MetaFilter posts tagged with france and cinema

matteo — Mon, 13 Mar 2006 10:12:06 -0800

La Feline

matteo — Wed, 23 Feb 2005 12:02:29 -0800

"You can fool everybody, but landie dearie me, you can't fool a cat. They seem to know who's not right". The psychoanalyst calmly explains to his patient that her idea that she is turning into a member of the cat family is a fantasy; she silences him with fang and talon.
Val Lewton made his name as a producer with the horror film Cat People, produced for RKO on a minuscule budget and directed by Jacques Tourneur. The star? French actress Simone Simon, who died today in Paris aged 93. More inside.

Louis Feuillade, le Maître du cinéma

matteo — Mon, 08 Nov 2004 17:15:00 -0800

Detailing the impossible. Louis Feuillade made more than 800 films covering almost every contemporary genre: historical drama, comedy, realist drama, melodrama, religious films. However, he was most famous, or infamous, for his crime serials: Fantômas (1913-14), Les Vampires, Judex (1916), La Nouvelle Mission de Judex (1917), Tih-Minh (1918) and Barrabas (1919). Critics panned his crime films, often savagely, because the preoccupation of French critics and film-makers in the 1910s and 20s was to elevate cinema -– and, ironically, back then the French saw their own films as lacking the artistry and sophistication of American ones, by Griffith or DeMille – to the level of art. It was years before Feuillade's films escaped the label of aesthetic backwardness. Now, critics have realized that what Feuillade has done is to offer us an alternative cinematic mode to Griffiths', one that continues in updated variants throughout cinema. It is predicated on a principle of uncertainty, that questions our understanding of the real. It is as fluid and elusive a tradition as a cat burglar, dressed in black on a night-time rooftop.

Must France stay in Algeria

matteo — Wed, 03 Nov 2004 08:21:21 -0800

It all comes down do one question: Must France stay in Algeria? “If the answer is yes,” he says, “then you must accept the consequences.”
Gillo Pontecorvo's "The Battle of Algiers", now out on a Criterion dvd, is a film of quiet, overwhelming power. The mix of subjective and documentary techniques holds the viewer's trust so authoritatively that many scenes come close to sneaking out of the mental "movies I saw" box to mix with the viewer's own memories. No matter how complicated or fragmented the action becomes, Pontecorvo gets the pace, tone and rhythm exactly right, filling the screen with eloquent details.
(Last year, Pontecorvo's masterpiece was discussed here, too. More inside)

The NEW New Wave

biscotti — Tue, 07 Sep 2004 21:31:18 -0800

Underground French Cinema (literally) Three days later, when the police returned accompanied by experts from the French electricity board to see where the power was coming from, the phone and electricity lines had been cut and a note was lying in the middle of the floor: "Do not," it said, "try to find us." A secret underground cinema is found in the Catacombs of Paris, "You guys have no idea what's down there." Perhaps it's the work of a group of cataphiles called the "Perforating Mexicans".

XiBe — Wed, 17 Apr 2002 02:31:18 -0800

French culture in crisis ? After the Vivendi Universal french CEO Jean-Marie Messier fired Canal+ chairman Pierre Lescure yesterday, many questions arise in France. Will Vivendi, through Canal+, continue to help French cinema the way Canal+ did in the past ? Is this the last straw in a long series of acts and declarations from Vivendi's CEO against "Franco-French cultural exception" ? Has The Man finally won in France ? What's to happen in all the other countries were Vivendi (or any of the BigCo) basically owns the culture through local companies ?