Old People Wearing Vegetation. Seniors from Norway and Finland (NSFW) model wearable art made of plants, in Eyes as Big as Plates. [more inside]
Historical versions of Aesop's fables - text and pictures - collected by Laura Gibbs. She gives thousands of historic texts in English, Latin, and Greek, but even better, has Flickr sets of the historic illustrations (that page is sorted by artist) from editions by Rackham, Caldecott, and other artists going back to the 1400s. [more inside]
A visually inventive, super-stylized, 27 minute Soviet cartoon telling of The Little Mermaid / Rusalochka from 1968.
Nearly three decades ago, folklorist Alvin Schwartz published Scary Stories to Tell in the Dark, the first of three horror anthologies that would go on to become the single most challenged book series of the 1990s. But most of the backlash was against not the stories themselves (which were fairly tame), but rather the illustrations of artist Stephen Gammell. His bizarre, grotesque, nightmarish black-and-white inkscapes suffused every page with an eerie, unsettling menace. Sadly, the series has since been re-issued with new illustrations by Brett Helquist, of A Series of Unfortunate Events fame. Luckily for fans of Gammell's dark vision, copies of the old artwork abound online, including in these three image galleries: Scary Stories to Tell in the Dark, More Scary Stories to Tell in the Dark, Scary Stories 3: More Tales to Chill Your Bones. Interested in revisiting the stories themselves? Then don't miss the virtual re-enactments of YouTube user MoonRaven09, or the dramatic readings of fellow YouTuber daMeatHook.
American Ethnography Quasi-Weekly is a somewhat gonzo cabinet of curiosities -- a mix of photography, academic essay, archival materials, and bloggy postings on "outlaw aethetics" and outsider culture, presenting glimpses of American subcultures past and present, from Califormia low-riders to "hoochy-coochy" dancers to blackface tambourine jugglers, and plenty more. [more inside]
Jon Klassen is an illustrator and designer, with a blog and a lovely website full of artwork, including The Miser (3:53, 2004, made with Kyle McQueen and Dan Rodrigues), An Eye for Annai (5:27, 2005, previously, also made with Dan Rodrigues, .MOV video link), an interpretation of a Mayan folktale (available in full in Flight vol 4, previously), The Adventures of Ship, a family art project, visual development and drawings for sets and props for the movie adaptation of Coraline (a couple previous), amongst other bits and bobs. Illustration Mundo had an interview with Klassen earlier this year.
This entrancing 17-minute film compiled from footage of British folk celebrations was put together in honor of a new project created by set designer Simon Costin. Finding much of his artistic inspiration in the folklore of Great Britain, Costin wondered why there was no national center or museum dedicated to studying and collecting these traditional customs. So he's decided to start one, The Museum of British Folklore, and is launching the project this summer by outfitting a 1976 caravan and traveling to folk festivals around the country. The expedition is intended to build interest in the museum project, and to collect and document some of the surprising variety of more than 700 annual, seasonal, often pre-Christian festival celebrations that continue to this day. [more inside]
Weavings of War: Fabrics of Memory, an online exhibit of comtemporary textiles created (mostly) by women living in war zones.