24 posts tagged with folk by flapjax at midnite.
Displaying 1 through 24 of 24.
"Old Weird America", you say? I got some right here for ya: Oh, My Pretty Monkey, by Kelly Harrell. [more inside]
"Folk Music in America" is a series of 15 LP records published by the Library of Congress between 1976 and 1978 to celebrate the bicentennial of the American Revolution. It was curated by librarian/collector-cum-discographer Richard K. Spottswood, and funded by a grant by the National Endowment for the Arts. It's absolutely fantastic. And here it is.
Bob Dylan ran through the 18th century English folk song "Pretty Saro" six consecutive times during the Self Portrait sessions in March 1970, but none of those versions made the final cut for the album and the song remained in Columbia's vault for the past 43 years, until now. Bob Dylan's Lost 1970 Gem 'Pretty Saro' - Premiere
You might have heard at one time or another a 60s band called Canned Heat, who made a wee bit of a splash way back when with a little number called Going Up the Country. The song featured a simple but very catchy little flute riff between verses. If you ever wondered where that riff came from (not to mention the melodic contour of the tune itself) you need look no further than a 1928 recording by Henry Thomas, who played the flute melody on his quills, or, panpipes. The song was called Bull Doze Blues. [more inside]
Hey y'all! Here's your waaaaay laid back, deeeep Southern blues for the day, and contrary to the title, it's an easy pill to swallow. You dig that? OK, then, there's... [more inside]
Let yourself be carried along, floating nice and easy down that slow, lazy river of American collective unconscious, when you hear Jack Owens singing Jack Ain't Had No Water.
Like folk enthusiasts and field recordists John and Alan Lomax did in the US, Englishman Hugh Tracey documented an astonishing amount of traditional music. Tracey's love was the music of central and southern Africa, and his recording work came at a crucial time in the history of the region, when, due to repression from Christian missionaries as well as great social change and migration, traditional music of various kinds was fast disappearing. The hour-long audio documentary Discover and Record: The Field Recordings of Hugh Tracey is an excellent introduction to the man and his work, and is chock full of some absolutely fantastic music. [more inside]
You might find this an agreeable way to spend six minutes and twelve seconds: a two part introduction to the traditional music of Tsugaru, Aomori prefecture, in the far north of the main Japanese island of Honshu. The first piece is a starkly beautiful song, just voice and flute, and the second a solo piece performed on the shamisen, by the late Takahashi Chikuzan, a master of the Tsugaru style. And here you can see Chikuzan in action, rocking the three strings.
Goddammit it, I wish I'd written this deliciously nail-on-the-head, brilliantly insightful and sweeping overview of American musico-cultural history, seasoned with heavy dollops of personal remembrances and observations that I identify with so much that it's almost scary. But alas, I didn't. Still, I'm really, really grateful that William Hogeland did: Coons! Freaks! Hillwilliams! : 200 Years of Roots-Rock Revival (a Memoir).
Oh yeah. There he is, Mr. RL Burnside, in the year of nineteen and seventy eight, Independence, Mississippi, porch fulla kids, singin' about when his first wife left him, million-dollar smile on his face. And there he is again, with his guitar and amp, out by the barb wire fence, a poor boy a long way from home. These two little gems just added to the Alan Lomax Archive YouTube channel, where you'll also find some wonderful newly-uploaded clips (filmed in 1983) from fretless banjo plucker Tommy Jarrell, the toast of Toast, North Carolina.
Guitarist Etta Baker worked in a textile mill, raised nine children, and didn’t take her music to the stage until she was 60 years old. Fortunately for all of us, she continued to play and record right up until her death in 2006 at the age of 93.
African-American fiddler Joe Thompson, probably the last living link to the black string band tradition of the 19th century, has died at the grand old age of 93. Hear Joe and his cousin, banjoist Odell (who passed on back in 1994) offer some reminiscences on the origins of their music, and a spirited rendition of Cindy Gal. Here's the short but sweet and deliciously ragged Old Corn Liquor. Hear Joe and Odell in concert in 1988, part one and part two, and this little ditty from a living room in 1987. And there's... [more inside]
New Year's Eve is fast approaching, and for lots of folks that means... drinking. Plenty of drinking. And since there's no shortage of singers and songwriters who've had a little something to say about that particular topic, maybe some of the following tunes can serve as an appropriate soundtrack to your own joyous (or not?) imbibing of spirits. For example, there's... Jimmy Liggins with his succinct rendition of Drunk, and there's... [more inside]
Within that small and very specific sub-genre of musical Americana identifiable as the train imitation, there is one amazing performance, from 1926, that set the standard: Pan-American Blues. The man who recorded it did a fine and fanciful job of evoking the sounds of a fox chase as well, and his rhythmically compelling solo rendition of John Henry stands as testament to the potential for musical greatness achievable by one man and a humble harmonica. He was an African-American who was a founding member of the Grand Ole Opry, a musical institution that we rarely (as in, never) today associate with black people, and his touching and tragic story, documented here, is one that will be of interest to those concerned with the racial, economic and socio-cultural history of American popular music. He stands at one of its more unexpected intersections: his name is DeFord Bailey. [more inside]
Born in Big Sandy, Texas in 1874, Henry Thomas was one of the oldest black musician who ever recorded for the phonograph companies of the 1920′s and his music represents a rare opportunity to hear what American black folk music must have sounded like in the last decade of the 19th century. [more inside]
The Victor Talking Machine Co. of Camden, New Jersey is proud to present the following Orthophonic Recordings by bluesman Mr. Ishman Bracey: Leavin' Town Blues - Trouble Hearted Blues - Brown Mamma Blues and Saturday Blues. And remember, for best results, use Victor Needles. [more inside]
Fiddle, accordion, and a singing drummer. Seven minutes and fifty seven seconds of Gypsy music from Ukraine, live in Budapest. The real thing. Totally wailing. Kickass. Técső Banda at Kertem.
The foot bone connected to the ankle bone, the ankle bone connected to the leg bone, the leg bone connected to the knee bone, the knee bone connected to the thigh bone, the thigh bone connected to the hip bone, the hip bone connected to the back bone, the back bone connected to the shoulder bone, the shoulder bone connected to the neck bone, the neck bone connected to the head bone, now hear the word of the lord...and be sure to check the hover-overs for link details on all this bony business,
Who has the longest necks (on their duttars, that is) and the tallest hats in the music biz? Why the Uighurs, of course. [more inside]
Back in 1963, a TV special called "Folk Songs and More Folk Songs" aired, which featured a cross section of the "folk" artists who were at that time just beginning to receive wider media exposure. Aside from the squeaky-clean, white bread embarrassment of groups like The Brothers Four, the show redeemed itself with performances by a very young Bob Dylan, who sang The Ballad of Hollis Brown (with banjo and bass accompaniment) and Man of Constant Sorrow. And here's two more very early Dylan TV appearances, from Canada, 1964: A Hard Rain's a-Gonna Fall and Girl From the North Country. Here's the same Girl From the North Country performed years later, once again on broadcast TV, in duet with Johnny Cash, from the Johnny Cash Show. [more inside]
Doc Watson: his warm and unprepossessing voice and rolling guitar stylings (both flatpicking and fingerpicking) are treasures of American music. The following video clips will be a treat for any Watson fan, but especially for guitar players: they feature closeup shots of Doc's left hand fretwork as well as insets of his right hand picking. So, without further ado: Deep River Blues, Blue Railroad Train, Black Mountain Rag and Bluebell. [more inside]
Each of the following MySpace Music pages features bios and/or photos and/or videos and/or miscellaneous related materials and/or up to four songs by each of the following Old Time, Traditional, Appalachian folk (and related) artists: Lowe Stokes, Clarence Ashley, Charlie Poole, Gid Tanner and the Skillet Lickers, Roanoke Jug Band, Roscoe Holcomb, Hobart Smith, The Weems String Band, Burnet & Rutherford, Bascom Lamar Lunsford, John Masters, Dock Boggs, Tampa Joe & Macon Ed, William Stepp, Buddy Thomas, Buell Kazee, Isidore Soucy, John Salyer, Cousin Emmy, Luther Strong, Elizabeth Cotten, Fred Cockerham, G.B. Grayson, Melvin Wine, Lewis Brothers, Uncle Dave Macon, George Lee Hawkins and Wilmer Watts. And here's some general Old Time (etc.) pages, featuring various artists: Dust To Digital, Traditional Music of Beech Mountain and North Carolina Folklife Institute. [more inside]
Before you do anything else, just listen to this. That's eefing, a 100-plus-year-old vocal technique from rural Tennessee that's, well, the original hillbilly beatboxing. The undisputed master of the art was Jimmie Riddle. His unique skill landed him recording* and TV (youtube) work. Want more weird sounds from the deep south? Try Hollerin & Whoopin and Ringing the Pig. *[warning: on the "Little Eefin Annie" page, avoid the "click here to hear Rolf Harris Eeefin'!" link: it's a pesky popup.