Typeface based on sculpture becomes motorized sculpture. The (European) typeface Jigsaw, “which was inspired by sculpture,” finds a use in typesetting the names of donors to a (U.S.) regional arts council. “A motorized disk contains approximately 2,000 names.... Pushing an initial letter on the control panel allows the viewer to find a particular name. The disk rotates and stops at the requested letter and displays all the names corresponding to the requested letter by backlighting them with white LEDs.” (Gallery; Vimeo video.) [more inside]
The new Egyptian régime blows its chance to legitimately use the Papyrus font. The Egyptian president’s official site (for standardistas: HTML 3.2 with no language declared!) squanders a chance at typographic symbolism, Typophile explains: “Unfortunately, they had a once-in-a-lifetime opportunity to legitimately use Papyrus and they blew it. Instead it’s Algerian.” (Type specimens: Papyrus; Algerian. Cf. Papyrus Watch [previously].)
The Museum of Modern Art announced this week it would induct 23 digital-era typefaces into its permanent collection (Times coverage). But what do the designers of these fonts look like? Pics or it didn’t happen: first set; second.
Fraktur mon amour: Ruud Linssen’s Book of War, Mortification and Love is a collection of “essays on voluntary suffering” that works as a specimen of the Fakir blackletter typeface issued by merry pranksters Underware. Bored already? Well, try this on for size: It’s “printed in the author’s blood.”
Typography of World Cup jerseys: In general, or just Italy’s. Or read an interview with Paul Barnes, who designed the faces for – yes – Italy and several other Puma-sponsored countries (Algeria, Cameroon, Ghana, Ivory Coast, Switzerland, Uruguay).
John Mayer gets some really bitchin’ typography. House Industries (last MeFi mention: 1999!) designs a limited-edition tour poster for the crooner who constantly steals the show on TMZ. “[U]ntil they come up with a JPEG format that makes metallics shimmer like a Solid Gold dancer’s outfit, there just isn’t a substitute for physically walking around a serigraph and watching the light bouncing off metallic and fluorescent inks.” [more inside]
Ikea de-Futurafies. You may have noticed something at once familiar and unfamiliar about the 2009 Ikea catalogue: The company switched from a custom variant of Futura to the font you stare at all day in your browser, Verdana. And type nerds are losing their shit! [more inside]
Stelae for 7/7. The London 7/7 Memorial consists of “52 pillars (or ‘stelae’), cast in rough textured stainless steel, each representing one of the victims” of the 2005 terrorist bombing attack. Typographer Phil Baines (profile) explains the development of the rough-hewn yet “British” typeface, based on “the 19th-century, untutored signmakers’ sansserif you see on buildings around the city,” that is moulded into the living steel.
Definitive guide to fonts on Mad Men. Mostly the fonts that didn’t exist during the time of the show. Not every single thing is “historically accurate,” apparently. [more inside]