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"The moment they click that shutter, the magic is there. And that's what I look for."

"When I look for images, I look for something that makes you almost uncomfortable in your own skin—something that makes you observe more intently," Foster says. "That's when I know I have something that's more than just a snapshot." John Foster is a graphic design and communications professional by day, and joined by his wife as collectors of "vernacular photographs" by night. Their collected photographs have been featured at art galleries and museums, and John has worked with others to curate outsider art shows. If that wasn't enough, his collections extend beyond found photos, as previsusly featured on the blue (and as inspiration for another post).
posted by filthy light thief on Nov 29, 2010 - 10 comments

Bosch as background for scenes taken from Mayan codices and transformed into modern counterparts

"Look at the surrealist moustache on the Mona Lisa. Just a silly joke? Consider where this joke can lead. I had been working with Malcolm Mc Neill for five years on an illustrated book entitled Ah Pook Is Here, and we used the same idea: Hieronymous Bosch as the background for scenes and characters taken from the Mayan codices and transformed into modern counterparts. That face in the Mayan Dresden Codex will be the barmaid in this scene, and we can use the Vulture God over here. Bosch, Michelangelo, Renoir, Monet, Picasso — steal anything in sight. You want a certain light on your scene? Lift it from Monet. You want a 1930s backdrop? Use Hopper." -- William S. Burroughs, Les Voleurs [more inside]
posted by filthy light thief on May 2, 2009 - 29 comments

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