians, you can now order Mickey Jone's home movies from the '66 tour, too. I'm going to see the Bobster tomorrow, so I've been thinking of these things.
posted by y2karl
on Oct 3, 2002 -
18 comments
John Fahey - American Primitive Guitar. I got an e-mail from a listener about a John Fahey song I played on my show today and it prompted me to revisit his website. I've been listening to him ever since '67 or so. He died last year due to complications during a coronary bypass operation--I realized again today how I miss him. (more inside)
posted by y2karl
on Mar 22, 2002 -
14 comments