MetaFilter posts tagged with folk and blues

bluestab's blog meets AfricanAfrican aka NegroArtist.com

y2karl — Fri, 23 Oct 2009 15:20:15 -0800

Chanteur puissant à la voix rocailleuse. And here is bluestab's blog And here, via Babelfish is bluestab's blog in an English of sorts. Then, while, looking for mp3s to match the tabs, I came across the universe of African American history and culture that is AfricanAfrican aka NegroArtist.com, a site so big it has two URLs. [Billy Mays] But, wait--that's not all! [/Billy Mays] Then, while looking for in the commons mp3s for any of the titles in bluestab's blog , I stumble upon a treasure trove of such in the 5000 series pages at Document Records. , the completist's completist pre-war jazz and blues label, And found even more even more in the Rare Recordings and Video page of AfricanAfrican, a small universe of texts, music and motion pictures of and on the African American experience. I am overwhelmed. Yoda says I: Truly a Labor of Love this is. And between the two--voila! We have a post!

O Black and Unknown Bards - Among Other Things, Regarding The White Invention of The Blues

y2karl — Thu, 06 Aug 2009 11:08:58 -0800

...The narrative of the blues got hijacked by rock ’n’ roll, which rode a wave of youth consumers to global domination. Back behind the split, there was something else: a deeper, riper source. Many people who have written about this body of music have noticed it. Robert Palmer called it Deep Blues. We’re talking about strains within strains, sure, but listen to something like Ishman Bracey’s ''Woman Woman Blues,'' his tattered yet somehow impeccable falsetto when he sings, ''She got coal-black curly hair.'' Songs like that were not made for dancing. Not even for singing along. They were made for listening. For grown-ups. They were chamber compositions. Listen to Blind Willie Johnson’s "Dark Was the Night, Cold Was the Ground.'' It has no words. It’s hummed by a blind preacher incapable of playing an impure note on the guitar. We have to go against our training here and suspend anthropological thinking; it doesn’t serve at these strata. The noble ambition not to be the kind of people who unwittingly fetishize and exoticize black or poor-white folk poverty has allowed us to remain the kind of people who don’t stop to wonder whether the serious treatment of certain folk forms as essentially high- or higher-art forms might have originated with the folk themselves.

From Unknown Bards: The blues becomes apparent to itself by one John Jeremiah Sullivan. I came across it while browsing Heavy Rotation: Twenty Writers On The Albums That Changed Their Lives. For Sullivan, that album was American Primitive, Vol. II: Pre-War Revenants (1897 - 1939), which is my favorite CD of the year. Which came out in 2005 while I just got around to buying it this year. Foolish me. It is a piece of art in itself in every respect--all CDs should have such production values. In it, Sullivan recounts how in 1997 or 1998, he--as a junior editor at the Oxford American, fact checking an article by Greil Marcus--and John Fahey, then yet another recluse in a welfare hotel in Salem, Oregon attempted to decipher the lyrics of Geeshie Wiley's Last Kind Word Blues, which most of you may know from the soundtrack of Terry Zwigoff's documentary film Crumb. There are three or so copies and he, R. Crumb, would have one. Well, among many other things, at least one hearing of Last Kind Words is required for your Cultural Literacy Certificate. As is at least one hearing of I Got Your Ice Cold Nugrape. NuGrape - now available again at Fred Meyers and QFC here in Seattle. And here is a discussion of the lively reader response in Harper's to his interpetation of Wiley's lyric. Not wanting to spend money on assorted essays on the Smiths, Beastie Boys and Jay Z, I read Unknown Bards standing up at Borders Books. An ethically suspect practice, no doubt--as is posting the article entire in pdf form. Or in a series of comments at a thread at Jazzcorner's Speakeasy. Well, the scrupulous may pay for it at Harper's where it originally ran. Unknown Bards discusses the CD American Primitives, Vol. II and two must read books, In Search of the Blues: The White Invention of Black Music by Marybeth Hamilton and Escaping The Delta: Robert Johnson, and the Invention of the Blues by Elijah Wald. Oh, and for the guitar players out there, here, from Guitar Seminars Dot Com, is a thread with a rough tab of Last Kind Word Blues by one Mr. Mando. For what it's worth, Marybeth Hamilton's overall thesis about the white invention of the blues sounds about right to me--and I was fascinated by her story of James McKune, the Father of Us All, to whom, more than any other person, we owe the most for the consensual reality we inhabit, and cultural construct we share, when we hear the word 'blues.'

...decades ago it was a lodging house run by the Williamsburg branch of the YMCA, and it was here, in a single room on the uppermost floor one unknowable day in the mid-1950s, that the Delta blues was born. Born, that is, in the imagination of one of the YMCA’s long-term residents, a record collector named James McKune. A journalist turned postal worker, reclusive, homosexual and alcoholic, McKune conducted his life as a long downward spiral: moving into the Y around 1940, losing job after job as his drinking intensified, and eventually ending up on the streets, where he died at the hands of a violent stranger in 1971. Yet during his years at the Y he scavenged junk shops and used record stores to build up an extraordinary collection of blues 78s. In time that collection became the driving force behind the 1960s blues revival, when white Americans and Europeans discovered - one might say invented - a tradition that they called the Delta blues, constructed out of scraps of old recordings that African-Americans had long left behind.

Oh, and for what it's worth, the title Unknown Bards comes from the James Weldon Johnson poem O Black and Unknown Bards.

"My cup runneth over with bloody water" -- Paul K.

ford and the prefects — Thu, 09 Jul 2009 10:02:31 -0800

Kentucky folksinger Paul K. has released his entire catalog online under a Creative Commons Attribution 3.0 license. (Scroll down through the absurdly large text and lengthy lacunae on K's site to get to the links!) From the fellers at Trouser Press:

Paul K is one of the post-punk generation's first bona fide bluesmen, a guy whose tales from the darkside are drawn from his own experiences as a reformed junkie and small-time criminal with the jailhouse record to prove it. Throughout the mid-'80s, the Louisville, Kentucky native (né Kopasz) released dozens of home-recorded cassette albums, but the onetime winner of a debating scholarship hamstrung his own progress by living a lifestyle sufficiently shadowy that he ended up a New York squatter pulling small-time stickups to make ends meet.

I'd particularly recommend The Big Nowhere, with its "Washington Square"-inspired slinker "Flood the Market," and last year's astounding Maintain Radio Silence.

The Anthology, notated.

1f2frfbf — Thu, 12 Mar 2009 09:15:25 -0800

"With this blog, I want to use the Folkways Anthology as a roadmap to explore American folk music and maybe other countries traditions along the way. I’ll use texts, images, music and videos gathered from my personal collection and from the net to make this work-in-progress enjoyable and educational the best I can." (via)

You like vinyl? I've got your vinyl right here.

msalt — Sat, 31 Jan 2009 11:55:31 -0800

Desperate Man Blues Edward Gillen's documentary about Joe Bussard, renowned collector of 25,000+ blues, folk and gospel 78rpm records from the 20s and 30s. It's about the hunt and the hunter, as much as what he found. One week only on Pitchfork TV As plugged by UbuRoivas previously.

Figuring out harmonies mathematically is like reading the mind of God.

1f2frfbf — Fri, 23 Jan 2009 07:36:29 -0800

The occasionally updated The Celestial Monochord claims to be the "Journal of the Institute for Astrophysics and the Hillbilly Blues" Highlights include: The connection between Gillian Welch and a rare South Carolina flower that was "discovered by a man who didn't name it, named for a man who didn't see it, by someone who didn't know where it was," . Did Tom Waits reinterpret Stephen Foster in Cold Cold Ground? A possible source for the title of Bob Dylan's breakout album. The connection between the New Lost City Ramblers and Voyager 1.

Wrath of the Grapevine: The Roots of John Fahey

y2karl — Sun, 01 Jun 2008 12:33:04 -0800

So, about 9 months ago I started working on this compilation... Until yesterday, however, I hadn't seen a tracklist from the mysterious 10-cd set called the VrootzBox, so this is not a derivative work, however similar it may be...I should mention that not all of these songs are songs that he covered or copped licks from. Most of the music he has made mention to, though a few of the songs were recorded after his formative years and one or two he never would have heard. But they are presented to give an illustration of the styles he drew from (such as gamelan, which he grew up playing in his neighbor's back yard).

Wrath of the Grapevine: The Roots of John Fahey
via FaheyGuitarPlayers

Do You Like American Music?

Miko — Wed, 02 Apr 2008 07:54:59 -0800

Sounds of America is a new monthly streaming audio program, a collaboration between the National Museum of American History and Smithsonian Global Sound. Up now are 3 episodes: African-American music in New Orleans, Women in American Music, and Freedom Songs of the U.S. Civil Rights Movement.

Robert Petway - Catfish Blues

y2karl — Thu, 28 Feb 2008 21:03:57 -0800

And here we have a couple of YouTube productions, screensaverish animations of photos and lyrics to the original recordings: Robert Petway - Catfish Blues and Tommy McClennan - It's Hard To Be Lonesome. This is mostly about Petway and Catfish Blues but you can't mention Petway without mentioning McClennan, as they ran together in their time and as both did versions of Catfish, a song canonical in Delta Blues, recorded and performed by nearly everyone--Muddy Waters - Rolling Stone, for example. Petway just happens to be the first person to record Catfish, and quite possibly the person who wrote it and certainly. to my mind, at least, the person who nailed it... in the uptempo version at the very least.

It is remarkable, given the later ubiquity of 'Catfish Blues', how little solid information there is about Robert. He was born about 1908, probably on the J.F. Sligh Farm near Yazoo City, like his running buddy, Tommy McClennan. His publicity photograph shows a small man with a toothbrush moustache, a lantern jaw, and big, guitar player's hands. Most unusually, he apparently saw no reason to don the sharp suit and hand painted tie so often favoured by musicians (Tommy McClennan included) when facing the camera; photographed in his working man's blue duckins, Petway's only concession to style was a rakishly angled trilby. McClennan and Petway would play at house parties, and in the juke joint at Three Forks crossroads, nowadays famous as the place where Robert Johnson was poisoned.

...thus reads the text on the Document Records page for Mississippi Blues Vol. 3 Complete Recordings of Robert Petway, Mississippi Matilda, Sonny Boy Nelson comes these Coralized mp3s of Petway's Catfish Blues as well as his and McClennan's Boogie Woogie Woman. If these don't work, the links for them on the page will. What they give you are a cpuple of slices of 1940s Delta Blues in their original context as downhome juke joint dance music performed by two diminutive men--McClennan evidently stood 4'10" and weighed in at 133, according to David Honeyboy Edwards--with big voices and punchy percussive National guitars. As guitar players, they are limited in one sense, expansive in another. As singers, well, they are shouters and they tear it up.Regarding Catfish is Robert Petway - Acoustic Guitar Forum. And, also, at Weenie Campbell's Keys To the Highway forum, Robert Petway--Keys/Positions for his Songs is a comment in the thread concerning Tommy McClennan--Keys/Positions for his Songs. As for Tommy McClennan, go to the Blues & Gospel from the 1920s & 1930s section after you join up--for free--at the The Roots Music Listening Room, which was brought to our attention by one crunchland, and you will find Baby, Don't You Want To Go, Cross Cut Saw Blues, Down To Skin And Bones, Drop Down Mama, Elsie Blues, and I'm A Guitar King--ha!--among a dozen or so others of McClennan's 40 odd song output. And, for the record, compare and contrast their portraits on their respective Stefan Wirz' Robert Petway and Tommy McClennan pages. And here iare two more pages: Tommy McClennan and Tommy McClennan, Whiskey Head Woman: The Complete Recordings 1939-1940

Times ain't Like They Used To Be: Richard "Rabbit" Brown, New Orleans Songster

y2karl — Thu, 07 Feb 2008 05:30:44 -0800

In 1900 they were everywhere. Singing on street corners, in front of circus entrances, or just moving down the dusty roads of the South, playing anywhere a crowd might be cajoled into donating a dime to the cause. To survive they played any request--ballads, popular tunes, white hillbilly music, hymns, and the newly emerged blues. Songsters were the first folk musicians to be "professional" ...Most songsters faded into the past. A few waxed recordings, leaving a tempting glance into their world--and many questions. Such is the case with Richard "Rabbit" Brown, one of the most celebrated songsters and the only one from New Orleans to record.

Times ain't Like They Used To Be: Richard "Rabbit" Brown, New Orleans Songster--so, James Alley Blues is the song most everyone names as Brown's greatest and, now, you can play it online here. So, the AOL beta player is pretty easy to figure out and you will hear at least a clip of some length of not only James Alley Blues but a taste of other songs Brown recorded. See also Harry Smith, Liner notes, American Folk Music, Folkways FA 2951-2954, 1952. Regarding the Anthology, see also American Folk.

And something is vacant when I think it's all beginning : The Late Allen Ginsberg and Beck in Conversation

y2karl — Tue, 05 Feb 2008 23:38:38 -0800

Not exactly breaking news, but still:
The Late Allen Ginsberg and Beck in Conversation
Related YouTuber: Beck on the late Allen Ginsberg
To complete the circle: Jackass by the South Austin Jug Band.

Ramblin' Jack Elliott on the YouTube and Online

y2karl — Sun, 20 Jan 2008 19:37:54 -0800

In more or less chonological appearance, here are examples of one of our very own still extant national musical treasures:
Ramblin' Jack Elliott - Talking Merchant Marine
Ramblin' Jack Elliott - San Francisco Bay Blues
Ramblin' Jack Elliott - Salt Pork West Virginia
And here, from SXSW 2006, is Ramblin' Jack Elliott & Billy Bragg - The Ballad of Pretty Boy Floyd
Also from SXSW 2006, Jack Elliott & Marty Stuart - Engine 143
From last year, here is Ramblin' Jack Elliott - Old Shep
and Ramblin' Jack Elliott - South Coast
And from last week's Bill Graham's Birthday Bash, here is
Phil Lesh, Jackie Greene & Ramblin' Jack Elliott - Friend of The Devil From his official, albeit maintained in a rather desultory manner, web site, here is a Ramblin' Jack biography, with a note about his legendary semi-talking blues 912 Greens, which is the very best of the two or three songs written by Ramblin' Jack. And here is another take on the same song. I first heard him sing it at the Sky River Rock Festival in 1968--And there was this three legged gray cat named Gray that useta to lope along and *snap* fall down because Gray, he had stroke and he couldn't run on those three legs so good no how... and loved him and the song ever since. (As does at least one other member here, or so I suspect.) I only wish there were a free mp3 of it available at this moment. Oh, well, it's on his Young Brigham album. so get thee to a record store forthwith. Young Brigham was his horse at the time the album was recorded. I only just this moment reversed the name Young Brigham, by the way. D'oh! In addition, his daughter Aiyana had made a film entitled The Ballad of Ramblin' Jack There's a version of Ramblin' Jack's version of Don't Think Twice, It's Alright in this episode of A Prairie Home Companion. Supposedly the story goes--and I have heard this from Elliott himself in person--that a young and drunken Bob Dylan, upon hearing Elliott's take on the song, bequeathed the song to him for eternity. Somehow, I rather doubt that included royalties... It's a funny story in person with Elliott's Dylan impersonation. Not to mention the delicious irony involved in hearing Vanguard's Ramblin' Jack impersonating Columbia's Ramblin' Jack. It adds a whole other dimension of absurd. But, for a fact, he does own the song, singing alone.... And then there is....

To ask Ramblin’ Jack Elliott a question is to tug at a snag in a sweater, only to see the yarn unfurl of its own volition, dropping in aimless loops, curling and snaking itself into a variegated fable. Every answer is a folk tale. Conversation is an exercise in free association, switchbacks, good-humored evasion, meanders, and box canyons. Jack Elliott does his talking without aid of a compass.

On the Road Oh, man, tell it brother... I once interviewed Ramblin' Jack for Seattle's own Rocket magazine. I had done my research, knew about him singing harmony on Bob Dylan's first studio recording of Mr. Tambourine Man in 1964 and had been to 912 Toulouse Street, to boot. And I had pictures to prove it--Wow, man, I've had people tell me they'd been to 912 Toulouse before but you're the first person to show me picturesand I got Ramblin' Jack ramblin' for near onto ninety minutes. And here's tip for future interviewers: don't eventhink of cutting him off. Go with the flow--for he brooks no interruption. And never a word of it has as yet been printed, don't you know ? Not in the Rocket, that's for sure. Mr. Elliott didn't have any 'product' out at the time. GrrCharlesCrossGrr...

Honking Duck - Listen to Old Time Music from 78s

y2karl — Mon, 05 Nov 2007 05:35:31 -0800

Hill Billie Blues by Uncle Dave Macon and his Fruit Jar Drinkers is under 1924 at Honking Duck. You could search that by title as well. Or you can look up by Artist as in Al Hopkins & His Buckle Busters.
Need I mention all are in RealAudio ? Hate Realplayer ? Well, as noted before, fight the power and use Real Alternative aka Media Player Classic instead. It's not exactly my favorite style of interface but they certainly do afford a large selection.

Folktunes.org - The Folktunes Archive for teaching and learning.

y2karl — Mon, 22 Oct 2007 23:49:12 -0800

Viola Lee Blues by Cannon's Jug Stompers
The House Carpenter - Clarence Ashley
Old Dan Tucker - Judge Sturdy's Orchestra
Minglewood Blues - Cannon's Jug Stompers
Coo Coo Bird - Clarence Ashley
Sally Gooden - Eck Robertson on fiddle
The Worried Blues - Samantha Bumgarner
Dark Holler - Clarence Ashley
Cocaine Habit Blues - The Memphis Jug Band
All are from Folktunes.org, a list of annotated links to mp3s at the Internet Archive with lyrics and history on each page. It's like a functional annotated academic SomeOfTheCoolest78sAttheInternetArchiveFilter .

John Fahey - Fare Forward Voyagers

y2karl — Tue, 16 Oct 2007 05:36:04 -0800

John Fahey - Fare Forward Voyagers
John Fahey - Dance Of The Inhabitants Of The Palace Of King Phillip XIV
Clips from a 2 hour performance at the Euphoria Tavern in Portland, Oregon from 1976. Among the cognoscenti at FaheyGuitarPlayers, the consensus is that these clips display Fahey in rare form on a very good night.
Apart from Fahey, Bohemia Visual Music aka Mike Nastra, the contributor of these clips, provides an interesting assortment of way too hip YouTubery offerings including, among others, Spike Jones, Dimandas Galas, Gene Krupa, Tuxedo Moon, Sun Ra, Pere Ubu and the Holy Modal Rounders.

Guitar playing motivation

nicolin — Tue, 11 Sep 2007 06:52:52 -0800

This might lead you to learn to play guitar, to write poems, to sing, or just to watch and listen more intently. Kelly joe Phelps, from washington state, is one of the most beautiful musicians I've ever seen. He's got a great way to play traditionals and his originals are mesmerizing.

You want the Old Skool? You can't handle the Old Skool! You don't even have a clue what the Old Skool is! chops down door Here's ...Johnny!!!

y2karl — Fri, 29 Jun 2007 14:13:53 -0800

Here is Uncle John Scruggs singing and playing Little Log Cabin Round the Lane in RealAudio Dial Up and DSL format. The dancing is great and I do like the walk-on kitten part, myself.

That's from the Center For Southern African-American Music Video Link Page. Their audio link page is a wonder, too with individual artists galore. But, for the real deal, check out the Various Artist compilation album pages. Those may be 20 second of so mp3 clips but, still, those Yazoo, Document and Folkways albums are the bomb and there you get a taste of what they offer. And anywhere you can hear, for example, even a few bars of Blind Alfred Reed's How Can A Poor Man Stand Such Times And Live ? or Estil C. Ball and Lacey Richardson's Trials, Troubles, Tribulations rules in my world.

How To Pick a Fight With y2karl

jonson — Thu, 28 Jun 2007 21:27:53 -0800

While some people like their Kottkes all modern & full of links, I'll take mine old skool. Ladies & gentlemen, the greatest 12 string slide guitarist that ever lived.

Beautiful Losers

y2karl — Fri, 04 May 2007 02:09:05 -0800

Karen Dalton - It Hurts Me, Too
Tim Buckley - Sally Go 'Round The Roses
Tim Hardin - If I Were A Carpenter
See also
The Other Side Of Greenwich Village 60's Folk Scene - Part 1
and Part 2
more within

Faking It: the quest for authenticity in popular music

jason's_planet — Fri, 20 Apr 2007 07:58:34 -0800

“We consider the 'primitive' music of blues singers such as Leadbelly to be more authentic than that of the Monkees. But all pop musicians are fakes . . . Hugh Barker and Yuval Taylor . . . have turned out their personal record collections to produce a persuasive defence of inauthenticity as the defining characteristic of great popular music[.]” (via)

The Falsettos - Skip James, Tommy Johnson, Dona Dumitru Siminica & Joe Keawe, among others

y2karl — Thu, 14 Dec 2006 16:48:55 -0800

Here is a video of one falsetto singer:

Skip James - Devil Got My Woman

More music by and information about Skip James, a Romanian gypsy named Doma Dumitru Siminica, leo ki'eki'e singers Richard & Solomon Ho'opi'i and other Legends of Falsetto within...

John Fahey at Rockpalast - Hamburg Uni, Hamburg, West Germany - 1978-03-17and otherwise on YouTube

y2karl — Sun, 22 Oct 2006 08:10:05 -0800

John Fahey in concert: Beverly (aka Indian Pacific Railroad Blues) Poor Boy (Which is a variation on Booker White's Poor Boy Long Way from Home)

folkstreams.net - A National Preserve of Documentary Films about American Roots Cultures

y2karl — Fri, 06 Oct 2006 06:19:56 -0800

Folkstreams.net has two goals. One is to build a national preserve of hard-to-find documentary films about American folk or roots cultures. The other is to give them renewed life by streaming them on the internet. The films were produced by independent filmmakers in a golden age that began in the 1960s and was made possible by the development first of portable cameras and then capacity for synch sound. Their films focus on the culture, struggles, and arts of unnoticed Americans from many different regions and communities. The filmmakers were driven more by sheer engagement with the people and their traditions than by commercial hopes. Their films have unusual subjects, odd lengths, and talkers who do not speak "broadcast English." Although they won prizes at film festivals, were used in college classes, and occasionally were shown on PBS, they found few outlets in venues like theaters, video shops or commercial television. But they have permanent value...

folkstreams.net Currently streaming are the films The Land Where the Blues Began , Cajun Country , Jazz Parades: Feet Don't Fail Me Now , Talking Feet: Solo Southern Dance: Buck, Flatfoot and Tap , Ray Lum: Mule Trader and Pizza Pizza Daddy-O , among many others.

John Smith Hurt: An Interview and the Mississippi John Hurt Blues Foundation

y2karl — Wed, 04 Oct 2006 21:04:45 -0800

Here is the Mississippi John Hurt Blues Foundation, the website, which is the creation of one Frank Delaney of Spokane. There's a great deal of guitar related material and a page of mp3's by fans, which includes several interesting originals by one Fred Bolden, a grand nephew. I always knew he had a son who played guitar and wondered why no one had ever tried to record him. Now there is a grand nephew playing, if nowhere near as sublimely as his great uncle, in roughly the same style.

Here is an interview of John Hurt from 1963, courtesy of Stefan Grossman's guitar video empire. It is a real delight.

Consider this a follow up to this post. Not all of the links there are good. The Mississippi John Hurt Guitar Tab Book, for instance, is now available only in PDF format but well worth the download. And here is an illustrated discography of John Hurt by another Stefan, Stefan Wirz, a subject of yet another post back in the day.

Etta Baker 1913-2006

y2karl — Mon, 25 Sep 2006 13:35:22 -0800

Etta Baker 1913-2006

MetaFilter posts tagged with folk and blues

bluestab's blog meets AfricanAfrican aka NegroArtist.com

O Black and Unknown Bards - Among Other Things, Regarding The White Invention of The Blues

"My cup runneth over with bloody water" -- Paul K.

The Anthology, notated.

You like vinyl? I've got your vinyl right here.

Figuring out harmonies mathematically is like reading the mind of God.

Wrath of the Grapevine: The Roots of John Fahey

Do You Like American Music?

Robert Petway - Catfish Blues

Times ain't Like They Used To Be: Richard "Rabbit" Brown, New Orleans Songster

And something is vacant when I think it's all beginning : The Late Allen Ginsberg and Beck in Conversation

Ramblin' Jack Elliott on the YouTube and Online

Honking Duck - Listen to Old Time Music from 78s

Folktunes.org - The Folktunes Archive for teaching and learning.

John Fahey - Fare Forward Voyagers

Guitar playing motivation

You want the Old Skool? You can't handle the Old Skool! You don't even have a clue what the Old Skool is! *chops down door* Here's ...Johnny!!!

How To Pick a Fight With y2karl

Beautiful Losers

Faking It: the quest for authenticity in popular music

The Falsettos - Skip James, Tommy Johnson, Dona Dumitru Siminica & Joe Keawe, among others

John Fahey at Rockpalast - Hamburg Uni, Hamburg, West Germany - 1978-03-17and otherwise on YouTube

folkstreams.net - A National Preserve of Documentary Films about American Roots Cultures

John Smith Hurt: An Interview and the Mississippi John Hurt Blues Foundation

Etta Baker 1913-2006

You want the Old Skool? You can't handle the Old Skool! You don't even have a clue what the Old Skool is! chops down door Here's ...Johnny!!!