Artist Julián Dorado puts together typographical creatures. The alphabet can be a little scary.... Typefaces. (via) [more inside]
We've seen it done before with Ms. Dewey (previously), but all the same, meet Max Kerning. He's also on Facebook and Twitter. He's a total shill (Sutcase Fusion 2) but still worth checking out. [more inside]
Font Conference. A video from CollegeHumor which made me laugh more than a video from CollegeHumor really should.
Two blogposts from Smashing Magazine: Breathtaking Typographic Posters and Typography in Motion. Some notables: Retro Artist Feature, Linocut Print of London, It's the Outsideness Flavour of It, Zeitgeist, Hier Vorne, 80 of 500 Handdrawn Posters and music video for Ya no sé qué hacer conmigo by Uruguayan band Cuarteto de Nos.
FontStruct lets you quickly and easily create fonts constructed out of geometrical shapes, which are arranged in a grid pattern, like tiles or bricks. Once you're done building, FontStruct generates high-quality TrueType fonts, ready to use in any Mac or Windows application.
In 1957, Swiss typographer Max Miedinger invented "the official typeface of the 20th century" -- Helvetica [previously discussed here, via Arts and Letters Daily].
Typophile speculates. We have several symbols in english that stand for words commonly used enough that simplifying their written forms (@, &, %) became common. What would have happened if chat-speak had become common before computers, people started writing them in shorthand, and type foundries realized that we needed a Helvitica Medium Bold version of the WTF ligature?
Sick of ▯? Try Code2000.
BitFontMaker - Create, edit, and save your own truetype pixel font via this web app.
Free the Olympukes. Fontshop, the 500-lb gorilla of type foundries, has released Jonathan Barnbrook's Olympukes dingbat font - which does a good job of reconciling the love/hate relationship many of us have with this most constructed of all sports events - for free. Barnbrook is the politically savage designer behind the Virus typefoundry, and is probably most well-known for collaborations with Damien Hirst and the typefaces Exocet and Mason (which was originally called Manson – and "intended to speak of the uncomfortable associations between elegance and violence" – but was renamed Mason in a fit of
pique marketing), which are sold through the fine folks at Emigre.
Are you a typoholic? It starts so innocently. One day you're mildly interested in the difference between display and text typefaces. Soon you can distinguish between teardrop and beak terminals. Suddenly you're annoying everyone in the movie theater by yelling out the names of all the fonts used in the credits. What's so scary is that you never saw it coming. You, my friend, are a type freak.
A New Typeface for Yale The Yale typeface is available to Yale employees, students, and authorized contractors for use in Yale publications and communications. It may not be used for personal or business purposes, and it may not be distributed to non-Yale personnel.
Fontifier will take a scan of your handwriting and turn it into a TrueType font.
Identifont is an amazing, free, font identification tool. Ever seen some nice text in print or on the web, wanted to use it yourself, but couldn't work out what font they used? By answering a series of simple questions (Does the 'Q' tail cross the circle? What shape is the 'g'?), all presented with handy example pictures, Identifont can quickly identify the name of the font you're looking for.
Microsoft Typeface Recall and an apology offered: a Swastika happened to slip by the censors. But is it really all that offensive? (more inside)
Behind The Typeface Presents: Cooper Black. The gripping saga of one typeface's trials and tribulations, following its path from the dizzying heights of stardom to the brink of self-destruction and back again. (Flash 5, approx. 3MB.)
Font sizing comparisons The Noodle Incident has screenshots comparing different font sizing methods on various browsers and platforms.
The Alphabet Synthesis Machine uses a generative algorithim to allow you to evolve letterforms for your own nonexistent langauge. Once you've tweaked it to the way you like it, you can download it as a TrueType font, and it's added to an archive of available alien fonts. Via socialist superstar JBushnell
Typographic56 has some interesting type experimentation geared towards the screen. Warrning: browser hijacking, though relatively well-done. More stuff at NoFont, and Bembo's Zoo. Know of any other places people are playing like this?
The Sigmund Typeface Utility allows you to generate dynamic images of text via a query string. There are options for the font style, color, and kerning. And the best part? Its all open source so it seems like someone could come up with a generator for things like Silkscreen, Mini7 or whatever else one might find useful.
Apple ][ font : The ultimate in retro bitmap. It even includes the mouse text characters so you can "draw" Apple ][-style windows. Neat.
Everyone knows Chank, but there are literally thousands of indie font producers out there, many of whom offer amazing fonts for free. Any MeFi denizens care to share their favorites? The more obscure the better, but I'll start with a relatively well known house of Test Pilot Collective.
Anti-Semitic Microsoft Font or just another dingbat conspiracy theory? You be the judge!
Microsoft's font embedding demos are really smurfin' cool. I think my favorite is the Hotzone Journal. IE4+ needed. Has anybody seen embedded fonts used elsewhere, or does anybody know if Mozilla does/will support font embedding?
Apple is apparently tidying up their corporate image even more while riding the wave of Jobs. They'll be eliminating the 'computer' part of the company name and will standardize on a series of 3D-ish solid color logos. The logos themselves, look as if they were stamped out of jello if you ask me. The next question is, of course, how long until Apple gets feeling retro about their identity, and starts using the old rainbow logo again. Anyone remember their 70's corporate typeface? Motter Tektura
I was debugging some cascading style sheet code tonight and ran across this: the most comprehensive essay I've ever seen on relative font sizing in CSS. Todd Fahrner has completely covered a topic that seems to surface once every couple months on the web lists I read. Great stuff.
A bunch of display type hacks... who just happen to be the berries in my book. Ok, I'm a type geek, I admit it - and I've designed a couple of fonts myself... But the boys over at House Industries are without a doubt the hippest cats this side of a kerning table.
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